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The fonds consists of both personal and general correspondence, manuscripts, notebooks, published novels and various other writings, photographs, and other material. See 'system of arrangement' below for more detail.

The fonds consists mainly of book manuscripts including The Stone Angel (1964), A Jest of God (1966), Long Drums and Cannons (1966), The Fire Dwellers (1969), A Bird in the House (1970), The Diviners (1974) and Heart of a Stranger (1976). The audio cassette, disc and reel are of songs from The Diviners.

The fonds consists of audio cassettes, which are correspondence tapes and narrative, research, and memoir tapes that Madzy created later in her life. The correspondence tapes were sent to friends and close family members. The fonds also included two of Madzy’s published books, Land for Our Sons (1958) and Madzy’s Dutch translation Land Voor Onze Zonen (1960), which have been catalogued separately for Research Collections.

The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The archive consists of material related to his writing, including scripts, manuscripts, essays, and other material. Of note is his first published essay from 1918. There are extensive diaries from 1929-1951, including detailed accounts of the Great Depression and the Second World War. There is also correspondence, photographs, clippings, and other published material.

The fonds consists of manuscripts and typescripts; correspondence (includes personal, Bertrand Russell, legal, and newspapers); theatre material; book and journals; reviews of her books; and photographs (many of them theatrical) created by and for Constance Malleson in her life as an actress and writer. The fonds also contains manuscripts, photograph albums containing watercolours by Percy French and other materials belonging to Priscilla, Lady Annesley, which document her life as a member of the Anglo-Irish aristocracy.

Fonds consists of Judith Robinson’s correspondence; clippings of her newspaper writings; drafts, notes, and research files; working records of NEWS; personal material; petitions and other material related to the Christie Street Hospital campaign; manuscripts and writing related to her books, published and unpublished; and manuscripts and writing by her friends sent to her for editing.

The fonds contains correspondence, documents, news clippings and ephemera; manuscripts and printed works, prose; manuscripts and printed works, poetry; manuscripts and printed works, translations; manuscripts and printed works, other authors; private press materials; and various other materials. For more detailed description of content, see 'System of Arrangement'.

There have been two accruals The first accrual consists of an undated 52 p memoir. The second accrual consists of typescripts, personal documents, and printed materials

The fonds contains: correspondence, diaries, plays, short plays and skits, libretti, novel, poetry, short stories, autobiographies, broadcasts, articles, unpublished editorial work, uncompleted work, contributions to publications, publications about John Coulter, subject files, magazines and posters.

The fonds contains many manuscripts of Connell's own books and two which he ghosted, the memoirs of the Aga Kahn and Sir Roy Welensky. There is much correspondence with the literary, political and military world described, amounting to some 14,000 pieces. Its Commonwealth associations include Rhodesia, in the Welensky files; India, in the Aga Kahn, Wavell and Auchinleck files; Canada; Kenya and Nyasaland; and Malaysia and the defence of the British Empire. His library has, except for some rare editions, been dispersed into the Mills Library stacks. The books that accompanied the third accrual have been listed but not yet catalogued.

The fonds consists of her writings in all genres (mainly poetry, with some fiction and prose) as well as correspondence, printed materials, and published works. The poetry includes a series of poems written in and about China.

Fonds consists of correspondence and manuscripts of poetry

There have been four accruals. The first accrual (57-1995, 30 cm) consists of manuscripts and research notes for three of his published works, Interior Landscapes: A Life of Paul Nash (1987), The Last Modern: A Life of Herbert Read (1990), and Virginia Woolf (1994); draft typescript and galley proof; and editorial and literary correspondence (including Graham Greene, Stephen Spender, Muriel Spark, and Francis Bacon).

The second accrual (26-1997, 60 cm) consists of material relating to The Life of Margaret Laurence (1997), editorial notes, photographs and correspondence (including Margaret Atwood, Timothy Findley, Al Purdy, and letters from Margaret Laurence to her editor, Alan Maclean.

The third accrual (27-1999, 68 cm) consists of three series: manuscripts and related material for Faking (1999) and Jack: A Life with Writers, The Story of Jack McClelland (1999), photographs, and literary correspondence.

The fourth accrual (16-2001, 20 cm) consists of two draft typescripts of *Farley: The Life of Farley Mowat</I> (2002) and editorial correspondence.

The fonds consists of a letter from Brasch to John Masefield and a reply from Masefield, 1953; the draft of a letter from Brasch to John Steinbeck and a reply from Steinbeck, 1954. The fonds is supplemented by a photocopy of an article that Brasch wrote about Steinbeck in San Jose Studiesas well as an offprint of an article in Modern Language Notes by Fraser Bragg Drew which cites the Masefield letter.

The fonds consists of broadcast scripts, typescripts of several short stories and articles, and a small amount of unlisted correspondence.

There have been six accruals. Four accruals from the 1970s have been combined and consist of stage plays, radio and television material, his thesis on T.S. Eliot and other related works, articles and book reviews, poetry, and correspondence. The fifth accrual consists of stage, radio and television plays, poems and short stories, a book about creative writing, and correspondence. Sound recordings, moving images and photographic slides also form part of the fonds. They are been removed from their accruals and are stored separately.