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The fonds contains many manuscripts of Connell's own books and two which he ghosted, the memoirs of the Aga Kahn and Sir Roy Welensky. There is much correspondence with the literary, political and military world described, amounting to some 14,000 pieces. Its Commonwealth associations include Rhodesia, in the Welensky files; India, in the Aga Kahn, Wavell and Auchinleck files; Canada; Kenya and Nyasaland; and Malaysia and the defence of the British Empire. His library has, except for some rare editions, been dispersed into the Mills Library stacks. The books that accompanied the third accrual have been listed but not yet catalogued.

The fonds contains: correspondence, diaries, plays, short plays and skits, libretti, novel, poetry, short stories, autobiographies, broadcasts, articles, unpublished editorial work, uncompleted work, contributions to publications, publications about John Coulter, subject files, magazines and posters.

There have been two accruals The first accrual consists of an undated 52 p memoir. The second accrual consists of typescripts, personal documents, and printed materials

The fonds contains correspondence, documents, news clippings and ephemera; manuscripts and printed works, prose; manuscripts and printed works, poetry; manuscripts and printed works, translations; manuscripts and printed works, other authors; private press materials; and various other materials. For more detailed description of content, see 'System of Arrangement'.

Fonds consists of Judith Robinson’s correspondence; clippings of her newspaper writings; drafts, notes, and research files; working records of NEWS; personal material; petitions and other material related to the Christie Street Hospital campaign; manuscripts and writing related to her books, published and unpublished; and manuscripts and writing by her friends sent to her for editing.

The fonds consists of manuscripts and typescripts; correspondence (includes personal, Bertrand Russell, legal, and newspapers); theatre material; book and journals; reviews of her books; and photographs (many of them theatrical) created by and for Constance Malleson in her life as an actress and writer. The fonds also contains manuscripts, photograph albums containing watercolours by Percy French and other materials belonging to Priscilla, Lady Annesley, which document her life as a member of the Anglo-Irish aristocracy.

The archive consists of material related to his writing, including scripts, manuscripts, essays, and other material. Of note is his first published essay from 1918. There are extensive diaries from 1929-1951, including detailed accounts of the Great Depression and the Second World War. There is also correspondence, photographs, clippings, and other published material.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.

The fonds consists of audio cassettes, which are correspondence tapes and narrative, research, and memoir tapes that Madzy created later in her life. The correspondence tapes were sent to friends and close family members. The fonds also included two of Madzy’s published books, Land for Our Sons (1958) and Madzy’s Dutch translation Land Voor Onze Zonen (1960), which have been catalogued separately for Research Collections.

The fonds consists mainly of book manuscripts including The Stone Angel (1964), A Jest of God (1966), Long Drums and Cannons (1966), The Fire Dwellers (1969), A Bird in the House (1970), The Diviners (1974) and Heart of a Stranger (1976). The audio cassette, disc and reel are of songs from The Diviners.

The fonds consists of both personal and general correspondence, manuscripts, notebooks, published novels and various other writings, photographs, and other material. See 'system of arrangement' below for more detail.

The fonds consists of research materials, manuscripts, and correspondence pertaining to Brandis’ writing activities; these files depict the extensive research, planning, and revision that she has undertaken while writing. The first two accessions are arranged under 5 series: Writing, Public Talks and Events, Promotional Materials, Printed material about Brandis, and Artwork. The third accession is arranged into 4 series: Published Work, Unpublished Works, Talks and Teaching, and Reviews and Awards. A number of her books were removed from the rest of the materials and have been catalogued for Research Collections.

The fonds contains material that falls into the following catagories: poetry; prose; journals; audio visual & music; correspondence; publicity, promotion and contracts; reviews and interviews; and publications

The fonds contains: manuscripts; correspondence; reviews of Cohen's work; university material; book manuscripts; other manuscript material; drafts of The Spanish Doctor; and various other material. More detailed contents outline in 'System of Arrangement' below.

Fonds consists of cassette tapes containing recordings of interviews conducted by Neil Armstrong of prominent Black and Caribbean artists, authors, poets, publishers, academics, and politicians for the York University student radio, CHRY 105.5FM. Interviews cover topics such as Black and Caribbean history, literature, community events, international work, and more. Interviewees include The Honourable Lincoln Alexander, Dionne Brand, Afua Cooper, The Honourable Rosemary Brown, Austin Clarke, George Elliott Clark, Louise Bennett (Miss Lou), and others. Some tapes have interviews or speeches made by these individuals outside of a CHRY interview.

Tapes were numbered in accordance with the original order upon arrival. Note: The “A” or “B” following the tape number reflects which side of the tape the recording may be found. Tapes without an affixed letter contain only one recording.

There have been six accruals. The first accrual consists of manuscripts, correspondence, and Weed/Flower Press materials. The second accrual (17-1997) consists of manuscripts, correspondence, Weed/Flower Press materials, juvenilia and oversize. The third accrual (13-2000) consists of manuscripts, correspondence, photographs, and printed materials. The fourth accrual (13-2005) has been arranged in the following series: manuscripts, typescripts and proofs; correspondence; manuscripts by others; personal documents and other materials (includes photographs); posters. The fifth accrual (05-2011) consists of Ball’s business archives as an antiquarian bookseller of Canadian literature: William Nelson Books (1972-1985); Nelson Ball, Bookseller (1985-2010). The sixth accrual (2016-029) consists of manuscripts, typescripts and proofs for books of poetry and some prose.

The Jo Vellacott fonds contains extensive documentation regarding Vellacott’s work as a historian of women, feminism, pacifism, and Bertrand Russell, both as an academic at several Canadian universities, as well as her work as an independent scholar. The fonds contains a significant amount of correspondence, both personal and professional, which spans almost the entirety of Vellacott’s life. Fonds also contains materials relating to Vellacott’s education, particularly her PhD work at McMaster University, and much of her personal and scholarly writings. It also contains materials relating to Vellacott’s Quakerism and involvement with the Thousand Island Monthly Meetings, as well as photographs of Vellacott and paintings and sketches she made.

There have been three accruals. There was a small second accrual of 2 letters from Patrick Lane to Fraser Sutherland. The text of one of these letters was transcribed by Fraser Sutherland in his letter to McMaster of 7 May 1976. The location of the two letters is unknown. The third accrual consits of a letter from Lane to Asher Joram (Jack), a letter from Lane to Norman Hart, and b&w print illustrations.