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The fonds consists of audio cassettes, which are correspondence tapes and narrative, research, and memoir tapes that Madzy created later in her life. The correspondence tapes were sent to friends and close family members. The fonds also included two of Madzy’s published books, Land for Our Sons (1958) and Madzy’s Dutch translation Land Voor Onze Zonen (1960), which have been catalogued separately for Research Collections.

Fonds consists of records created or received by Lucy Russell, predominantly during the period when she was of writing age and under Bertrand and Edith Russell’s care (ca. 1953-1965).

With Lucy Russell’s archive came her childhood library—226 volumes in total. As of January 2024, these books are slated for cataloguing. In the meantime, a full listing can be provided to interested parties.

The fonds consists of professional and personal correspondence, including correspondence with W.J. Eccles; material relating to Codignola-Bo’s scholarship and his work with the ICCS (International Council for Canadian Studies), the AIÉA (Association international d’études acadiennes), and the AIÉQ (Association international d’études québécoises).

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The fonds consists of shipping statistics and intelligence comprising reports, lists, letters, cablegrams and other documents.

The fonds covers the period of Jeffrey’s life in the few years preceding the war and during his service. It consists of diaries and notes on sermons from before the war. Correspondence regarding his plans to serve and while oversees. As well as newspapers related to his and his sister’s schooling and a number of obituaries after his death.

The fonds consists of O'Hanlon's annotated typescript of the letter book of Henry Pringle from 1747 to 1782, her research notes, and correspondence concerning the Pringle family. O'Hanlon used the pen name of Elizabeth Evory for the typescript.

The fonds contains a letter to Mr. Williams written by Wilmarth S. Lewis on 18 September 1934.

The archive consists of material related to his writing, including scripts, manuscripts, essays, and other material. Of note is his first published essay from 1918. There are extensive diaries from 1929-1951, including detailed accounts of the Great Depression and the Second World War. There is also correspondence, photographs, clippings, and other published material.

The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.

See finding aid.

The archive consists of Krader’s published and unpublished writing, his research notes, correspondence, and a small quantity of photographs, maps, and ephemera.

The fonds contains personal documents, appointments calendars, addresses and lectures, overseas visits, correspondence concerning the U.S.W.A. international election of 1973, periodicals containing articles about Sefton.

The fonds consists of manuscripts and typescripts; correspondence (includes personal, Bertrand Russell, legal, and newspapers); theatre material; book and journals; reviews of her books; and photographs (many of them theatrical) created by and for Constance Malleson in her life as an actress and writer. The fonds also contains manuscripts, photograph albums containing watercolours by Percy French and other materials belonging to Priscilla, Lady Annesley, which document her life as a member of the Anglo-Irish aristocracy.