Zona do título e menção de responsabilidade
Título próprio
Margaret Watkins fonds
Designação geral do material
Título paralelo
Outra informação do título
Título e menções de responsabilidade
Notas ao título
Nível de descrição
Arquivo
Código de referência
RC0024
Zona de edição
Menção de edição
Menção de responsabilidade da edição
Zona de detalhes específicos de materiais
Menção da escala (cartográfica)
Menção da projecção (cartográfica)
Menção das coordenadas (cartográfico)
Menção da escala (arquitectura)
Autoridade emissora e denominação (filatélica)
Zona de datas de criação
Data(s)
-
1800-1969 (Produção)
Zona de descrição física
Descrição física
1.53 m of textual records and graphic material
Zona dos editores das publicações
Título próprio do recurso continuado
Títulos paralelos das publicações do editor
Outra informação do título das publicações do editor
Menção de responsabilidade relativa ao editor do recurso contínuo
Numeração das publicações do editor
Nota sobre as publicações do editor
Zona da descrição do arquivo
Nome do produtor
História biográfica
Margaret Watkins was born Meta Gladys Watkins on 8 November 1884 in Hamilton, Ontario. Her parents were Frederick W. Watkins and Marion Watt Anderson. Mr. Watkins was an alderman, head of the YMCA, a trustee of the Centenary Methodist Church, a knight of the temperance movement, and a prominent dry goods merchant. He was owner of Pratt & Watkins and later Frederick W. Watkins stores. Marion Watt Anderson was from Glasgow, Scotland. She was active in art and music.
Watkins left home in 1908. She worked in various artists' communities, including the Roycrofters in East Aurora, New York from 1909 to 1910, and the Lanier Camp in Maine from 1911 to 1916. She lived in Boston from 1912 to 1915, where she published the occasional poem and designed costumes for amateur plays. She attended the Clarence H. White Summer School of Photography in Maine in 1914 and worked as an apprentice photographer with the Arthur Jamieson Studio in Boston. In 1915 Watkins moved to New York City and began work for Alice Boughton. She attended and taught at the Clarence H. White School of Photography. Watkins's photographic works were exhibited in a number of locations, including San Francisco, Seattle, New York, Java, Japan and London.
Watkins became a successful commercial photographer specializing in portraits and still life works. She was commissioned by Macy's and J. Walter Thompson to photograph items. Watkins also trained some of the best commercial photographers of her time including Paul Outerbridge, Ralph Steiner and Margaret Bourke-White. Watkins was actively involved with the Pictorial Photographers of America, The Art Center and the Zonta Club of New York. In 1928, Watkins left for a six-week holiday in Europe. When she arrived, she took over caring for her maiden aunts and never returned to New York.
Watkins continued to photograph in Europe and was a member of the West of Scotland Photographic Club and the Royal Photographic Society. She photographed trips to the USSR, Germany and France (1928-1933). She and her friend, Bertha Henson (nee Merriman), began an import/export business in the late thirties. Margaret Watkins died in Glasgow on 10 November 1969.
História custodial
Âmbito e conteúdo
Fonds consists of seven series: ancestral records, personal correspondence, business records, photographic work, personal notes and manuscripts, diaries and ephemera and newspaper clippings. Material in this fonds is primarily English although there is correspondence in German and Arabic and newspaper clippings and an exhibition program in Japanese.
Zona das notas
Condição física
Fonte imediata de aquisição
The fonds (56-2002) was donated by Joseph Mulholland of Glasgow, Scotland, in memory of Margaret Watkins and Mr. Mulholland's daughter, Ciara Mulholland. Mr. Mulholland received Ms. Watkins's archive, photographs and negatives following her death. Dr. Mary O'Connor, Department of English, assisted with the acquisition of this material.
Organização
Due to the disorderly state of the archive when it arrived, and Watkins's tendency to use scraps of paper to record her thoughts, complete rearrangement was required to create order within the fonds.
Idioma do material
Script do material
Localização de originais
Disponibilidade de outros formatos
Restrições de acesso
No access restrictions.
Termos que regulam o uso, reprodução e publicação
Instrumentos de descrição
Materiais associados
Ingressos adicionais
No further accruals are expected.
Identificador(es) alternativo(s)
Zona do número normalizado
Número normalizado
Pontos de acesso
Pontos de acesso - Assuntos
Pontos de acesso - Locais
Pontos de acesso - Nomes
Pontos de acesso de género
Zona do controlo
Descrição do identificador do registo
RC0024