Zone du titre et de la mention de responsabilité
Titre propre
Margaret Watkins fonds
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Cote
RC0024
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
1800-1969 (Production)
Zone de description matérielle
Description matérielle
1.53 m of textual records and graphic material
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Margaret Watkins was born Meta Gladys Watkins on 8 November 1884 in Hamilton, Ontario. Her parents were Frederick W. Watkins and Marion Watt Anderson. Mr. Watkins was an alderman, head of the YMCA, a trustee of the Centenary Methodist Church, a knight of the temperance movement, and a prominent dry goods merchant. He was owner of Pratt & Watkins and later Frederick W. Watkins stores. Marion Watt Anderson was from Glasgow, Scotland. She was active in art and music.
Watkins left home in 1908. She worked in various artists' communities, including the Roycrofters in East Aurora, New York from 1909 to 1910, and the Lanier Camp in Maine from 1911 to 1916. She lived in Boston from 1912 to 1915, where she published the occasional poem and designed costumes for amateur plays. She attended the Clarence H. White Summer School of Photography in Maine in 1914 and worked as an apprentice photographer with the Arthur Jamieson Studio in Boston. In 1915 Watkins moved to New York City and began work for Alice Boughton. She attended and taught at the Clarence H. White School of Photography. Watkins's photographic works were exhibited in a number of locations, including San Francisco, Seattle, New York, Java, Japan and London.
Watkins became a successful commercial photographer specializing in portraits and still life works. She was commissioned by Macy's and J. Walter Thompson to photograph items. Watkins also trained some of the best commercial photographers of her time including Paul Outerbridge, Ralph Steiner and Margaret Bourke-White. Watkins was actively involved with the Pictorial Photographers of America, The Art Center and the Zonta Club of New York. In 1928, Watkins left for a six-week holiday in Europe. When she arrived, she took over caring for her maiden aunts and never returned to New York.
Watkins continued to photograph in Europe and was a member of the West of Scotland Photographic Club and the Royal Photographic Society. She photographed trips to the USSR, Germany and France (1928-1933). She and her friend, Bertha Henson (nee Merriman), began an import/export business in the late thirties. Margaret Watkins died in Glasgow on 10 November 1969.
Historique de la conservation
Portée et contenu
Fonds consists of seven series: ancestral records, personal correspondence, business records, photographic work, personal notes and manuscripts, diaries and ephemera and newspaper clippings. Material in this fonds is primarily English although there is correspondence in German and Arabic and newspaper clippings and an exhibition program in Japanese.
Zone des notes
État de conservation
Source immédiate d'acquisition
The fonds (56-2002) was donated by Joseph Mulholland of Glasgow, Scotland, in memory of Margaret Watkins and Mr. Mulholland's daughter, Ciara Mulholland. Mr. Mulholland received Ms. Watkins's archive, photographs and negatives following her death. Dr. Mary O'Connor, Department of English, assisted with the acquisition of this material.
Classement
Due to the disorderly state of the archive when it arrived, and Watkins's tendency to use scraps of paper to record her thoughts, complete rearrangement was required to create order within the fonds.
Langue des documents
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
Restrictions d'accès
No access restrictions.
Délais d'utilisation, de reproduction et de publication
Instruments de recherche
Éléments associés
Accroissements
No further accruals are expected.
Identifiant(s) alternatif(s)
Zone du numéro normalisé
Numéro normalisé
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle
Identifiant de la description du document
RC0024