The fonds contains material in multiple languages: English, French, Ojibway/Chippewa, Cree, Latin.
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The fonds contains material in multiple languages: English, French, Ojibway/Chippewa, Cree, Latin.
There have been six accruals. Four accruals from the 1970s have been combined and consist of stage plays, radio and television material, his thesis on T.S. Eliot and other related works, articles and book reviews, poetry, and correspondence. The fifth accrual consists of stage, radio and television plays, poems and short stories, a book about creative writing, and correspondence. Sound recordings, moving images and photographic slides also form part of the fonds. They are been removed from their accruals and are stored separately.
The fonds consists of both personal and general correspondence, manuscripts, notebooks, published novels and various other writings, photographs, and other material. See 'system of arrangement' below for more detail.
The fonds consists of Russell's manuscripts, correspondence, library, periodicals, offprints, leaflets, photographs, audio discs, audio reels, audio cassettes, films, videocassettes, microfilms, news clippings, posters, some furniture, artwork (including a bust by Jacob Epstein), awards and medals. Also included are records of the Bertrand Russell Peace Foundation, including those that relate to the International War Crimes Tribunal. The archive is supplemented by a supporting research library of books, theses about Russell, and his publications in periodicals. The fonds also contains the archives of Russell's parents, Viscount and Viscountess Amberley. The fonds has been supplemented with ongoing acquisitions of original material from a variety of sources, as well as copies of selected material held elsewhere.
The fonds consists of manuscripts, research materials, correspondence, financial documents, photographs, maps, audio reels, and video cassettes. There have been twenty-one accruals.
There have been two accruals. The first accrual is arranged into 5 series: manuscripts, radio and television scripts, correspondence, research materials, Merlin publishing files. It contains a signed pen sketch by Ronald Searle (1920-) dated Paris, 1956. The second accrual consists of two brief letters from Beckett to Diane Root. The collection has been supplemented by books which have been catalogued for Research Collections and periodicals which have not been catalogued.
The fonds contains material falling under the following catagories: correspondence; full-length fiction; short fiction; non-fiction; books edited; poetry, articles; book reviews; notebooks; radio scripts; television scripts; film scripts; plays; printed material and miscellaneous
The fonds consists primarily of material related to writing, publishing, and promoting her novels: Stealing Nasreen, Six Metres of Pavement, and All Inclusive. As well as some additional writing material.
Fonds includes typescripts (including one Lennox Ballister story), writing fragments, and a teaching assignment from the Arts and Letters School. Also includes a typescript of a short story by Phyllis Jean McKishnie.
McKishnie, Archie P.
There have been six accruals. The first accrual consists of manuscripts, correspondence, and Weed/Flower Press materials. The second accrual (17-1997) consists of manuscripts, correspondence, Weed/Flower Press materials, juvenilia and oversize. The third accrual (13-2000) consists of manuscripts, correspondence, photographs, and printed materials. The fourth accrual (13-2005) has been arranged in the following series: manuscripts, typescripts and proofs; correspondence; manuscripts by others; personal documents and other materials (includes photographs); posters. The fifth accrual (05-2011) consists of Ball’s business archives as an antiquarian bookseller of Canadian literature: William Nelson Books (1972-1985); Nelson Ball, Bookseller (1985-2010). The sixth accrual (2016-029) consists of manuscripts, typescripts and proofs for books of poetry and some prose.
Fonds consists primarily of 6 volumes of diaries, written by Stephens from 1852 to 1881 (with gaps). The diaries provide significant insight into Stephens’ life, and record events in Owen Sound and throughout Ontario; none of the diaries cover the period when Stephens was writing the poem, Hamilton, though he does refer to the work from time to time. The diaries do include several other poems composed by Stephens. The fonds also includes a charcoal drawing of Stephens, a copy of Bunyan’s The Pilgrim’s Progress that was read to Stephens as a child, biographical information, documents relating to various family members, and other material.
Stephens, William A.
The fonds consists mainly of materials related to his writing, as well as a large monograph collection.
Cookridge, E. H.
The major treasure of this part is the series of letters between Garvin and Viola Woods, Oliver’s mother and Garvin’s future wife. Viola was unhappily married to the writer Maurice Woods when she first met Garvin but the death of Garvin’s first wife in 1918 seems to have spurred her to divorce – still an unfamiliar and scandalous procedure among the upper classes of early twentieth-century England. The couple’s efforts to marry were further complicated by their Roman Catholic religion, by Garvin’s influential position in British society and by the eccentric behavior of Viola’s sister, Una Troubridge, who had left her husband to become the lover of the notorious Radycliffe Hall. All these stresses are reflected in the passionate letters they wrote to one another between 1919 and their marriage in 1921.
Almost as valuable for the light which they throw upon Garvin in his final years, is the series of letters to his stepson Oliver Woods who was serving with distinction in a tank regiment during the Second World War. Perhaps significantly, apart from a single earlier example, Garvin's wartime communications with Oliver commence in March 1942, a month after he had ended his thirty-four year long editorship of The Observer. Although he soon began to write regularly for the Sunday Express it is probable that, with the burdens of editorial responsibility lifted, Garvin was able to devote more time to his correspondence and to following the fortunes of the war, and in particular to the fortunes of his beloved Oliver.
Frank Waters was not a journalist of the stature of J. L. Garvin and while the Waters material, included as Part II of this archive, lacks both the chronological and geographical scope of the Woods section, Waters was a man of intelligence, sensitivity and real literary ability. His journals, especially those which he kept during the Second World War are important and immensely readable with the kind of literary polish for which his friend Oliver Woods was only to find time in his published work. Indeed the Second World War is like a leit-motif running through the Waters material for, apart from the letters of condolence which flooded in to Joan Waters during October 1954, following Frank's untimely death, most of the correspondence and much of the literary, business and ephemeral material in this section of the archive dates from the years between 1939 and 1945.
Both Frank and Joan Waters were inveterate collectors of anecdotes and quotations and much of the material collected for a projected anthology is represented here, as is the raw material for another projected volume to comprise observations about The Times over more than 150 years. Oliver Woods was also involved in collecting material for his friends to use in the latter volume but neither was ever published.
Joan Maude, as a film and stage actress of some repute, had already established a wide circle of friends when she married Frank Waters in 1933 and many of her friendships survived into the years of her marriage to Oliver Woods. Rather than arbitrarily divide such letters to Joan between the Waters and Woods correspondence, all series of correspondence with Joan which continued after Frank's death (with the exception of letters of condolence, which are in the Waters section) have been placed in a single series in the Woods correspondence. References to such series are given in the Waters correspondence.
The material relating to Oliver Woods, scholar, soldier and man of The Times, comprises more than three quarters of the Garvin/Waters/Woods archive (114 of 132 boxes).
The Woods correspondence is a fascinating melange which accurately mirrors the many facets and encyclopedic interests of Oliver Woods. Among its most valuable contents are the letters exchanged with those who played major roles in African colonial and post-colonial history. Such British governors as Sir Andrew Cohen and Sir Evelyn Baring and newly emergent African leaders including Hastings Banda took Woods into their confidence.
Many of Britain's most influential politicians also found in Oliver Woods an intelligent, sympathetic and discreet correspondent and this section of the archive includes a litany of former prime ministers: Eden, Callaghan, Douglas-Home and Heath, as well as an intimate exchange with Hugh Gaitskell and his wife. There are lengthy series of letters between Woods and many members of the Astor family, and long exchanges with former Times editors such as William Haley.
Also Woods' many former army colleagues figure prominently here, men like Sir John ("Shan") Hackett who became close friends during the war years when Major Woods acquitted himself so bravely in the desert and who, as they rose to high positions of power, provided invaluable insights and information.
This part also includes some personal and family correspondence. While Oliver's mother Viola's letters to her husband J. L. Garvin are in the Garvin part of the archive, her letters to her son and his wife are here, as are substantial exchanges between Oliver and two of his Garvin half sisters, Viola and Katherine (Gordon).
Garvin, J. L.
The archive consists of material related to his writing, including scripts, manuscripts, essays, and other material. Of note is his first published essay from 1918. There are extensive diaries from 1929-1951, including detailed accounts of the Great Depression and the Second World War. There is also correspondence, photographs, clippings, and other published material.
The fonds consists of the book, correspondence concerning the publication of the book and the contract between Markland and the publisher, Erskine Macdonald. The correspondence consists of letters to and from Markland and several of the contributors to the anthology, letters to and from Markland to various newspapers and publishers seeking permission to reprint poems, a letter from the Oxford University Press turning down the anthology, and letters to and from the publisher of the anthology, Erksine MacDonald. There is also some correspondence between Markland and others about Erksine Macdonald after the publication of the book
Fonds consists of Judith Robinson’s correspondence; clippings of her newspaper writings; drafts, notes, and research files; working records of NEWS; personal material; petitions and other material related to the Christie Street Hospital campaign; manuscripts and writing related to her books, published and unpublished; and manuscripts and writing by her friends sent to her for editing.
This fonds consists of manuscripts of plays, poems, and some other writing; it also includes some play production material and research material.
Moses, Daniel David
The fonds consists of twelve accruals. The first accrual consists of Boxes 1-31 and is arranged into 6 series: personal correspondence, business correspondence, correspondence relating to poetry readings, interview and fan mail, unpublished works and published works. This accrual measures 4.03 m.
The second accrual (04-1988) consists of Boxes 32 - 66 and is arranged into 10 series: manuscripts, poetry worksheets, articles, personal correspondence, business and literary correspondence, readings, workshops and festivals, published work in journals, writer-in-residence and grants, awards and applications. The accrual measures 6.5 m.
The third accrual (35-1991) extends to 3.0 m and consists of boxes 67-74 and is arranged into 6 series: manuscripts; correspondence; teaching and writer-in residence; awards, competitions and readings; financial and legal and personal.
The fourth accrual (44-1997), which extends to 6.93 m, consists of boxes 75 - 95 and is arranged into 6 series: manuscripts; correspondence; electronic correspondence; teaching, student work, readings and juries; business, financial and personal and published materials and videotapes.
The fifth accrual (21-2001), which extends to 9.0 m, consists of boxes 96-143 and is arranged into the following 7 series: manuscripts; correspondence; the Writers' Union of Canada; Writers' In Electronic Residence programme; Mentorship programme and Editorial; Readings, grants, awards, juries, reviews and projects; and personal and miscellaneous.
The sixth accrual (32-2004) which extends to 6.3 m, and has been arranged in seven series: teaching, correspondence, writing, writing related activities, personal documentation and memorabilia, printed material, and moving images and sound recordings.has not been arranged, described or measured.
The seventh accrual (71-2008) measures 8 m and has been arranged into six series: teaching; correspondence; writing and royalties; readings, conferences, appointment books; photographs, artwork, moving images.
The eighth accrual (26-2011) measures 1.9 m and has been arranged into five series: writing; correspondence; teaching, readings, workshops and conferences; personal; printed and other materials.
The ninth accrual (2012-11) measures 1.5 m and has been arranged into 8 series: Manuscripts of novels and poetry; Research; Teaching, Festivals and Events; Business; Correspondence; Manuscripts edited by Musgrave; Personal; and Audio-Visual and graphic materials.
The 10th accrual (2015-16) measures 1.9 m and is arranged into seven series: literary and business; Teaching, workshops, readings and speeches; Correspondence; writing by others; personal; graphic and audio-visual.
The 11th-12th accruals (2012-011, 2018-035) measures 42.4 cm and is arranged into four series: Typescripts and writing, professional and research, correspondence, and memorabilia.
There have been seven accruals. The fonds consists of manuscripts, correspondence, photographs, sound recordings, and moving images created by or related to Reid as a writer and teacher. It also contains institutional and legal papers created during and related to Reid’s crimes and periods of incarceration.