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There have been four accruals. The first accrual is organized into four series: correspondence, 1968-1981; editorial files, 1981-1983; Art Department photographs, 1927-[1983?]; Scrapbooks, 1960-1976. Authors in the correspondence series include: Lovat Dickson, Hugh Garner, John Glassco, Norman Levine, George Woodcock, Margaret Atwood, Pierre Berton, Matt Cohen, John Robert Colombo, Marian Engel, Mavis Gallant, Margaret Laurence, Brian Moore, Peter C. Newman, Mordecai Richler, Michael Bliss, Kenneth McNaught, George Bowering, Louis Dudek, George Faludy, Ralph Gustafson, Irving Layton, Dennis Lee, Dorothy Livesay, Susan Musgrave, Michael Ondaatje, Miriam Waddington and Tom Wayman. This accrual reflects, to a very marked degree, the tenure of Robert Fulford.

The second accrual (13-2002) is organized into 6 series : Writers Files kept by editor Paul Wilson; Letters to the editor (Christina Brandao, John Fraser, Lisa Rundle, Robert Weaver and Kenneth Whyte); Production; Awards and photographs; News clippings and Card index. This accrual was received with a book collection and issues of Saturday Night from the 1930s and 1940s with a few earlier issues. The book collection and journals are listed separately and will be catalogued for Research Collections independently of this accrual. The third accrual (02-2003) is organized into 3 series: Editorial correspondence; Writers Files and Awards and Letters to the Editor. When the magazine suspended publication in 2005, all files at St. Joseph Media offices were removed; they did not come to McMaster. The fourth accrual (27-2007) consists of printed materials re the history of Saturday Night compiled by George Fetherling.

The fonds consists of materials related to Lautens' work, as well as personal documents.

The fonds contains manuscript material from the three volumes of Newman’s Hudson’s Bay Company histories, which have been heavily annotated by Martin Lynch. In addition, there is correspondence between Newman and the Lynches on specific chapters as well as more general matters.

The fonds consists of Edinborough's professional writing, correspondence, and personal materials.

The fonds is divided into two series: Personal and correspondence and Saturday Night.

The fonds consists of broadcast scripts, typescripts of several short stories and articles, and a small amount of unlisted correspondence.

Fonds consists of Judith Robinson’s correspondence; clippings of her newspaper writings; drafts, notes, and research files; working records of NEWS; personal material; petitions and other material related to the Christie Street Hospital campaign; manuscripts and writing related to her books, published and unpublished; and manuscripts and writing by her friends sent to her for editing.

The fonds consists of letters from Maclean’s Magazine to Gardner during his time as a freelance writer with the magazine. The correspondence is mainly with Pierre Berton, but there are a number from other Maclean’s editors as well.

The fonds consists of manuscripts, reviews, and correspondence.

The fonds consists of material related to Alan Walker's research, recordings, and other professional activities. As well as personal material, including correspondence. The third accrual contains 30 items related to Liszt and his Circle, including 14 letters from Liszt.

The fonds consists of 5 letters written to Faith Fenton by Cyrus C. Adams, an editor with the New York Sun, about her articles for that newspaper.