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The fonds contains many manuscripts of Connell's own books and two which he ghosted, the memoirs of the Aga Kahn and Sir Roy Welensky. There is much correspondence with the literary, political and military world described, amounting to some 14,000 pieces. Its Commonwealth associations include Rhodesia, in the Welensky files; India, in the Aga Kahn, Wavell and Auchinleck files; Canada; Kenya and Nyasaland; and Malaysia and the defence of the British Empire. His library has, except for some rare editions, been dispersed into the Mills Library stacks. The books that accompanied the third accrual have been listed but not yet catalogued.

Fonds consists of typescripts, proofs, manuscripts, research notes, speeches, essays, publications, and correspondence relating to H.R. Percy's literary career. Also included are materials relating to Percy's early life and service in the Royal Navy and Royal Canadian Navy.

The fonds contains material falling under the following catagories: correspondence; full-length fiction; short fiction; non-fiction; books edited; poetry, articles; book reviews; notebooks; radio scripts; television scripts; film scripts; plays; printed material; royalty statements; printing material for The Saturday Morning Chapbook Series and miscellaneous.

There have been four accruals. The first accrual (57-1995, 30 cm) consists of manuscripts and research notes for three of his published works, Interior Landscapes: A Life of Paul Nash (1987), The Last Modern: A Life of Herbert Read (1990), and Virginia Woolf (1994); draft typescript and galley proof; and editorial and literary correspondence (including Graham Greene, Stephen Spender, Muriel Spark, and Francis Bacon).

The second accrual (26-1997, 60 cm) consists of material relating to The Life of Margaret Laurence (1997), editorial notes, photographs and correspondence (including Margaret Atwood, Timothy Findley, Al Purdy, and letters from Margaret Laurence to her editor, Alan Maclean.

The third accrual (27-1999, 68 cm) consists of three series: manuscripts and related material for Faking (1999) and Jack: A Life with Writers, The Story of Jack McClelland (1999), photographs, and literary correspondence.

The fourth accrual (16-2001, 20 cm) consists of two draft typescripts of *Farley: The Life of Farley Mowat</I> (2002) and editorial correspondence.

The fonds consists mainly of book manuscripts including The Stone Angel (1964), A Jest of God (1966), Long Drums and Cannons (1966), The Fire Dwellers (1969), A Bird in the House (1970), The Diviners (1974) and Heart of a Stranger (1976). The audio cassette, disc and reel are of songs from The Diviners.

The fonds consists of a bound volume containg six manuscripts by Moir. They are:
The bride of Lochleven. -- Manuscript, 21 p.
The lunatic of love. A fragment. -- Manuscript, 16 p.
The Norman captive. -- Manuscript, 17 p.
The Revenge of Sir Edmund. -- Manuscript, 19 p.
Isabelle or the maid of Damascus. A Syrian tale. -- Manuscript, 29 p.
The exile of Novogorod. -- Manuscript, 76 p.

Three different hands appear to have been used. Different paper was used for the last manuscript. Stamped on the front cover is the delta symbol. Stamped on the back cover are the initials of his wife: C.E.M. 1852.Written inside the front cover is the inscription: Jane Moir from her mother, July 1853.

An item of personal correspondence from Francis Richard Charles Grant to Sir Thomas Wemyss Reid.

The fonds consists of textual records and printed material related to Colombo's research and writing.

The collection comprises records related to Seth’s illustrations and design work for ten of Stuart McLean’s Vinyl Cafe books and audio recordings. Documentary forms include production notes, original illustrations, overlays for printing, and colour chips.