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The fonds consists of correspondence, photographs and artwork. There are three letters associated with Clingan: one letter he wrote as a child to his father, one letter from A. Clingan that discusses him during World War I, and a third letter from a pal of his written on 9 January 1916. There are sixteen letters written by his son-in-law Lt. Colin Murray to his wife from Hannover in 1953. Graphic material includes a portrait of Clingan during World War II taken in Kirkgate, Yorks. and a caricature of him (pencil, ink, water-colour) at Aldershot in 1941. There are photographs of the Cameron Highlanders of Ottawa in 1940 and 1942; the Stoney Creek Band; the 260th Barracks, 2nd River; a Canadian troopship bound for Siberia; picture postcards of Vladivostock, and unidentified military photographs. Most of the photographs were removed from frames – numbers are written on the verso but their meaning is not known. Also in the fonds is a photograph of Queen Elizabeth, the Queen Mother, at a military base, a kilt pin, printed “Returned Soldiers’ Insurance” certificates issued to Clingan in 1930, and a printed issue of the Cameron Highlanders’ Journal from 1939. Clingan’s medals were sold at Bonhams in May 2009 and do not form part of this fonds.

The album contains images of South Africa from De Pencier’s time there during the war. It shows numerous places, soldiers, and people. Other photos in the album show snapshots of daily life after the war, including family and friends, as well as important occasions.

This collection contains uncatalogued pamphlets pertaining to communism, socialism, and class struggle. The pamphlets are global in scope, although they are all in English unless otherwise noted. The bulk of the collection originates from China and Soviet Russia during the post-WWII period, although Cuba and Britain are strongly represented as well. These materials include a selection of translated speeches from Mao Zedong, as well as Joseph Stalin, Vyacheslav Molotov, and other prominent Soviet policy-makers from the era. Also included within the collection are Cuban communist pamphlets from the late 1950s. These documents are comprised of anti-American tracts, pro-revolutionary materials, and a small number of Fidel Castro’s speeches. Some of the Cuban material is only available in French. In addition, there is a small selection of pamphlets published in Britain during the late 1930s and early 1940s concerning class struggle and working conditions for labourers, as well as numerous pamphlets exploring Argentina’s May Revolution of 1810 against Spain. The rest of the collection is composed of miscellaneous pamphlets and publications relating to communism, Marxism or Leninism, civil rights and women's rights.

The album contains eight portrait photographs of Lorraine taken by Charles A. Aylett, The Hardy Studio, and the Bain Studio. Each portrait has her name and the dates 1914-1932 stamped in gold. The first leaf of the album contains an unsigned poem of remembrance, titled “Lorraine”. It was possibly written by Wilson MacDonald. Found loose in the album was a poem written by MacDonald for Percy Gardiner. This poem has been placed in the Wilson MacDonald collection. Also in the album is a card, dated 1901, certifying that Mrs. Phillip Gardiner of Mount Forest is a member of the Methodist Church Twentieth Century Fund.

The fonds consists of thirteen accruals. The first accrual consists of Boxes 1-31 and is arranged into 6 series: personal correspondence, business correspondence, correspondence relating to poetry readings, interview and fan mail, unpublished works and published works. This accrual measures 4.03 m.

The second accrual (04-1988) consists of Boxes 32 - 66 and is arranged into 10 series: manuscripts, poetry worksheets, articles, personal correspondence, business and literary correspondence, readings, workshops and festivals, published work in journals, writer-in-residence and grants, awards and applications. The accrual measures 6.5 m.

The third accrual (35-1991) extends to 3.0 m and consists of boxes 67-74 and is arranged into 6 series: manuscripts; correspondence; teaching and writer-in residence; awards, competitions and readings; financial and legal and personal.

The fourth accrual (44-1997), which extends to 6.93 m, consists of boxes 75 - 95 and is arranged into 6 series: manuscripts; correspondence; electronic correspondence; teaching, student work, readings and juries; business, financial and personal and published materials and videotapes.

The fifth accrual (21-2001), which extends to 9.0 m, consists of boxes 96-143 and is arranged into the following 7 series: manuscripts; correspondence; the Writers' Union of Canada; Writers' In Electronic Residence programme; Mentorship programme and Editorial; Readings, grants, awards, juries, reviews and projects; and personal and miscellaneous.

The sixth accrual (32-2004) which extends to 6.3 m, and has been arranged in seven series: teaching, correspondence, writing, writing related activities, personal documentation and memorabilia, printed material, and moving images and sound recordings.has not been arranged, described or measured.

The seventh accrual (71-2008) measures 8 m and has been arranged into six series: teaching; correspondence; writing and royalties; readings, conferences, appointment books; photographs, artwork, moving images.

The eighth accrual (26-2011) measures 1.9 m and has been arranged into five series: writing; correspondence; teaching, readings, workshops and conferences; personal; printed and other materials.

The ninth accrual (2012-11) measures 1.5 m and has been arranged into 8 series: Manuscripts of novels and poetry; Research; Teaching, Festivals and Events; Business; Correspondence; Manuscripts edited by Musgrave; Personal; and Audio-Visual and graphic materials.

The 10th accrual (2015-16) measures 1.9 m and is arranged into seven series: literary and business; Teaching, workshops, readings and speeches; Correspondence; writing by others; personal; graphic and audio-visual.

The 11th-12th accruals (2012-011, 2018-035) measures 42.4 cm and is arranged into four series: Typescripts and writing, professional and research, correspondence, and memorabilia.

The 13th accrual (2021-002, 2021-022, 2018-35 and partial accessions from 2011 and 2012). The accrual measures 3.0 m and is arranged into 8 series: Writing; Personal; Professional; Travel; Business; Correspondence; Graphic and Published materials.

The collection consists of posters advertising shows by a variety of circuses and Wild West shows including Cole Brothers and Ringling Brothers & Barnum and Bailey. There have been two accruals. The first accrual has 36 posters. The second accrual has five posters, including one in German.

There have been five accruals. The fonds consists of: correspondence; journals and diaries; notebooks and notes; courses and course related material; manuscripts, typescripts and published material; personal documents; material by others; electronic material, moving images and sound recordings.

This fonds consists correspondence with family, friends, publishers and other poets such as Al Purdy, Gabrielle Roy, Louis Dudek, Dorothy Roberts, Dorothy Livesay, John Colombo, Ray Souster and Irving Layton. There are also reviews and public performances; manuscripts; Everson family material; photographs; and three-dimensional artifacts. There are a number of cassettes in the public performance series which include readings by Everson and interviews with him.

The fonds consists of minute books, membership and dues books, cash books.

The fonds consists of eight minute books, recording the meetings held by the union from 1904 to 1982.

The fonds consists of 9 letters, 3 invitations, 4 postcards, 2 Christmas cards, 1 birthday card and 4 photographs extracted from books donated to the Library by Smythe in the 1940s.

The book is a collection of four manuscripts written and illustrated by Sybil Seton-Chisholm.

There have been twelve accruals. The first accrual (1987 acc.) consists of correspondence, arranged alphabetically, 1983-84; appointment books and day files, 1952-1986; private files, 1951-1964; administration, 1963-1985; editorial (includes author files), 1966-1982; finance, 1965-1984; marketing, 1961-1984; business files, 1963-1978. Boxes A-I, followed by Boxes 1-23, 23a and 23b.

The second accrual (09-1988) consists of materials which had been kept in McClelland's home in Kleinburg, Ont. It has been arranged as follows: personal, 1957-1987 (includes day files for 1967 and 1986-1987, correspondence, photographs, vacations); general business correspondence, 1954-1986 (includes author files); administration, 1904-1985; editorial, 1922-1986 (includes author files); financial, 1910-1986; marketing, 1940-1986; subsidiaries and agencies, 1921-1985; news clippings; awards, plaques and memorabilia, 1939-1985. Boxes 24-41.

The third accrual (03-1991) partly contains materials relating to Jack McClelland and Associates. It was been arranged as follows: literary agency client files, 1987-1990; literary agent day books, 1987-1989; correspondence concerning projected anthology, 1989; speeches and organizations, 1984-1990; Seal/Bantam correspondence, 1983-1989; Roloff Beny estate, 1978-1990; McClelland and Stewart material (includes photographs, correspondence and a manuscript), 1921-1989; personal--school, war service and family, ca. 1920-1989; personal--correspondence; personal--financial, 1952-1989; personal--realia. Boxes 42-57.

The fourth accrual (45-1992) concerns his agency and the Roloff Beny Foundation. It has been arranged as follows: administrative, 1988-1991; business; correspondence, general and author, arranged alphabetically; Roloff Beny, 1987-1992. Boxes 58-65.

The fifth accrual (20-1993 acc.) concerns his agency. It has been arranged as follows: speeches, manuscripts and personal materials, 1989-1993; personal correspondence (includes day books for 1990-1992), 1990-1993; financial and correspondence, 1989-1992; Roloff Beny Foundation, 1984-1993; author and publishing correspondence, 1988-1992. Boxes 66-74.

The sixth accrual (15-1994). Only a small amount of this material concerns the agency. It has been arranged as follows: personal files arranged alphabetically by subject (includes day books for 1992 and 1993 and manuscripts), 1992-1994; correspondence, arranged alphabetically, 1992-1994; Roloff Beny Foundation/Estate, 1984-1994. Boxes 75-78.

The seventh accrual (56-1995) has been arranged as follows: general and family correspondence, 1991-1995; book manuscripts received; writings (includes day book entries and manuscripts), 1989-1995; Roloff Beny Foundation/Estate, 1991-1995; financial, 1977-1995. Boxes 79-84.

The eighth accrual (35-1996) has been arranged as follows: literary and general correspondence, 1994-1996; writings, day book, memoirs; Roloff Beny Foundation/Estate, 1994-1996; financial, 1987-1996. Box 85.

The ninth accrual (38-1997) has been arranged as follows: correspondence, 1995-1997; news clippings, 1996; Roloff Beny Estate/Foundation,; day calendar sheets, 1996-1997; household accounts book, 1981-1985. Box 86.

The tenth accrual (09-2006) consists of correspondence, writings, financial, legal and personal documents, writing by others and printed materials (catalogues). Boxes 87-88.

The eleventh accrual (41-2007) consists of writings (mainly his memoir), correspondence, legal and personal documents, royalties, writings by others and printed materials.

The twelfth accrual (29-2008) is the Coat of Many Authors.

The manuscript lists what appear to be the previous homes of the congregation: Broadway Hall, Brunswick Avenue, and now Bathurst Sreet in Toronto and then a summary of the program for the 28th of August 1904. Following this, it seems that all the congregants signed the book. Loose in the manuscript is a printed list of names and a published picture of the church exterior. Many of the names in the book correspond to the printed list.

The collection contains one item, a one-page manuscript containing a two stanza poem, "The Two Flocks", signed by the author and slip-cased in a leather container.

The fonds contains correspondence, manuscripts, sound recordings and other materials in English, Japanese and German. There are also some materials relating to his father, Klaus Pringsheim, as well as research materials for a biography of Eisaku Sato. Pringsheim’s uncle was Thomas Mann and some documents relating to the Mann family also form part of this fonds.

The fonds consists mainly of materials related to his writing, as well as a large monograph collection.

This collection consists of manuscripts of reviews written by Murphy. Each review is written on the blank back pages of review copies of books that Murphy received. There are nine reviews in all. Two of the books (Margaret Baillie Saunders's Litany Lane and Florence Edythe Balk-Hedges's The Story of the Catacombs) are only signed by Murphy, without a review inside them.

The fonds consists primarily of material related to MacGibbon's working life.