Zone du titre et de la mention de responsabilité
Titre propre
Léon Hennique fonds
Dénomination générale des documents
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
Niveau de description
Fonds
Cote
RC0776
Zone de l'édition
Mention d'édition
Mentions de responsabilité relatives à l'édition
Zone des précisions relatives à la catégorie de documents
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
-
188? (Production)
Zone de description matérielle
Description matérielle
3 manuscripts
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Léon Hennique was born in Basse-Terre, Guadeloupe on 4 November 1850. At the age of nine he moved to France where he received much of his formal education. He received educational training in Brest and Saint Quentin, and from 1865 to 1869 in Paris at the Jesuit school de la rue de Vaugirard. Hennique tried his hand at painting but did not find it as rewarding as writing. He was a novelist, playwright, journalist and a man of letters. His first published work appeared on 20 March 1876 in The Republic of Letters. Hennique followed the Naturalist school of thought, contributing several works to this literary movement.
Hennique was a close friend and associate of Emile Zola and the brothers Goncourt. He was a member of the Group of Médan presided over by Zola. Hennique assumed the presidency of the Goncourt academy from 1907 to 1912. He was also involved in developments in the Théatre-Libre in Paris. He was named a Chevalier de la Légion d'Honneur in 1895 and was also named an Officer of the National Order.
Historique de la conservation
Portée et contenu
The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.
Zone des notes
État de conservation
Source immédiate d'acquisition
The fonds (08-2003) was purchased from The Alexander Gallery in February 2002. At one time the manuscripts were in the possession of Henri Mitterand, Paris VIII.
Classement
Langue des documents
Écriture des documents
Localisation des originaux
Disponibilité d'autres formats
Restrictions d'accès
No access restrictions.
Délais d'utilisation, de reproduction et de publication
Instruments de recherche
Éléments associés
Accroissements
No further accruals are expected.
Identifiant(s) alternatif(s)
Zone du numéro normalisé
Numéro normalisé
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle
Identifiant de la description du document
RC0776