Affichage de 937 résultats

Item consists of a list of plants collected by Judge Logie.

The collection contains two letters: one, a letter to Mrs. Mesney on 1 November 1955; and another, to W. B. Burwell on 25 July 1955.

The collection consists of four accruals. The first accrual consists of 4 letters and 1 note from James to Edmund Gosse, 1 letter to Messrs. Clay, [?] & Taylor, 1 printed letter to his friends on the occasion of his seventieth birthday, and printed materials including the order of service for his funeral. The second and third accruals consist of adaptations of two of James' novels by other authors. The fourth accrual is a copyright registration document.

The collection consists of a diary kept from 1 November [1835?] to 14 March [1837?] when the Elliotts were living in Quebec City, Canada. The diarist is presumed to be Jane Elliott. Also in the collection is a play, "My Niece!!--In One Act"; a diary titled "Diary or Young Night Thoughts", 2 May 1830 to 10 September 1830; an undated essay about chalk; and 2 undated letters, written in Italian, possibly from R. Ferry, with one addressed to Luigia. The pencil drawing is presumably of the St. Lawrence River.

The fonds consists of a manuscript account book kept by Allison for the period 1845-1849, 164 pages. There are also three b&w photographs, one of Allison, two of the blacksmith's shop. The date of one photograph is [192-]. A typed transcript of the account book has been made.

The Anderson affair concerns charges of racism against black students by a white faculty member, Professor Anderson. The collection consists of printed materials, including statements, chronicle of events, newspaper articles, posters, and transcripts of the interviews contained on the audio cassettes.

The collection consists of documents prepared by the organizing committee, teaching literature used at the various meetings, posters, statements, and press reports in both French and English.

Bill 63, which was designed to guarantee the language rights of the English minority in Quebec, sparked a tide of nationalist agitation. The collection consists of newspapers, press and other statements.

The collection consists of 28 letters to Major John Fairfax-Blakeborough, mainly from Sir Alfred Pease, but also from other members of the Pease family; news clippings; a typed carbon by Pease concerning family history, dedicated to his children; and a typed carbon of a memoir of Pease by Fairfax-Blakeborough, published in April 1964. Fairfax-Blakeborough was an author and journalist who sometimes wrote under the pen name Hambletonian. He was born in Guisborough, Yorks. on 16 Jan. 1883 and, like Pease, was a member of the Cleveland Bay Horse Society. His books concern racing, hunting, and country life.

The collection consists of articles by and interviews with Leary.

The fonds (seven numbered files, files 10-16) consists of the following: (10) correspondence, 1914-36, including a postcard from Captain W.J. Peppiart about Stephenson’s enlistment, a letter from Edwin, 2 greeting cards from Norma (his sister), and a photocopy of a letter from Roy to Harry (Henry Arthur Stephenson, 22 October 1918); (11) 8 b&w photographs (several being reproductions), including group photograph of the Burlington Volunteers, 1st Canadian Contingent, and the grave site of A.T. Thomson at Mount St. Eloi Cemetery; (12) black notebook of WWI news clippings and other clippings of the period; (13) ephemeral publications, including Thanksgiving Service Canadian Corps Vimy Ridge (April 9th 1917), Regimental Songs Canadian Expeditionary Force 1914-1915, The 1st Canadian Division in the Battle of 1918, The Listening Post (no. 22, 15 February 1917), The Rose of No Man’s Land (music score), Bruce Bairnsfather’s Fragments from France, part VI, and the War Pictorial (embarkation number, part four); (14) WWI medal and brass buttons from Stephenson’s coat; (15) discharge certificate, 2 June 1919; (16) information about Stephenson’s war record from Gwendoline Stephenson, his daughter, and a copy of Stephenson’s attestation papers.

The fonds (nine numbered files) consists of the following: (1) medical information from Huron College, church documents, biographical information, and an issue of the Canadian Churchman, 49, no. 2 (12 January 1922); (2) 23 b&w photographs of Stephenson in Russia, people and places in Russia, and the Churkin Russian Naval Cemetery; (3) “Notebook” with b&w photographs taken by Stephenson (numbered 5-49, including Harbin, Manchuria, Irkutsk, and Omsk); (4) ephemeral publications, including Instrumental Concert by Austrian-Hungarian Prisoners of War Now Under Japanese Control at First River, for Entertainment of Allied Control at Y.M.C.A. (30 March 1919) and the Siberian Sapper, 1, no. 4 (8 February 1919); (5) an address book; (6 and 7) Russian religious icons; (8) photocopies of military documents about Stephenson; (9) The War Graves of the British Empire (1931, see p. 24 for Stephenson) and a colour photograph [200-] of the WWI monument in Burlington, Ont.

Katherine Clarke has dubbed her archives “The Peace House Papers”. Digital copies of the originals and documents from 2009-10 have been placed by her into three folders: book one, “Finding Causes”, consisting of biographical information and letters to her parents between September 1963 and June 1964; book two, “Touring Cuba with 45 Canadians in the summer of 1964 … In the 5th year of La Revolución Cubana”, consisting of photographs of her time in Cuba (including photos of Fidel Castro speaking to a large crowd and playing baseball), photographs of “Harry” and other soldiers (a soldier in Castro’s army, pre-1959, i.e. before the revolution photographs), and her account (entitled “Sugar Daddy”); book three, letters to her parents between September 1964 and March 1965. Originals of most of these materials are also extant in the Clarke fonds.

The collection consists of printed materials, including leaflets and mimeographs.

Corporation des enseignants du Québec collection consists of published materials, including discussion papers.

The collection consists of printed materials including convention working papers and addresses and press releases.

The collection consists of printed materials including bulletins, newspapers, pamphlets, and election brochures. Some materials from organizations affiliated with FRAP, Comité d'action politique Maisonneuve and Comité d'action politique St. Jacques, are also included.

There are letters from the following (with two noted exceptions) in this collection:

William Arthur Aikin, born in 1857, an English surgeon, scientist and amateur musician who died in 1939.

Michael William Balfe, born in Dublin on 15 May 1808 and died in Rowney, Abbey Herts., 20 October 1870, a singer and the most successful composer of English operas in the nineteenth century.
John Francis Barnett (1837-1916).
Sir Arnold Bax, born in Streatham on 8 November 1883 and died in Cork, Ireland, 3 October 1953, a composer of orchestral and choral works.
Sir Julius Bendict, born in Stuggart on 27 November 1804 and died in London, 5 June 1885, a composer of operas and choral music and a conductor who lived in London beginning in 1835.
Sir William Sterndale Bennett, born in Sheffield on 13 April 1816 and died in London, February 1875, the most distinguished English composer of the Romantic school, composing orchestral, chamber, keyboard and choral music.
Gerald Hugh Tyrwhitt Wilson, Baron Berners, born at Arley Park, Bridgnorth on 18 September 1883 and died at Farringdon House, Berks., on 19 April 1950, a composer of ballet, orchestral music and songs, and a writer and painter.
Sir Arthur Bliss, born in London on 2 August 1891 and died there on 27 March 1975, a composer of music for the stage as well as orchestral, choral and vocal works.
Edwin York Bowen, born in London on 22 February 1884 and died there on 23 November 1961, a composer and pianist.
Sir Frederick Bridge, born in Oldbury, 5 December 1884 and died in London, 18 March 1924, an organist, composer, and writer.
Sir Benjamin Britten, born in Lowestoft on 22 November 1913 and died in Aldeburgh, 4 December 1975, a composer, conductor and pianist. He is considered to be the outstanding composer of his generation. His Peter Grimes laid the foundation for a revival of English opera.
Alan Bush, born in London on 22 December 1900 and died in November 1955, a composer of music for the stage as well as orchestral and vocal works, pianist and teacher.

William Crotch, born in Norwich on 5 July 1775 and died in Taunton on 29 December 1847, a composer of vocal, orchestral and chamber music, theorist and painter. A child prodigy, he was one of the most distinguished musicians of his day.
W. Crouch was the uncle of Frederick William Crouch (c1783-1844), author of A Complete Treatise on Violoncello (1826) and his note is addressed to Frederick Crouch.

Sir Walford Davies, born in Oswestry, Shropshire on 6 September 1869 and died in Warington, Somerset on 11 March 1941, an organist, composer and educationist.

Edwin Evans, born in London on 1 September 1871 and died there on 3 March 1945, a music critic for the Pall Mall Gazette (1921-23) and Daily Mail, from 1933 onwards. There are no letters from Evans; only letters addressed to him from three people, including Osbert Sitwell (1892-1969).

Herman Fink, born in London on 4 November 1872 and died there on 21 April 1939, a composer of music for the stage and a conductor.
Gerald Finzi, born in London on 14 July 1901 and died in Oxford, 27 September 1956, a composer of orchestral, choral and vocal works.

Henry Balfour Gardiner, born in London on 7 November 1877 and died in Salisbury on 28 June 1950, a composer of music for the stage as well as choral music and songs.
Sir Edward German was born as German Edward Jones in Whitchurch, Shropshire on 17 February 1862 and died in London on 11 November 1936. He changed his name to avoid confusion with another Edward Jones. He was a composer of comic operas, incidental and orchestral music and songs.
Sir Eugene Goossens, born in London on 26 May 1893 and died at Hillingdon, Middlesex on 13 June 1962, a conductor and composer of stage, orchestral, chamber and vocal music.

Thomas Harper, born in London in 1816 and died on 27 August 1898, possibly also in London, a trumpeter and professor at the Royal Academy of Music. There are no letters from Harper; only letters addressed to him from several people.
Joseph Holbrooke, born in Croydon on 5 July 1878 and died in London on 5 August 1958, a composer of stage, choral, and orchestral music.
Charles Edward Horsley, born in London on 16 December 1822 and died in New York on 28 February 1876, a composer of oratorios.
Herbert Howells, born in Lydney, Gloucs. on 17 October 1892 and died in 1983, a composer of choral and instrumental works, teacher and writer.

John Ireland, born 13 August 1879 in Bowdon, Cheshire and died in Rock Mill, Washington, Sussex, 12 June 1962, a composer of orchestral, vocal, chamber and instrumental music, pianist, and teacher.

Constant Lambert, born in London on 23 August 1905 and died there 21 August 1951, a composer of ballets as well as choral and orchestral works, a conductor and writer.

Sir Alexander Mackenzie, born in Edinburgh on 22 August 1847 and died in London on 28 April 1935, a composer of stage, choral, orchestral, and instrumental music, and a conductor.
Sir August Manns, born in Stolzenberg on 12 March 1825 and died in Norwood, London, 1 March 1907, a conductor at the Crystal Palace, London from 14 October 1855 onwards. He became a naturalized British citizen in 1894.
Thomas Moore, born in Dublin, Ireland on 28 May 1779 and died at Sloperton Cottage, near Devizes on 26 February 1852, a poet, musician and composer of songs.

Alfred Novello, born in London on 12 August 1810 and died in Genoa on 16 July 1896, where he was living in retirement, an English music publisher, founder of Novello & Co.

Sir Hubert Hastings Parry, born in Bournemouth on 27 February 1848 and died in Rustington, Sussex on 7 October 1918, a composer of stage, sacred, orchestral and chamber music, oratorios and songs, a scholar and teacher.
Henry Hugo Pierson, born in Oxford on 12 April 1815 and died in Leipzig on 28 January 1873, a composer of choral and stage music and songs who lived most of his adult life in Germany.

Edmund Rubbra, born in Northampton on 23 May 1901 and died in Gerrard's Cross, Buckinghamshire on 14 February 1986, a composer, pianist, teacher and writer. He is considered to be the leading English exponent of the symphony in the mid-twentieth century.

Cyril Scott, born in Oxton, Cheshire on 27 September 1879 and died in Eastbourne on 31 December 1970, a composer of stage, orchestral, choral and vocal music, a writer and pianist.
J. S. (John South) Shedlock, born in Reading on 29 September 1843 and died in London on 9 January 1919, a pianist and writer on music.
Sir John Stainer was born in London on 6 June 1840 and died in Verona on 31 March 1901, while on vacation, a musicologist and composer of oratorios and sacred music.

Ralph Vaughan Williams, born in Down Ampney, Gloucs., on 12 October 1872 and died in London on 26 August 1958 a composer, teacher, writer and conductor. He was the key figure in the revival of twentieth-century English music.

Vincent Wallace, born in Waterford, Ireland on 11 March 1812 and died at the Château de Huget, Vieuzos, Hautes-Pyrénées on 12 October 1865, where he was living in retirement, a composer of operas and piano pieces.
Richard Walthew (1872-1951)
Samuel Webbe, born in London c1770 and died there on 25 November 1843, an organist and composer of glees, catches and songs as well as sacred music.
Samuel Sebastian Wesley, born in London on 14 August 1810 and died in Gloucester on 19 April 1876, a composer and organist. He is considered to be the greatest composer in the English cathedral tradition of the eighteenth century.