Mostrar 26 resultados

This is a collection of fourteen letters, some addressed to the editor of Nash’s magazine, mostly written in August and September 1914, the beginning of World War I. One of the letters begins: “you have asked me for a message of encouragement to your readers in the dark hour of our country’s fortune.” The collection ranges from lengthy letters to a few lines. Literary contributors include Barry Pain, Louis Parker, Mrs. W. Desmond Humphreys, E. Temple Thurston. There are also letters from military figures (Major General Sir Henry Page Croft, Major General Sir Alfred Edward Turner, General Sir George Benjamin Wolseley). Other contributions are from Sir T. Vansittart Bowater, the Lord Mayor of London , the Archbishop of Armagh and the Bishop of Chicester.

The collection consists of posters issued by the following British organizations: Parliamentary Recruiting Committee, London; Parliamentary War Savings Committee; National War Savings Committee; Joint Labour Recruiting Committee; Ministry of National Service; Navy; Imperial Maritime League; City of London; and Blue Cross fund. The collection also contains posters issued by the governments of Canada (includes Canadian Victory Bonds), France, United States and Germany. There are a large number of posters from Louvain, Belgium. There are also several posters issued by the German occupying forces in France and Belgium and the British occupying forces in Germany.

The focal point of this collection of sheet music is the First World War. These songs do not reflect the idea of war as it is commonly thought of in popular imagination: battlefields, trenches and heroic charges. These songs were not, for the most part, written for the soldiers. Instead, they reflect the daily experience of the Canadians who remained at home during the war and the way people thought about the effect the war was having on their lives and on their country. They do not address changes in society explicitly; instead they go deeper, preserving the visceral responses of Canadians to the war as it was happening. This sheet music offers an intimate picture of the conditions out of which post-war Canada grew.

Paper soldiers were a popular children’s entertainment or decoration beginning in the 1700s, rising to a height of popularity in the mid-19th century, before all but dying out after the Second World War. This small collection typifies the range of materials on offer from the late 1800s into the post First World War period from German printers (two of the companies were in Germany, the third was in the Alsace region, which at the time was under the rule of the German Kaiser). Some are printed on heavy card (soldaten auf karton, eg. item 1) while others on thin newsprint. There are examples of a number of styles, including simple cut-outs, others that could be glued together to create three-dimensional landscapes and objects, as well as black and white images for children to colour (eg. item 13). There is also one example of the scheibenbilder (target picture) style (item 16). German is always the first language on the sheets, but many included French and English, and some Italian and Spanish, showing the world-wide market for the material.

The Carl Joseph Scholz company of Mainz (founded 1793 and still in existence as of 2015) has a long history in both the printing industry and paper soldier manufacture. At one point their distribution of toy soldiers went as far East as Russian, and west to Great Britain and North America. The company stayed in the Scholz family at least until the Second World War.

Hohenstein & Lange operated in Berlin from 1876-1906. In 1898 the company became a joint-stock company and the inclusion of Druck und Verlag, Aktiengesellschaft Berliner Luzuspapier-fabrik vorm Hohenstein & Lang on item 11, date it to this later period.

There have been many iterations of Carl Burckardt’s original company, but they all maintained a variation of the name. The paper soldiers in this collection are all printed under the Druck u. Verlag v. C. Burckardt Nacht in Weissenburg (Elsass) imprint, which existed from 1890-1906.

The collection consists of Cpt. Read’s First World War military maps and Active Service Testament. An 1808 map of Russia. A copy of Col. R. Meinertzhagen’s Birds of Arabia, which belonged to Cpt. Read’s son.

The collection consists of correspondence, photographs, post cards, maps, manuscripts, typescripts, orders and other official documents, diagrams, programmes, souvenirs, song-sheets, artwork, leaflets, sound recordings and moving images, and printed materials.