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The ledger lists customers and their orders for tea, coffee, chocolate, tobacco (usu. snuff), and other goods. An index at the beginning references pages. Inscribed on the spine is T.T. Leidger B 1715. This is repeated on the front cover, but appears to say TI instead of TT.

Contains a musical score. Title page is printed.

Contains a musical score. Title page is printed.

Item comprises a manuscript codex, bound but without covers, completed by a single unidentified scribe sometime after 1755. It contains selections concerning the lords of Gera copied from Johann Georg Adam von Hoheneck’s printed books on the genealogy of Austrian lords, with scribal additions from an unknown source.

The first and largest portion of the copied text replicates title page and ff. 139-148 of Johann Georg Adam, Freiherr von Hoheneck, The Laudable Lords, Noble Houses of the Arch-Duchy of Austria on the Enns, as Prelates, Lordships, Knights and Cities, or, Genealogical and Historical Description ... First Volume [Die Löbliche Herren Herren-Stände Deß Ertz-Hertzogthumb Oesterreich ob der Enns Als Prälaten, Herren, Ritter, und Städte, oder, Genealog- und Historische Beschreibung ... Erster Theil ...] (Passau: Gabriel Mangold, 1727). This portion appears in the manuscript [1r-11v] under the title “Genealogy and Lineage Chart of the Lords of Gera from the Time They Came into this Land” [“Genealogia und Stammen-Tafel Der Herren von Gera von der Zeit, Sie in die es Land kommen”].

The second portion comes from the addenda printed in the same book, the first volume of Die Löbliche Herren Herren Stände, on f. 695. It appears in the manuscript [12r] under the title “Additions and Correction” [“Addenda et Corrigenda”].

The third and final portion derives from f. 15 of Johann Georg Adam, Freiherr von Hoheneck, Supplement or Addendum to the First Part of the Genealogical and Historical Description ... continued until the End of 1732 [Supplementum oder Anhang, zu dem ersten Theill, der Genealog- und Historischen Beschreibung ... continuirt bis Ende 1732] (Passau: Gabriel Mangold, 1733). It appears in the manuscript [12v-13v] under this title, sub-titled “Gera.” At least one addition from a source other than Hoheneck has been made by the scribe in this section, as the last entry mentions the death of Johann Ernst von Gera in 1755, the year after Hoheneck's own death.

The remaining leaves [14r-20v] are blank.

The manuscript is inscribed on laid paper, bearing two separate watermarks, “MI” and a floral motif, and has been arranged in folio format and bound with string. There are no covers. The pages bear folio numbers taken from the printed originals on the recto of each leaf. With full colour painted illustration of the coat-of-arms of Gera [2r]. The text is written in High German. The manuscript bears a title page which replicates the title page of the first volume of Hoheneck’s principal book, suggesting that there was no original intention to append the text from the supplemental volume. This is, however, contradicted by the fact that the ink and penmanship are consistent throughout, suggesting that the whole manuscript was accomplished together at one time.

The manuscript consists of twelve cantos (skandhas). Text on highly burnished paper is in india ink with illustrations and miniatures in gouache with gold pigment; borders in gold leaf. The text is preceded by twenty-five miniatures. There are forty-eight miniatures interspersed with the text which is lavishly illustrated. Sacred texts in rolled manuscript form were first created in eighteenth-century Kashmir. In the nineteenth century these manuscripts were created in northern India, particularly in Alwar and Jaipur. It is more likely that this manuscript is nineteenth rather than eighteenth century.

The manuscript is housed in a cylindrical silver container. The initials S.B. below the image of griffin are engraved on the lid. Family legend holds that the initials are those of an officer who saved the life of the Nawab Wazir of Oudh and was presented with the manuscript as a token of gratitude. During a hunting expedition the Nawab had been attacked by a tiger.

This item consists of three manuscripts bound into one volume. Stamped on spine: Recueil de diver pieces.

The archive covers the records of the churches as well as non-active diocesan records.

The collection consists of three letters, two to Joan’s mother, and one to Patsey (Patty) Maclachlan.

The collection consists of Garner’s war medals, a Sapper’s Association pin, a copy of his discharge papers and a letter regarding the headstone for his grave from the Department of Veterans Affairs.

The collection consists of Windridge’s war medals and various military and civilian pins and badges, various service records and discharge papers and a couple of photographs. Included is a matchbox, with a holder made by Windridge with a small Scottie dog figurine, which must have been a good luck charm for him. There is also correspondence mostly from Windridge and his wife to his daughter during the period of the Second World War.

Letter from the Duke of Marlborough to the Hon. T.G. Earle.

The item is a letter from M. Montagu to an unknown woman. Montagu is sending regrets about not being able to visit before they leave.

With illuminated letter "D" and red marginal ornamentation on one side, ornamented letters "E" and "I" and red and blue marginal ornamentation on the other side. Leaf is enclosed in double sided white board mount.

Leaves from a book of hours originating in France. One leaf has an illuminated letter "Q" on one side and an illuminated "H" on the other, both highlighted with gold and with trailing floral ornamentation. The leaf is enclosed in a double sided white board mount. The second leaf has an illuminated letter "S" and has been enclosed in a single sided white board mount.

The collection consists of 4 poems: one is a manuscript, "Lake Memphremagog" and was written there in August 1941. The other three are typescripts : "Laurentians in Summer", "Until we Meet" and "Easter ... 1941...". Duncan has noted on the Laurentians typescript that it was pulbished in the Montreal Star "last week". The Easter typescript is signed.

The collection of 13 posters concern Zimbabwe, Vietnam, Venezuela, the Congo, Cuba, Palestine, as well as African-Americans and Asians, guerrilla fighters, and the Tricontinental third anniversary.

This collection of postcards pertaining to Palestine and Israel is comprised of two parts.
Part 1: 114 cards produced by Shlomo Narinsky (1885-1960), a Russian-born Jewish photographer, of Holy Land portraits and scenes, printed in sepia photogravure in 1921 by the Jamal Brothers of Jerusalem (numbered 1-118, lacking numbers 82, 106, 108, and 111, but the missing cards were apparently never printed). There are also six other cards from the Middle East, not part of the Narinsky set of cards.
Part II: Souvenir of the Holy Land, old and new Jerusalem (18 b&w cards); Bethlehem (10 colour cards); Ancient Jerusalem model (10 colour cards); Souvenir of Jerusalem (10 sepia cards); Kibbutz Lohamei Haghettaot (6 colour cards); Eilat (9 colour cards); Caesarea (9 colour cards); 2 sets of Nazareth (9 colour cards apiece); Israel Exploration Society, Beth She’arim (10 b&w cards); Jerusalem (10 colour cards); Safad (6 colour cards); Yad Washem (7 colour cards); Jericho (10 colour cards); Flowers of Israel (10 colour cards); Hebron (7 colour cards); Haifa, Little Folder Series (15 colour cards); Galileee, Little Folder Series (15 colour cards); Negeb, Little Folder Series (15 colour cards); 30 colour cards of various scenes.

Relaçaõ das cartas de Roma, e suas respostas, que vaõ indicadas no despacho no. VIII expedido sobre esta materia ao Sñr. Ayres de Sá e Mello em 15 de Março de 1768. -- March, 1768. -- Manuscript, 1 p. -- The title is followed by a list of the seven numbered manuscripts below.

No. I. Copia da carta escripta em nome do papa a el Rey nosso senhor. Carrissimo in Christo filio nostro Josepho Portugalliae, et Algarbiorum regi fidelissimo. Clemens Papa XIII. -- 31 August 1767. -- Manuscript, 4 p. -- Text is in Latin.

No. II. Copia da resposta de sua magestade ao papa. -- 5 December 1767. -- Manuscript, 2 p. -- Text is in Portuguese.

No. III. Copia do breve dirigido em nome do papa ao Conde de Oeyras. Clemens P.P. XIII. -- 31 August 1767. -- Manuscript, 3 p. -- Text is in Latin.

No. IV. Copia da resposta do Conde de Oeyras a sua santidade. -- December 1767. -- Manuscript, 4 p. -- Text is in Latin.

No. V. Copia da carta do nuncio de Madrid escripta ao Conde de Oeyras. -- 28 October 1767. -- Manuscript, 3 p. -- Text is in Italian.

No. VI. Copia da resposta do Conde de Oeyras ao dito nuncio. -- 5 December 1767. -- Manuscript, 4 p. -- Text is in Portuguese.

No. VII. Copia da consulta, que a meza do dezembargo do paço fez a S. mage. em 13 de Janeiro de 1768 sobre o descripto expedido em nome do Papa debaixo das formas da bula da cruzada. -- 13 January 1768. -- Manuscript, 6 p. -- Text is in Portuguese.

Beatissimo padre. -- [176-]. -- Manuscript, 4 p. -- Text is in Portuguese. -- Manuscript is not complete.

The fonds (seven numbered files, files 10-16) consists of the following: (10) correspondence, 1914-36, including a postcard from Captain W.J. Peppiart about Stephenson’s enlistment, a letter from Edwin, 2 greeting cards from Norma (his sister), and a photocopy of a letter from Roy to Harry (Henry Arthur Stephenson, 22 October 1918); (11) 8 b&w photographs (several being reproductions), including group photograph of the Burlington Volunteers, 1st Canadian Contingent, and the grave site of A.T. Thomson at Mount St. Eloi Cemetery; (12) black notebook of WWI news clippings and other clippings of the period; (13) ephemeral publications, including Thanksgiving Service Canadian Corps Vimy Ridge (April 9th 1917), Regimental Songs Canadian Expeditionary Force 1914-1915, The 1st Canadian Division in the Battle of 1918, The Listening Post (no. 22, 15 February 1917), The Rose of No Man’s Land (music score), Bruce Bairnsfather’s Fragments from France, part VI, and the War Pictorial (embarkation number, part four); (14) WWI medal and brass buttons from Stephenson’s coat; (15) discharge certificate, 2 June 1919; (16) information about Stephenson’s war record from Gwendoline Stephenson, his daughter, and a copy of Stephenson’s attestation papers.

The collection contains photographs taken at the Prince of Wales Barracks, Kingsway and the W.D. Barracks in Edmonton; an aircraft display, Edmonton Station, May 1945 (B24 Liberator, Super Fortress, Flying Fortress); and the visit to Edmonton by Princess Alice, Honorary Air Commander of the Women’s Division, and her husband, the Earl of Athlone, Governor-General of Canada, 3 May 1945 (the photographs do not show the couple). There are other photographs of the Gremlins Basketball Team, 1944-45 and aircraft and personnel at Jasper, Alberta. There are also photographs of St. George’s Island Zoo, Calgary; Vancouver, B.C.; as well as weddings and other gatherings. Found loose with the album are photographs of an unidentified parade, a formal group military photograph and other photographs and news clippings.