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The collection contains letters from Pablo Casals, Albert Einstein, Gustav Holst, William James, Clara Schuman, Peter Tchaikovsky, Cosima Wagner, and others. Smyth drew on these letters in her autobiographical writings.

There is one letter from Smyth to Kenneth Wright, 19 November 1929. For additional letters written by Smyth, researchers are directed to the Eric Walter White fonds.

Fonds consists of correspondence and manuscripts of poetry

There have been several accruals. The collection consists of correspondence, mainly to Sir Newman Flower, manuscripts and typescripts. The manuscripts include Mr. Britling Sees It Through, which was published in 1916. There is also correspondence to Seigfried Sassoon. There is a one page memoir of Wells by one of his secretaries, Winnifred Classey. The collection also consists of an extensive holding of periodicals containing articles by and about Wells.

There have been six accruals. Four accruals from the 1970s have been combined and consist of stage plays, radio and television material, his thesis on T.S. Eliot and other related works, articles and book reviews, poetry, and correspondence. The fifth accrual consists of stage, radio and television plays, poems and short stories, a book about creative writing, and correspondence. Sound recordings, moving images and photographic slides also form part of the fonds. They are been removed from their accruals and are stored separately.

The fonds contains photographs, a post card, and other material.

The fonds consists of records related to Charlotte Gray’s writing career, particularly the period from the late 1990s on when she began producing non-fiction monographs on Canadian subjects and persons. A smaller subset of records attests to Gray’s activities as a cultural commentator and lecturer from the 2010s on.

Series groupings have been supplied by the processing archivist following functional analysis. Principal documentary forms include research files, manuscripts, production and promotion records for Gray’s books, and correspondence.

The fonds consists of manuscripts, reviews, and correspondence.

There have been twelve accruals. The first accrual consists of: manuscripts and typescripts of some published works; literary correspondence; and typescripts and related correspondence pertaining to specific poetry. It is divided into two series: manuscripts and typescripts; and literary correspondence, which is divided into two subseries (correspondence relating to individual poetry books; and general literary correspondence). The second accrual consists correspondence and manuscripts arranged into three series: Harbinger Poetry, the Literary Review of Canada and Levenson's collected poems. The third accrual consists of four series: collected poems; manuscripts and typescripts; other literary activities; correspondence. The fourth accrual consists of four series: manuscripts, collected poems, sound recording, personal and literary correspondence. The fifth accrual consists of three series: writings, correspondence, and other work. The sixth accrual contains writing and correspondence. The seventh accrual consists of the collected poems for Levenson's thirteenth volume of poetry, as well as correspondence, recordings, and teaching material. The eighth accrual includes reviews, publications, and posters. The ninth accrual consists of the collected poems for Levenson's fourteenth volume of poetry, correspondence, and recordings. The tenth accrual consists of collected poems for Levenson’s fourteenth volume of poetry and correspondence. The eleventh accrual combines accessions 2020—015 and 2021-008. It consists of correspondence, poetry for Levenson’s fourteenth and fifteenth volumes; recordings and Dutch translation of Levenson’s book of poetry. The twelfth accrual is arranged into the following series: Writing; Literary activities; Society of Friends (Quakers); Teaching, Readings, Workshops and publications; Correspondence.