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The fonds contains material falling under the following catagories: correspondence; full-length fiction; short fiction; non-fiction; books edited; poetry, articles; book reviews; notebooks; radio scripts; television scripts; film scripts; plays; printed material; royalty statements; printing material for The Saturday Morning Chapbook Series and miscellaneous.

This fonds consists of manuscripts of plays, poems, and some other writing; it also includes some play production material and research material.

The collection contains two letters: one, a letter to Mrs. Mesney on 1 November 1955; and another, to W. B. Burwell on 25 July 1955.

The fonds consists of seven accruals. The first accrual measures 1.35 m, and consists of material relating to The Outport People and 7 journals. The second accrual measures 75 cm, and consists of material related to Pomp and Circumstances and 5 journals. The third accrual (02-1992) measures 66 cm, and is arranged in two series consisting of journals and correspondence. The fourth accrual (03-1993) measures 66 cm, and is arranged in three series consisting of: manuscripts, correspondence and journals. The fifth accrual (09-1997) measures 70 cm, and is arranged in four series consisting of: fan mail, fan mail to Farley Mowat answered by Claire Mowat, manuscripts and research material primarily devoted to Pomp and Circumstances, and journals. The sixth accrual (17-2006) measures 64 cm and consists of manuscripts and research material, predominantly drafts of the author's books Girl from Away, The French Islands, Last Summer in Louisbourg and Travels with Farley.

There have been twelve accruals. The first accrual consists of: manuscripts and typescripts of some published works; literary correspondence; and typescripts and related correspondence pertaining to specific poetry. It is divided into two series: manuscripts and typescripts; and literary correspondence, which is divided into two subseries (correspondence relating to individual poetry books; and general literary correspondence). The second accrual consists correspondence and manuscripts arranged into three series: Harbinger Poetry, the Literary Review of Canada and Levenson's collected poems. The third accrual consists of four series: collected poems; manuscripts and typescripts; other literary activities; correspondence. The fourth accrual consists of four series: manuscripts, collected poems, sound recording, personal and literary correspondence. The fifth accrual consists of three series: writings, correspondence, and other work. The sixth accrual contains writing and correspondence. The seventh accrual consists of the collected poems for Levenson's thirteenth volume of poetry, as well as correspondence, recordings, and teaching material. The eighth accrual includes reviews, publications, and posters. The ninth accrual consists of the collected poems for Levenson's fourteenth volume of poetry, correspondence, and recordings. The tenth accrual consists of collected poems for Levenson’s fourteenth volume of poetry and correspondence. The eleventh accrual combines accessions 2020—015 and 2021-008. It consists of correspondence, poetry for Levenson’s fourteenth and fifteenth volumes; recordings and Dutch translation of Levenson’s book of poetry. The twelfth accrual is arranged into the following series: Writing; Literary activities; Society of Friends (Quakers); Teaching, Readings, Workshops and publications; Correspondence. The thirteenth accrual consists primarily of correspondence between Levenson and friends, other authors, publishers, academics, and select correspondence with politicians; this accrual also contains a small number of records pertaining to Levenson’s time as a student, his pre-academic employment, his tenure at Carleton, and his writing.

The fonds consists of records related to Charlotte Gray’s writing career, particularly the period from the late 1990s on when she began producing non-fiction monographs on Canadian subjects and persons. A smaller subset of records attests to Gray’s activities as a cultural commentator and lecturer from the 2010s on.

Series groupings have been supplied by the processing archivist following functional analysis. Principal documentary forms include research files, manuscripts, production and promotion records for Gray’s books, and correspondence.

The fonds contains: correspondence; poetry and other writing; personal material, business material; photographs; promotional material; and other material.

Collection comprises letters and manuscripts from authors writing in the English language, predominantly in the 20th century.

The fonds consists of Russell's manuscripts, correspondence, library, periodicals, offprints, leaflets, photographs, audio discs, audio reels, audio cassettes, films, videocassettes, microfilms, news clippings, posters, some furniture, artwork (including a bust by Jacob Epstein), awards and medals. Also included are records of the Bertrand Russell Peace Foundation, including those that relate to the International War Crimes Tribunal. The archive is supplemented by a supporting research library of books, theses about Russell, and his publications in periodicals. The fonds also contains the archives of Russell's parents, Viscount and Viscountess Amberley. The fonds has been supplemented with ongoing acquisitions of original material from a variety of sources, as well as copies of selected material held elsewhere.

The fonds consists of textual and audio records pertaining to Bernadette Ryan’s literary career, academic teaching at McMaster University and Mohawk College, and work on the podcast series Art Waves (episodes 1-87).

Series groupings predominantly reflect the received order of records; any additional groupings were supplied by the processing archivist following functional analysis of Ryan’s writing, community work, and teaching career.

There have been five accruals. The fonds consists of: correspondence; journals and diaries; notebooks and notes; courses and course related material; manuscripts, typescripts and published material; personal documents; material by others; electronic material, moving images and sound recordings.

The fonds contains material in multiple languages: English, French, Ojibway/Chippewa, Cree, Latin.

The fonds consists of: manuscripts, correspondence, personal files, Barbados, Caribbean Broadcasting Corporation, teaching and audio tapes, material related to Survivors of the Crossing and material on the election campaign of 1977, material relating to The Ontario Film Review Board, unpublished novels, notebook and material received, periodicals, research files, invitations, tape recordings, articles, and other material

This collection (19-1997) consists primarily of 32 letters, 3 post cards, 2 cards, and other enclosures written by Arthur Stringer and addressed to Mary Belle Edmonds, a school teacher from St. Thomas, Ontario. They first met in 1933 on the Newfoundland-Labrador boat cruise.

The item consists of a signed photograph mounted on cardboard: b&w; 14 × 9.7 cm. The photograph is of Bourinot at the age of two years and seven months. The photographer is: Toplay, 132 Sparks St., Ottawa.

Collection contains original artwork and copies of posters for the McMaster Campus Cinema screening program; posters or comic art created or collected by Art Cooper; and fanzines and mini comics created in the Southern Ontario region, particularly in the early 1970s.

Fonds includes typescripts (including one Lennox Ballister story), writing fragments, and a teaching assignment from the Arts and Letters School. Also includes a typescript of a short story by Phyllis Jean McKishnie.

The fonds consists of archives related to D’Alfonso’s literary, publishing, teaching and film production career.

There have been six accruals. The first accrual contains typescripts. The second accrual contains correspondence. The third (28-1991) accrual is an autograph music manuscript. The fourth accrual (45-1995) is a letter from Burgess to William Cole. The fifth accrual (23-1991) consists of letter from Burgess in the personas of his cat Lalage, and his dog, Suke, to Cleo, the cat of Ceridwen Looker. Looker's mother was the sister of Burgess's first wife, Lynne, who died in 1965. The fifth accrual (05-1998) also contains an autograph music manuscript. The sixth accrual consists of correspondence between Burgess and William Ready, McMcaster University Librarian, one letter from Burgess to his publisher and two photographs.

The fonds consists material related to Porter's business, as well as her writing.