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The fonds consists of a letter from Brasch to John Masefield and a reply from Masefield, 1953; the draft of a letter from Brasch to John Steinbeck and a reply from Steinbeck, 1954. The fonds is supplemented by a photocopy of an article that Brasch wrote about Steinbeck in San Jose Studiesas well as an offprint of an article in Modern Language Notes by Fraser Bragg Drew which cites the Masefield letter.

The fonds is arranged into eleven series: press cuttings; a literary log; miscellanies; books (tss., mss., proofs, related material); correspondence; other manuscripts (untitled and titled mss. and lectures); societies and clubs; George Augustus Henry Sala; book collecting and other personal matters (includes correspondence of Sir Robert Peel); photographs and illustrations; and oversize material. Also acquired with the Straus fonds are the following: a collection of his published books and books from his library (for a description of these, see the master file on Straus), which have been catalogued in Research Collections; a pottery monkey, ca. 1880, formerly in the possession of Sala; an oil portrait of John Baskerville by his niece, Miss Gillespey.

The fonds contains 'Appendix V' and a manuscript, both from Lightall's book, The Person of Evolution.

The fonds consists of manuscripts, reviews, and correspondence.

Fonds includes typescripts (including one Lennox Ballister story), writing fragments, and a teaching assignment from the Arts and Letters School. Also includes a typescript of a short story by Phyllis Jean McKishnie.

The fonds contains correspondence, manuscripts, news clippings and other published materials, personal and family materials, including photographs, two audio reels.

The fonds consists of the book, correspondence concerning the publication of the book and the contract between Markland and the publisher, Erskine Macdonald. The correspondence consists of letters to and from Markland and several of the contributors to the anthology, letters to and from Markland to various newspapers and publishers seeking permission to reprint poems, a letter from the Oxford University Press turning down the anthology, and letters to and from the publisher of the anthology, Erksine MacDonald. There is also some correspondence between Markland and others about Erksine Macdonald after the publication of the book

The fonds consists of material related to Johnson's work: her writing, clippings, programmes, posters, and other material. In addition there is personal items such as photographs and other items. Additionally, there is research material, writings on Johnson, and additional material.

The fonds consists of material related to Alan Walker's research, recordings, and other professional activities. As well as personal material, including correspondence. The third accrual contains 30 items related to Liszt and his Circle, including 14 letters from Liszt.

The fonds consists of a bound volume containg six manuscripts by Moir. They are:
The bride of Lochleven. -- Manuscript, 21 p.
The lunatic of love. A fragment. -- Manuscript, 16 p.
The Norman captive. -- Manuscript, 17 p.
The Revenge of Sir Edmund. -- Manuscript, 19 p.
Isabelle or the maid of Damascus. A Syrian tale. -- Manuscript, 29 p.
The exile of Novogorod. -- Manuscript, 76 p.

Three different hands appear to have been used. Different paper was used for the last manuscript. Stamped on the front cover is the delta symbol. Stamped on the back cover are the initials of his wife: C.E.M. 1852.Written inside the front cover is the inscription: Jane Moir from her mother, July 1853.

The fonds consists of poetry and prose written by Laidlaw.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.