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The fonds contains letters and cards written to Westhead while he was overseas. The letters are from Westhead’s wife, Maud Westhead, his brother, George Herbert (“Herb”) Westhead, his father, George Westhead, his mother, and his sister, May Brown, all written from 878 Windermere Ave., Toronto Ontario. Some letters from Maud are written from the Lakeshore Hotel in Picton, Ontario. Other correspondents include Art and Ethel Clarke, of Toronto, and other friends and family members. The fonds also contains photographs – four of Maud and two of Westhead’s nephew, Douglas Brown, one of which includes Herb Westhead.

Manuscript of The Visual Arts of the South West Pacific.

The album contains 115 b&w photographs. There are photographs of the following: the H.M.S. Megantic; Reid in a graduation gown; soldiers in uniform, on board ship, in tents, and on horseback; medical and dental staff; views of buildings (King’s College, Cambridge, for example), and hospitals and clinics (London General Hospital and the Etchinghill Hospital, etc). Most of the photographs are unidentified. Approximately 30 photographs were taken between 1920 and 1925; they depict Reid, his family, and friends at Severn River and Wood’s Bay. He worked as a dentist in Toronto as late as 1925.

The fonds consists of letters starting just prior to Gibson’s enlistment to his return to Canada, as well as pocket diaries for the years he served and some military documents.

There have been four accruals. The first accrual (57-1995, 30 cm) consists of manuscripts and research notes for three of his published works, Interior Landscapes: A Life of Paul Nash (1987), The Last Modern: A Life of Herbert Read (1990), and Virginia Woolf (1994); draft typescript and galley proof; and editorial and literary correspondence (including Graham Greene, Stephen Spender, Muriel Spark, and Francis Bacon).

The second accrual (26-1997, 60 cm) consists of material relating to The Life of Margaret Laurence (1997), editorial notes, photographs and correspondence (including Margaret Atwood, Timothy Findley, Al Purdy, and letters from Margaret Laurence to her editor, Alan Maclean.

The third accrual (27-1999, 68 cm) consists of three series: manuscripts and related material for Faking (1999) and Jack: A Life with Writers, The Story of Jack McClelland (1999), photographs, and literary correspondence.

The fourth accrual (16-2001, 20 cm) consists of two draft typescripts of *Farley: The Life of Farley Mowat</I> (2002) and editorial correspondence.

The fonds consists of one bound ledger book with the handwritten title “Blotter, 3 August 1850 to 31 January 1851 hand [?] letter book, 15 Fbry [February] 1851”. On the verso is the printed title “Legislative Council of Upper Canada … 1833”. The book’s pages contain financial records. Pasted into the book is correspondence to and from Montreal, Toronto, London, Detroit and other cities, circulars, invoices, statements, cheques, receipts , as well as a legal summons. The dates of the contents are more expansive than the handwritten title. The spelling of Deaubin’s last name varies; Deaubin is how he signed his correspondence.

The fonds consists of letters that he wrote to his mother in London, Ont. One of the letters contains detailed information on military actions.

The collection consists of one autograph book as well as several loose sheets containing autographs of various people, the majority of which are from the theatre world.

The collection consists of James M. Slater's diary and bible and Frank Haviland's photographs of steel structures.

The photographs are black and white, approximately 145 x 90mm of steel structures. The majority of them are related to the Standard Steel Construction company. Many of the photos have notations on the back, most of it in short form; it is assumed the notations are related to the construction. There is one photo of a group of nine men, none of them are identified, but it is titled “Standard Steel, Port Robinson Ont.” The photo is circa 1912. There are three photographs of the Falls View Bridge when it collapsed in 1938 which were taken by John A. Cowan of Welland and sent to Haviland. A few of the older photos also bear his initials.

The fonds consists of inkjet prints and silver gelatin prints of different dimensions, depicting workers in factories and other buildings and settings in Dubai, western New York, Slovakia, southern Ontario, and Sydney, Nova Scotia.

The fonds consists of Jane Abbott’s diary, dated 15 May 1914, to 17 September 1914. The diary is an account of the Abbotts’ visit to Europe, primarily Vienna. The highlights of the diary are the June 28 entry relating to the assassinations and the July 2 entry in which Abbott describes witnessing the return of the bodies to Vienna. The diary also details the Abbotts’ social life in Europe, including their interactions with other American visitors such as Dr. Russell M. Wilder and his wife. The fonds includes 7 documents that were found inside the diary. One of these documents is a letter, dated 26 April 1914, written by Jane Abbott while en route to Europe aboard the TSS Kaiser Franz Joseph I, and addressed to Ruth Abbott of Chicago, likely the sister of Dr. Abbott.

The collection consists of a diary kept from 1 November [1835?] to 14 March [1837?] when the Elliotts were living in Quebec City, Canada. The diarist is presumed to be Jane Elliott. Also in the collection is a play, "My Niece!!--In One Act"; a diary titled "Diary or Young Night Thoughts", 2 May 1830 to 10 September 1830; an undated essay about chalk; and 2 undated letters, written in Italian, possibly from R. Ferry, with one addressed to Luigia. The pencil drawing is presumably of the St. Lawrence River.

Fonds consists of correspondence and manuscripts of poetry

The fonds contains manuscript material from the three volumes of Newman’s Hudson’s Bay Company histories, which have been heavily annotated by Martin Lynch. In addition, there is correspondence between Newman and the Lynches on specific chapters as well as more general matters.

The fonds consists of her writings in all genres (mainly poetry, with some fiction and prose) as well as correspondence, printed materials, and published works. The poetry includes a series of poems written in and about China.

The fonds consists of letters of thanks to Mrs. Joselin from British and French families who received donations of clothing, and letters to Joselin from her friend, Bettina (‘Bun’) Somers.

The collection consists of three letters, two to Joan’s mother, and one to Patsey (Patty) Maclachlan.