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The fonds is mainly concerned with the writing of The Perilous Trade.

The fonds contains administrative and editorial files, including: correspondence, manuscripts, proofs, contracts, marketing plans, cost sheets, business papers, and other material.

The fonds consists of material created during Farr’s career. The McGill University Press material includes the initial proposal document, newspaper clippings, early design prototypes, and graphic materials produced by the press (page proofs, invitations, greeting cards, prints of R.D. Wilson artwork). The Ryerson Press material includes two logo blocks (publisher’s device), newspaper clippings, and various administrative files. Also included in the fonds: correspondence with Marsh Jeanneret, Donald Sutherland, Dick Wilson and W.H. Clarke from Clarke, Irwin & Co. Ltd.; photographs; an unpublished manuscript entitled The Crooked Axe: A Lighthearted Sketch of Canadian History to 1900 written by Farr in 2008 (unpublished at time of this description), and a copy of The Living Past of Montreal, McGill University Press, 1964, drawn by R.D. Wilson, described by Eric McLean.

The fonds contains: correspondence with authors and other agencies; typescripts and proofs; photographs and artwork; printed catalogues; and other material.

The fonds contains: correspondence; poetry and other writing; personal material, business material; photographs; promotional material; and other material.

The first accrual (2014-042) is organized into 2 series: correspondence, which consists of correspondence relating to her publishing and business career at the above publishing houses and organizations; and personal and biographical.

The fonds consists material related to D'Alfonso's literary career.

The archive consists of the business records of McClelland & Stewart, including manuscripts, author correspondence, editorial decisions, etc.

Collection consists of chapbooks, broadsides, literary periodicals, and ephemera collected by Barwin from predominantly Canadian small presses. 138 small presses are included in the collection, with heavy representation from influential chapbook publishers above/ground press, Proper Tales Press, and No Press. Barwin’s press, Serif of Nottingham, is also heavily featured.

The fonds consists material related to Porter's business, as well as her writing.