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The fonds consists of manuscripts and articles, including typescript drafts of Gorillas in the Mist; field notes; correspondence; photographs; materials relating to the Digit Fund (named after one of the gorillas). The third accrual consists of a compilation video of footage about Dian Fossey. It may have been compiled by Georgianne Nienaber, who wrote Fossey’s biography.

The fonds contains Dr. Frankel's notes and correspondence, sound recordings of the hearings as well as various documents used in his research for the commission.

Fonds consists of drafts and final copies of Freeman's written works, reviews and programs for performances thereof, professional and personal correspondence, assorted photographs, and juvenalia relating to Freeman's early life. Material includes documents retrieved from Freeman's computer after his death.

The fonds contains manuscripts and typescripts; correspondence; Saturday Night material; speeches and talks; administrative, personal and research files/documents; photographs and artwork; and other material. See 'system of arrangement' for more detail.

The fonds contains material falling under the following catagories: correspondence; full-length fiction; short fiction; non-fiction; books edited; poetry, articles; book reviews; notebooks; radio scripts; television scripts; film scripts; plays; printed material; royalty statements; printing material for The Saturday Morning Chapbook Series and miscellaneous.

The fonds consists of business records of the Garamond Press.

J.L. Garvin:
The major treasure of this part is the series of letters between Garvin and Viola Woods, Oliver’s mother and Garvin’s future wife. Viola was unhappily married to the writer Maurice Woods when she first met Garvin but the death of Garvin’s first wife in 1918 seems to have spurred her to divorce – still an unfamiliar and scandalous procedure among the upper classes of early twentieth-century England. The couple’s efforts to marry were further complicated by their Roman Catholic religion, by Garvin’s influential position in British society and by the eccentric behavior of Viola’s sister, Una Troubridge, who had left her husband to become the lover of the notorious Radycliffe Hall. All these stresses are reflected in the passionate letters they wrote to one another between 1919 and their marriage in 1921.

Almost as valuable for the light which they throw upon Garvin in his final years, is the series of letters to his stepson Oliver Woods who was serving with distinction in a tank regiment during the Second World War. Perhaps significantly, apart from a single earlier example, Garvin's wartime communications with Oliver commence in March 1942, a month after he had ended his thirty-four year long editorship of The Observer. Although he soon began to write regularly for the Sunday Express it is probable that, with the burdens of editorial responsibility lifted, Garvin was able to devote more time to his correspondence and to following the fortunes of the war, and in particular to the fortunes of his beloved Oliver.

Frank Waters:
Frank Waters was not a journalist of the stature of J. L. Garvin and while the Waters material, included as Part II of this archive, lacks both the chronological and geographical scope of the Woods section, Waters was a man of intelligence, sensitivity and real literary ability. His journals, especially those which he kept during the Second World War are important and immensely readable with the kind of literary polish for which his friend Oliver Woods was only to find time in his published work. Indeed the Second World War is like a leit-motif running through the Waters material for, apart from the letters of condolence which flooded in to Joan Waters during October 1954, following Frank's untimely death, most of the correspondence and much of the literary, business and ephemeral material in this section of the archive dates from the years between 1939 and 1945.

Both Frank and Joan Waters were inveterate collectors of anecdotes and quotations and much of the material collected for a projected anthology is represented here, as is the raw material for another projected volume to comprise observations about The Times over more than 150 years. Oliver Woods was also involved in collecting material for his friends to use in the latter volume but neither was ever published.

Joan Maude, as a film and stage actress of some repute, had already established a wide circle of friends when she married Frank Waters in 1933 and many of her friendships survived into the years of her marriage to Oliver Woods. Rather than arbitrarily divide such letters to Joan between the Waters and Woods correspondence, all series of correspondence with Joan which continued after Frank's death (with the exception of letters of condolence, which are in the Waters section) have been placed in a single series in the Woods correspondence. References to such series are given in the Waters correspondence.

Oliver Woods
The material relating to Oliver Woods, scholar, soldier and man of The Times, comprises more than three quarters of the Garvin/Waters/Woods archive (114 of 132 boxes).

The Woods correspondence is a fascinating melange which accurately mirrors the many facets and encyclopedic interests of Oliver Woods. Among its most valuable contents are the letters exchanged with those who played major roles in African colonial and post-colonial history. Such British governors as Sir Andrew Cohen and Sir Evelyn Baring and newly emergent African leaders including Hastings Banda took Woods into their confidence.

Many of Britain's most influential politicians also found in Oliver Woods an intelligent, sympathetic and discreet correspondent and this section of the archive includes a litany of former prime ministers: Eden, Callaghan, Douglas-Home and Heath, as well as an intimate exchange with Hugh Gaitskell and his wife. There are lengthy series of letters between Woods and many members of the Astor family, and long exchanges with former Times editors such as William Haley.

Also Woods' many former army colleagues figure prominently here, men like Sir John ("Shan") Hackett who became close friends during the war years when Major Woods acquitted himself so bravely in the desert and who, as they rose to high positions of power, provided invaluable insights and information.

This part also includes some personal and family correspondence. While Oliver's mother Viola's letters to her husband J. L. Garvin are in the Garvin part of the archive, her letters to her son and his wife are here, as are substantial exchanges between Oliver and two of his Garvin half sisters, Viola and Katherine (Gordon).

There have been several accruals. The first accrual consists of annual reports, ledgers, catalogues, minutes of meetings, bulletins, circulars, correspondence, photographs, news clippings and other items. The second accrual consists of annual reports, speeches, news clippings, and other printed materials. The third accrual consists of company records, media records, records pertaining to the publication of a company history, and photographs.

The fonds consists of the organizational records, including membership lists, constitution and by-laws, minutes and additional records.

The fonds contains: correspondence; poetry and other writing; personal material, business material; photographs; promotional material; and other material.

The fonds consists of letters starting just prior to Gibson’s enlistment to his return to Canada, as well as pocket diaries for the years he served and some military documents.

The fonds consists of original materials (and many holograph copies) created by Adrian Grant Duff and others, as well as research notes and extracts /of original materials created by his daughter, Shiela.

Fonds consists of correspondence, drafts of articles, research files, journals, and publications.

The fonds consists of Griffith’s in-flight navigator’s reports of bombing raids over German targets, detailing height, speed, temperature, instrument checks, unusual incidents, bomb release time, course flown, special instructions, and observations, and corresponding course maps. Fifty-two of the maps included in this fonds are World War II Bomber Charts, namely Topographical Maps, Lattice Topographical Maps, Radar Plotting Charts, Plotting Series Maps, Aeronautical Maps, and Canadian Air Navigation Charts. There are also three notebooks.

The fonds also contains an air force uniform (Pilot Officer jacket, trousers, felt “long johns,” two Royal Air Force “blue shirts.”); Griffith’s shoulder boards and air force and officer hats; 5 navigation protractors (3 of which are handmade); various patch badges including air force, army and naval items; and sample plexiglass from an aircraft window; a sample of airframe; field wound dressing (unused); and a sewing kit, for buttons, badges, and repairs.

There is also biographical information about Griffith and his crew (including the correspondence to Kennedy from Bath and an article from McLean's Magazine, September 2009 describing Operation Gisela); Leave Guide for London (a YMCA brochure), an issue of Time and Tide: Independent Non-Party dated 14 April 1945; 7 annotated photographs of the Halifax III and its crew, a Crew Roster for the 76th Squadron RAF for the week ending 22 December 1944.

The fonds contains: correspondence with authors and other agencies; typescripts and proofs; photographs and artwork; printed catalogues; and other material.

The fonds consists mainly of the records of the Hamilton and District Labour Council from its formation in 1956 until 1994. There are also some records from the two bodies which preceded it as well as from the Canadian Congress of Labour Area Council. There have been two accruals.

The fonds is comprised of early drawings of the original waterworks (many signed by T.C. Keefer) and later designs of extension and improvements.

The fonds consists of material related to Handely-Taylor's work, as well as correspondence and other material.