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The fonds contains manuscripts and typescripts; correspondence; Saturday Night material; speeches and talks; administrative, personal and research files/documents; photographs and artwork; and other material. See 'system of arrangement' for more detail.

The fonds contains C.L.M. circulars, C.L.M. administrative files, NC Press and New Canada files, C.L.M. audio cassettes, material received, subject files, and publications received, realia (flags), typescripts, notes, posters, news clippings and other printed materials. The fonds contains a considerable amount of trade union materials.

The collection reflects Harvey Feit’s work with Eeyou (Cree) governments and communities in Eeyou Istchee (primarily Northern Québec), particularly around the creation and implementation of the James Bay and Northern Québec Agreement. The collection consists of the following: academic papers; reports, correspondence, and meeting minutes from Eeyou negotiators and governments; legal records, including factums and transcripts of witness testimonies for various court cases; and news clippings.

The collection includes annual meeting minutes, Board of Directors minutes and statements, committee meeting minutes, correspondence, pamphlets, and other materials including documents concerning Exchange for Political Ideals in Canada, (Epic), a society sponsored by OWMF.

The fonds consists of broadcast scripts, typescripts of several short stories and articles, and a small amount of unlisted correspondence.

The fonds consists of: manuscripts, correspondence, personal files, Barbados, Caribbean Broadcasting Corporation, teaching and audio tapes, material related to Survivors of the Crossing and material on the election campaign of 1977, material relating to The Ontario Film Review Board, unpublished novels, notebook and material received, periodicals, research files, invitations, tape recordings, articles, and other material

The fonds consists mainly of book manuscripts including The Stone Angel (1964), A Jest of God (1966), Long Drums and Cannons (1966), The Fire Dwellers (1969), A Bird in the House (1970), The Diviners (1974) and Heart of a Stranger (1976). The audio cassette, disc and reel are of songs from The Diviners.

The fonds consists of minute books, attendance books, affiliation certificates and election results.

The fonds contains material that falls into the following catagories: poetry; prose; journals; audio visual & music; correspondence; publicity, promotion and contracts; reviews and interviews; and publications

The archive contains a drawing by Ting, titled 'Red sails in the sunset'. It is drawn with ink and charcoal pencil with white watercolour on cardboard. It depicts Communist China setting sail on Nationalist China which is disappearing into the ocean.

The fonds consists of three slip-cased, bound minute books: 4 January 1949-5 December 1964; December 1964-17 December 1980; 21 January 1981-17 September 1991; 15 October 1991-16 March 1993. The latter two contain financial statements.

The fonds consists of his artwork, along with a few amateur pieces done for school by other family members, Heather and Kathryn Thomson. Kathryn was living in Sharon, Ont. at the time she created her piece. One of Heather’s was done in 1970. Thomson’s work for the Blue Book was done in 1948. It includes illustrations for “The Last Outpost” (Oct. 1948), “McQuillan Lends a Hand”, “That’ll Be the Day McQuillan”, “Scandal in Eden” (June 1948), and “Lords of the Forest and Lakes” (Nov. 1948). The McQuillan stories could not be dated, although four stories about this character with different titles appeared from 1948 to 1950. His work is in varied media including: pencil, ink, water-colour, pastel and conté pencils, and includes portraits as well as landscapes. There is one pencil sketch for an advertisement, showing a housewife on the phone and a man painting. The fonds includes finished works as well as sketches. Some of the works have been signed; others have not. One is dated 1961. Much of it was not done for Blue Book. There is a poster probably done for his children to sell apple cider. Because material arrives in disarray from Morris Norman, there is a possibility that some of these works are not by Thomson.

The fonds consists of letters from Maclean’s Magazine to Gardner during his time as a freelance writer with the magazine. The correspondence is mainly with Pierre Berton, but there are a number from other Maclean’s editors as well.

The fonds consists of two accruals. The first accrual contains correspondence, manuscripts of typescripts of his books, articles, reviews and other writings, speeches, newspaper clippings, artwork, photographs, sound recordings and manuscripts. There are also some research notes, correspondence, photographs and news clippings, artwork, photographs, sound recordings and moving images. The second accrual (15-2005) consists of six audio cassettes.

The fonds contains: correspondence; conferences; offprints, typescripts, and proofs; McMaster University; journals, awards, travel, photographs, realia; Nobel Prize; manuscripts, typescripts and graphs; offprints, works by otheres, blueprints; teaching and administration, personal documents; graduate students.

The collection consists of 31 letters to Edward Sackville-West (1901-1965), mainly concerning Tippett's opera The Midsummer Marriage. There is a great deal on the production itself, music problems, and his ideas for casting the roles. Tippett's other compositions are not neglected, and there are references to his Piano Concerto, Child Of Our Time, Variations on a theme of Corellie, and The Heart's Assurance. There is much comment on the general problems of composition.

The fonds consists predominantly of correspondence.