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The fonds consists of archives related to D’Alfonso’s literary, publishing, teaching and film production career.

The fonds (15-1988) is arranged into the following series: minute books, financial, labour negotiations, and publications. Financial includes budget ledgers, cash book pages, estimates and reports, expenses and receipts, annual reports, income taxes, and union dues. Labour relations includes negotiations, agreements, regulations and guidelines, employee benefits, correspondence, and grievances. Publications include convention reports and photographs.

The fonds consists mainly of material related to his writing and teaching activities.

The bulk of this collection was gathered together by Peter Bander Van Duren who planned to write a biography of Mayer.

Textile depicts a group of red-crowned cranes against a backdrop of bamboo.

The fonds contains minutes, correspondence, branches and affiliates, finances, activities, national petition, publications, research files, seminars, office files, publications, publications for other peace groups, clippings, small posters and other material

There have been five accruals. The first accrual is organized into four series: correspondence, 1968-1981; editorial files, 1981-1983; Art Department photographs, 1927-[1983?]; Scrapbooks, 1960-1976. Authors in the correspondence series include: Lovat Dickson, Hugh Garner, John Glassco, Norman Levine, George Woodcock, Margaret Atwood, Pierre Berton, Matt Cohen, John Robert Colombo, Marian Engel, Mavis Gallant, Margaret Laurence, Brian Moore, Peter C. Newman, Mordecai Richler, Michael Bliss, Kenneth McNaught, George Bowering, Louis Dudek, George Faludy, Ralph Gustafson, Irving Layton, Dennis Lee, Dorothy Livesay, Susan Musgrave, Michael Ondaatje, Miriam Waddington and Tom Wayman. This accrual reflects, to a very marked degree, the tenure of Robert Fulford.

The second accrual (13-2002) is organized into 6 series : Writers Files kept by editor Paul Wilson; Letters to the editor (Christina Brandao, John Fraser, Lisa Rundle, Robert Weaver and Kenneth Whyte); Production; Awards and photographs; News clippings and Card index. This accrual was received with a book collection and issues of Saturday Night from the 1930s and 1940s with a few earlier issues. The book collection and journals are listed separately and will be catalogued for Research Collections independently of this accrual. The third accrual (02-2003) is organized into 3 series: Editorial correspondence; Writers Files and Awards and Letters to the Editor. When the magazine suspended publication in 2005, all files at St. Joseph Media offices were removed; they did not come to McMaster. The fourth accrual (27-2007) consists of printed materials re the history of Saturday Night compiled by George Fetherling. The fifth accrual was compiled by Frank Moher, former editor at Saturday Night. Accrual includes articles Moher edited during his time at the magazine, as well as his own work.

The fonds consists of records related to Ellen Seligman’s professional career at McClelland & Stewart (1977-2016) and her PEN Canada presidency (2009-2011). Many records, predominantly photographs and correspondence, relate to Seligman’s personal life.

Series groupings have been supplied by the processing archivist following functional analysis. Principal documentary forms include correspondence and photographs.

The fonds consists of textual materials and photographs pertaining to Donaldson’s personal life, creative work, and academic career at McMaster University. Documentary forms include Jeffery Donaldson’s notebooks, journals, research, and manuscripts for his various published and unpublished works.

Series groupings were supplied by the processing archivist.

There have been two accruals. The fonds contains correspondence, books and other writings, photographs, audio-visual and related materials, community involvement, conferences, readings, personal materials, printed materials.

There have been ten accruals. The fonds consists of manuscripts, correspondence, photographs, sound recordings, and moving images created by or related to Reid as a writer and teacher. It also contains institutional and legal papers created during and related to Reid’s crimes and periods of incarceration.

Fonds contains original artwork (illustrated and hand-lettered pages) for Nickerson’s 2018 comic, All We have Left, Is This.

The fonds contains material in multiple languages: English, French, Ojibway/Chippewa, Cree, Latin.