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The fonds is arranged into three series: correspondence, compositions, ephemera and memorabilia. The fonds includes some of the financial records and minutes of the Brighton Philharmonic Society.

The fonds contains correspondence, manuscripts, sound recordings and other materials in English, Japanese and German. There are also some materials relating to his father, Klaus Pringsheim, as well as research materials for a biography of Eisaku Sato. Pringsheim’s uncle was Thomas Mann and some documents relating to the Mann family also form part of this fonds.

The collection consists of 31 letters to Edward Sackville-West (1901-1965), mainly concerning Tippett's opera The Midsummer Marriage. There is a great deal on the production itself, music problems, and his ideas for casting the roles. Tippett's other compositions are not neglected, and there are references to his Piano Concerto, Child Of Our Time, Variations on a theme of Corellie, and The Heart's Assurance. There is much comment on the general problems of composition.

The fonds consists of extensive photographs and textual, audio and audio visual materials. It also contains realia including trophies and honours, such a Lifetime Achievement Award from the Hamilton Music Awards and even some of Washington’s hats.

The fonds consists of notebooks (35 items) in which Wilson recorded his thoughts, ideas for songs, draft lyrics, occasional drawings, photographs, and more, ca.2003-2010 (also includes 11 photographs); the Florida Razors’ vinyl recording Beat Music, 1986; 14 sound recordings on tape of the Florida Razors, Junkhouse, Blackie and the Rodeo Kings, and Wilson solo material; notes and annotated galley proofs of Beautiful Scars; and two paintings by Wilson.

The fonds is very comprehensive and includes: 32 notebooks in which Cockburn composed most of his song lyrics from 1969 to 2002; song sheets and scores; correspondence, including fan mail; awards, including gold records; promotional material, including posters; tour books; scrapbooks; photographs; a copy of each of Cockburn’s recordings; video and film items; and other material.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

Fonds consists of cassette tapes containing recordings of interviews conducted by Neil Armstrong of prominent Black and Caribbean artists, authors, poets, publishers, academics, and politicians for the York University student radio, CHRY 105.5FM. Interviews cover topics such as Black and Caribbean history, literature, community events, international work, and more. Interviewees include The Honourable Lincoln Alexander, Dionne Brand, Afua Cooper, The Honourable Rosemary Brown, Austin Clarke, George Elliott Clark, Louise Bennett (Miss Lou), and others. Some tapes have interviews or speeches made by these individuals outside of a CHRY interview.

Tapes were numbered in accordance with the original order upon arrival. Note: The “A” or “B” following the tape number reflects which side of the tape the recording may be found. Tapes without an affixed letter contain only one recording.

The text of the hymn begins "Did Jesus weep for human woes". The date "c1780's" has been written in pencil by an unknown hand. Research Collections has two broadsides containing hymns. One is titled "The First Hymn Sung by the Charity Children" and is dated 7 July 1713. The other one is "The Second Hymn Sung by the Charity Children" and is dated 20 Sept. 1914. The text of the broadsides does not match this manuscript.

The collection contains material pertinent to the performance of Concerto in C Minor for Piano and Orchestra, For Miss Agnes Butcher.

The manuscript contains over one hundred Irish and Scottish songs, collected by Harry S. Higginson. The index at the front goes as high as ninety-one songs at page 98, but there are songs until page 162, suggesting approximately 150 titles. Song lyrics are by Thomas Moore, Robert Burns, Sir Walter Scott, and others. In the front of the book Higginson has also kept track of his movements.

Loose with the manuscript is a clipping for the "Connaught Foxes" (between pp. 99-100) song and two other hand written notes, one of which has the Legend of the seven churches of Glendalough written by Henry S. Wedderburn and The Bengalee Baboo.

Bacio l'arco e lo strade, e bacio il rodo. -- Poem. -- 1 p.
Andante/Mozart. -- 3 p.
Hillsberg's dance. -- 2 p.
Of a noble race was Shenkin. -- 2 p.
Meyer. -- 2 p.
Zemira & Azore. -- 2 p.
Minuetto. Krumpoltz. -- 1 p.
Vive les fillets. -- 1 p.
Rondeau allegretto. Cardon Filtz. -- 2 p.
Mineur. -- 2 p.
La cosaque d'iphigenie. -- 2 p.
Rondo de M. Hinner. -- 2 p.
Rondo. -- 2 p.
Whither My Love / de Sig. Paesiello. -- 2 p.
Entracte de la bataille d'ivry. -- 3 p.
Paesiello's grand march. La lorcantha. -- 1 p.
Romance andante. -- 1 p.
Codiad yr Hedydd. Welsh air. -- 4 p.
Elegiac. Monfa rhuddlan. Welsh air. -- 4 p.
Mynadid câdpeu morgan. -- 1 p.

Bound manuscript of musical scores. Also contains the will of George Thomson, 5 May 1824.

The vocal works include excerpts from "The Prize", "The Mountaineers", and "The Cherokee". Singers include Mrs. Storace, Mrs. Bland and Mrs. Banister. Keyboard pieces include works by Haydn, Giordani, Pleyel and Mazzinghi.

Written on the front inside cover: From Earlsoham.

Contains a musical score. Title page is printed.

There have been six accruals. The first accrual consists mainly of sheet music. There are also programmes, books and pamphlets in the first accrual as well as puzzles and games, time blocks, wooden notes -- all of these used to teach children music by the Fletcher music method. The second accrual consists mainly of books although there is some sheet music. The third and fourth accruals (26-2007; 50-2008) are sheet music, as are the fifth and sixth accruals. Many of the books in the second accrual are published in the United States and Britain. Eventually the books from both accruals will be catalogued either for Research Collections or the general library stacks. There are still several boxes of sheet music that have not yet been unpacked. There are also three copies of a poster, "'Cello, Otto Joachim, Kinderspiel", n.d.

There have been two accruals. The first accrual consists of 923 songs from 1714-1830. The second accrual consists of approximately 1,000 songs from 1700-1830. Both accruals of songs are mainly from the Georgian Era, that is during the reigns of the four Georges. The majority of the songs were published in London, England.

Twenty-four of the letters are written by Liszt to a variety of correspondents; one letter is addressed to Liszt from the Executive Committee for the Mozart Jubilee. There is one letter from Dr. S. Jadassohn to an unknown correspondent. The letters are in French and German. The collection also includes translations of documents, a conference report for a concert held in Budapest, a piano completion certificate for one of Liszt's students, a photograph and a contract.