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The fonds consists of Russell's manuscripts, correspondence, library, periodicals, offprints, leaflets, photographs, audio discs, audio reels, audio cassettes, films, videocassettes, microfilms, news clippings, posters, some furniture, artwork (including a bust by Jacob Epstein), awards and medals. Also included are records of the Bertrand Russell Peace Foundation, including those that relate to the International War Crimes Tribunal. The archive is supplemented by a supporting research library of books, theses about Russell, and his publications in periodicals. The fonds also contains the archives of Russell's parents, Viscount and Viscountess Amberley. The fonds has been supplemented with ongoing acquisitions of original material from a variety of sources, as well as copies of selected material held elsewhere.

The fonds consists of material related to Alan Walker's research, recordings, and other professional activities. As well as personal material, including correspondence. The third accrual contains 30 items related to Liszt and his Circle, including 14 letters from Liszt.

Fonds consists primarily of 6 volumes of diaries, written by Stephens from 1852 to 1881 (with gaps). The diaries provide significant insight into Stephens’ life, and record events in Owen Sound and throughout Ontario; none of the diaries cover the period when Stephens was writing the poem, Hamilton, though he does refer to the work from time to time. The diaries do include several other poems composed by Stephens. The fonds also includes a charcoal drawing of Stephens, a copy of Bunyan’s The Pilgrim’s Progress that was read to Stephens as a child, biographical information, documents relating to various family members, and other material.

The fonds is arranged into eleven series: press cuttings; a literary log; miscellanies; books (tss., mss., proofs, related material); correspondence; other manuscripts (untitled and titled mss. and lectures); societies and clubs; George Augustus Henry Sala; book collecting and other personal matters (includes correspondence of Sir Robert Peel); photographs and illustrations; and oversize material. Also acquired with the Straus fonds are the following: a collection of his published books and books from his library (for a description of these, see the master file on Straus), which have been catalogued in Research Collections; a pottery monkey, ca. 1880, formerly in the possession of Sala; an oil portrait of John Baskerville by his niece, Miss Gillespey.

The fonds consists of manuscripts, research materials, correspondence, financial documents, photographs, maps, audio reels, and video cassettes. There have been twenty-one accruals.

There have been two accruals. The contents of the first accrual mainly concerns Edith's life after her marriage to Russell while the second is about Edith's life before her marriage.

The fonds consists of poetry and prose written by Laidlaw.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The fonds consists of manuscripts, reviews, and correspondence.

The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.

The fonds consists of a bound volume containg six manuscripts by Moir. They are:
The bride of Lochleven. -- Manuscript, 21 p.
The lunatic of love. A fragment. -- Manuscript, 16 p.
The Norman captive. -- Manuscript, 17 p.
The Revenge of Sir Edmund. -- Manuscript, 19 p.
Isabelle or the maid of Damascus. A Syrian tale. -- Manuscript, 29 p.
The exile of Novogorod. -- Manuscript, 76 p.

Three different hands appear to have been used. Different paper was used for the last manuscript. Stamped on the front cover is the delta symbol. Stamped on the back cover are the initials of his wife: C.E.M. 1852.Written inside the front cover is the inscription: Jane Moir from her mother, July 1853.

The fonds is comprised of twenty-one notebooks of Hollick's own records of his eighteenth century collection. Some books are entered merely by author, title and date; but in most cases Hollick provides collations, sometimes notes, and occasionally the bookseller's catalogue entry.