Mostrar 304 resultados

The collection consists of labour union name tags, mostly from conventions in Canada and the United States. Several of the name tags belonged to Claude Jodoin (1913-1975), the first president of the Canadian Labour Congress from 1956 to 1966 and to William Dodge, Executive Vice-President of the CLC. Unions include the Seafarers International, the International Ladies Garment Workers, International Brotherhood of Sleeping Car Porters, the Employees International Union, the Journeymen Barbers International Union and the International Wood Workers of America. There is one tag from the Second World Congress of the Confederazione Internazionale Sindacati Liberi (International Confederation of Free Unions) held in Milan. Most of the tags are labour ones. However, there are three tags (staff, delegate, and guest) to the founding convention of the New Democratic Party. Most of the tags are ribbons attached to pins. There are also three metal plaques: two of the Trades and Labor Congress of Canada (French and English) and one for Montreal, 1947-50, with the city’s motto “Concordia salus” and crest. The tags were originally stapled, pinned or glued to a polystyrene foam board. The board was photographed by archival staff before the tags were removed.

The collection consists of research materials concerning Hamilton hospitals, health and santitation, as well as notes taken from City Council minutes, and biographical notes on Hamilton families.

The collection consists of 4 letters addressed to William Mullis, editor, The Hamilton Spectator, Hamilton, Ont. and 1 letter to T. W. D. Farmer, editor, The Hamilton Spectator. The letters are from Rt. Hon. Arthur Meighen (1874-1960), Prime Minister of Canada, 1920-1921 and 1926; Vincent Massey (1887-1967), Governor-General of Canada, 1952-1959; John Hylan, Mayor of New York city; and William Maxwell Aitken, Baron Beaverbrook (1879-1964). There is also an autograph by Arthur Meighen.

The collection consists of materials concerning rules, disputes and labour negotiations with unions of the the Canadian Pacific Railway, the Canadian National Railway and the Grand Trunk Railway system. Some of the unions involved include: Locomotive Engineers, Locomotive Firemen, Conductors, Baggagemen and Brakemen, Brotherhood of Railway Trainmen, Brotherhood of Locomotive Engineers, Yardmasters, Brotherhood of Locomotive Firemen and Enginemen. There is one photograph (Accession 08-1999).

Collection consists of 6 poems and 1 letter from Hughes to Mr. and Mrs. Wausbrough.

The collection consists of 4 letters from Masefield to Kathleen Harper, 1955-[1956]; a poem “On the Occasion of Her Majesty’s Visit to Canada, 1959”, 8 pages typed and signed by Masefield “For Kathleen Harper, August the 1st 1959”, also a one-page manuscript abridged version of the poem. The collection also contains a b&w photograph of Masefield, signed and inscribed to Harper in 1959 and a copy of Masefield’s play, Good Friday, signed and inscribed to Harper in July 1955.

Mimeograph, typescript, and typescript carbon of "Variation on a Theme, a new play by Terence Rattigan". Written on the title page in pencil is “corrected by the author and his secretary”. Rattigan has written in ink: “To Cuthbert with great love and appreciation of his appreciation. Terry Rattigan.” Also one programme from The Streatham Hill Theatre and a photocopy of the notes about this play prepared by Bertram Rota Ltd. in preparation for its sale.

The collection consists of Cpt. Read’s First World War military maps and Active Service Testament. An 1808 map of Russia. A copy of Col. R. Meinertzhagen’s Birds of Arabia, which belonged to Cpt. Read’s son.

The collection consists of posters advertising shows by a variety of circuses and Wild West shows including Cole Brothers and Ringling Brothers & Barnum and Bailey. There have been two accruals. The first accrual has 36 posters. The second accrual has five posters, including one in German.

The collection consists of the following:
7 letters and cards from Ottoline Morrell, 1919-1936, mostly undated
10 letters and cards from E.M. Forster, 1944-1957
1 photograph taken at Garsington of a group of six people: includes E.M. Forster, G. Lowes Dickinson and Frank Prewett.

There are letters from the following (with two noted exceptions) in this collection:

William Arthur Aikin, born in 1857, an English surgeon, scientist and amateur musician who died in 1939.

Michael William Balfe, born in Dublin on 15 May 1808 and died in Rowney, Abbey Herts., 20 October 1870, a singer and the most successful composer of English operas in the nineteenth century.
John Francis Barnett (1837-1916).
Sir Arnold Bax, born in Streatham on 8 November 1883 and died in Cork, Ireland, 3 October 1953, a composer of orchestral and choral works.
Sir Julius Bendict, born in Stuggart on 27 November 1804 and died in London, 5 June 1885, a composer of operas and choral music and a conductor who lived in London beginning in 1835.
Sir William Sterndale Bennett, born in Sheffield on 13 April 1816 and died in London, February 1875, the most distinguished English composer of the Romantic school, composing orchestral, chamber, keyboard and choral music.
Gerald Hugh Tyrwhitt Wilson, Baron Berners, born at Arley Park, Bridgnorth on 18 September 1883 and died at Farringdon House, Berks., on 19 April 1950, a composer of ballet, orchestral music and songs, and a writer and painter.
Sir Arthur Bliss, born in London on 2 August 1891 and died there on 27 March 1975, a composer of music for the stage as well as orchestral, choral and vocal works.
Edwin York Bowen, born in London on 22 February 1884 and died there on 23 November 1961, a composer and pianist.
Sir Frederick Bridge, born in Oldbury, 5 December 1884 and died in London, 18 March 1924, an organist, composer, and writer.
Sir Benjamin Britten, born in Lowestoft on 22 November 1913 and died in Aldeburgh, 4 December 1975, a composer, conductor and pianist. He is considered to be the outstanding composer of his generation. His Peter Grimes laid the foundation for a revival of English opera.
Alan Bush, born in London on 22 December 1900 and died in November 1955, a composer of music for the stage as well as orchestral and vocal works, pianist and teacher.

William Crotch, born in Norwich on 5 July 1775 and died in Taunton on 29 December 1847, a composer of vocal, orchestral and chamber music, theorist and painter. A child prodigy, he was one of the most distinguished musicians of his day.
W. Crouch was the uncle of Frederick William Crouch (c1783-1844), author of A Complete Treatise on Violoncello (1826) and his note is addressed to Frederick Crouch.

Sir Walford Davies, born in Oswestry, Shropshire on 6 September 1869 and died in Warington, Somerset on 11 March 1941, an organist, composer and educationist.

Edwin Evans, born in London on 1 September 1871 and died there on 3 March 1945, a music critic for the Pall Mall Gazette (1921-23) and Daily Mail, from 1933 onwards. There are no letters from Evans; only letters addressed to him from three people, including Osbert Sitwell (1892-1969).

Herman Fink, born in London on 4 November 1872 and died there on 21 April 1939, a composer of music for the stage and a conductor.
Gerald Finzi, born in London on 14 July 1901 and died in Oxford, 27 September 1956, a composer of orchestral, choral and vocal works.

Henry Balfour Gardiner, born in London on 7 November 1877 and died in Salisbury on 28 June 1950, a composer of music for the stage as well as choral music and songs.
Sir Edward German was born as German Edward Jones in Whitchurch, Shropshire on 17 February 1862 and died in London on 11 November 1936. He changed his name to avoid confusion with another Edward Jones. He was a composer of comic operas, incidental and orchestral music and songs.
Sir Eugene Goossens, born in London on 26 May 1893 and died at Hillingdon, Middlesex on 13 June 1962, a conductor and composer of stage, orchestral, chamber and vocal music.

Thomas Harper, born in London in 1816 and died on 27 August 1898, possibly also in London, a trumpeter and professor at the Royal Academy of Music. There are no letters from Harper; only letters addressed to him from several people.
Joseph Holbrooke, born in Croydon on 5 July 1878 and died in London on 5 August 1958, a composer of stage, choral, and orchestral music.
Charles Edward Horsley, born in London on 16 December 1822 and died in New York on 28 February 1876, a composer of oratorios.
Herbert Howells, born in Lydney, Gloucs. on 17 October 1892 and died in 1983, a composer of choral and instrumental works, teacher and writer.

John Ireland, born 13 August 1879 in Bowdon, Cheshire and died in Rock Mill, Washington, Sussex, 12 June 1962, a composer of orchestral, vocal, chamber and instrumental music, pianist, and teacher.

Constant Lambert, born in London on 23 August 1905 and died there 21 August 1951, a composer of ballets as well as choral and orchestral works, a conductor and writer.

Sir Alexander Mackenzie, born in Edinburgh on 22 August 1847 and died in London on 28 April 1935, a composer of stage, choral, orchestral, and instrumental music, and a conductor.
Sir August Manns, born in Stolzenberg on 12 March 1825 and died in Norwood, London, 1 March 1907, a conductor at the Crystal Palace, London from 14 October 1855 onwards. He became a naturalized British citizen in 1894.
Thomas Moore, born in Dublin, Ireland on 28 May 1779 and died at Sloperton Cottage, near Devizes on 26 February 1852, a poet, musician and composer of songs.

Alfred Novello, born in London on 12 August 1810 and died in Genoa on 16 July 1896, where he was living in retirement, an English music publisher, founder of Novello & Co.

Sir Hubert Hastings Parry, born in Bournemouth on 27 February 1848 and died in Rustington, Sussex on 7 October 1918, a composer of stage, sacred, orchestral and chamber music, oratorios and songs, a scholar and teacher.
Henry Hugo Pierson, born in Oxford on 12 April 1815 and died in Leipzig on 28 January 1873, a composer of choral and stage music and songs who lived most of his adult life in Germany.

Edmund Rubbra, born in Northampton on 23 May 1901 and died in Gerrard's Cross, Buckinghamshire on 14 February 1986, a composer, pianist, teacher and writer. He is considered to be the leading English exponent of the symphony in the mid-twentieth century.

Cyril Scott, born in Oxton, Cheshire on 27 September 1879 and died in Eastbourne on 31 December 1970, a composer of stage, orchestral, choral and vocal music, a writer and pianist.
J. S. (John South) Shedlock, born in Reading on 29 September 1843 and died in London on 9 January 1919, a pianist and writer on music.
Sir John Stainer was born in London on 6 June 1840 and died in Verona on 31 March 1901, while on vacation, a musicologist and composer of oratorios and sacred music.

Ralph Vaughan Williams, born in Down Ampney, Gloucs., on 12 October 1872 and died in London on 26 August 1958 a composer, teacher, writer and conductor. He was the key figure in the revival of twentieth-century English music.

Vincent Wallace, born in Waterford, Ireland on 11 March 1812 and died at the Château de Huget, Vieuzos, Hautes-Pyrénées on 12 October 1865, where he was living in retirement, a composer of operas and piano pieces.
Richard Walthew (1872-1951)
Samuel Webbe, born in London c1770 and died there on 25 November 1843, an organist and composer of glees, catches and songs as well as sacred music.
Samuel Sebastian Wesley, born in London on 14 August 1810 and died in Gloucester on 19 April 1876, a composer and organist. He is considered to be the greatest composer in the English cathedral tradition of the eighteenth century.

The collection details Rev. Garnet Lynd's personal involvement in the temperance movement in Peel and York counties and his function as a member of the Ontario Temperance Association.

This collection consists of a variety of artifacts (a coin token, brass and wooden boxes), a barometer, illustrations and art, books, cards, and ephemera about ballooning from the late eighteenth century to the first decades of the twentieth century.

The fonds includes records from the founding of the party to its succession by the New Democratic Party.

The collection consists of 31 letters to Edward Sackville-West (1901-1965), mainly concerning Tippett's opera The Midsummer Marriage. There is a great deal on the production itself, music problems, and his ideas for casting the roles. Tippett's other compositions are not neglected, and there are references to his Piano Concerto, Child Of Our Time, Variations on a theme of Corellie, and The Heart's Assurance. There is much comment on the general problems of composition.

The collection contains two letters: one, a letter to Mrs. Mesney on 1 November 1955; and another, to W. B. Burwell on 25 July 1955.

The collection consists of manuscripts, correspondence, and clippings.

The collection consists of correspondence, manuals, minutes, and broadcast scripts related to the unionization drives at Eaton's and Smith's Department Stores.

The story of the campaign to organize Eaton's is told by Eileen Sufrin in The Eaton Drive: The Campaign to Organize Canada's Largest Department Store, 1948 to 1952. She was one of the organizers and her book is based on her memories plus archival material that she gathered from institutions in Ottawa, Toronto, and Vancouver.

The collection consists of James M. Slater's diary and bible and Frank Haviland's photographs of steel structures.

The photographs are black and white, approximately 145 x 90mm of steel structures. The majority of them are related to the Standard Steel Construction company. Many of the photos have notations on the back, most of it in short form; it is assumed the notations are related to the construction. There is one photo of a group of nine men, none of them are identified, but it is titled “Standard Steel, Port Robinson Ont.” The photo is circa 1912. There are three photographs of the Falls View Bridge when it collapsed in 1938 which were taken by John A. Cowan of Welland and sent to Haviland. A few of the older photos also bear his initials.