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There have been eight accruals. The fonds consists of manuscripts, correspondence, photographs, sound recordings, and moving images created by or related to Reid as a writer and teacher. It also contains institutional and legal papers created during and related to Reid’s crimes and periods of incarceration.

The Jo Vellacott fonds contains extensive documentation regarding Vellacott’s work as a historian of women, feminism, pacifism, and Bertrand Russell, both as an academic at several Canadian universities, as well as her work as an independent scholar. The fonds contains a significant amount of correspondence, both personal and professional, which spans almost the entirety of Vellacott’s life. Fonds also contains materials relating to Vellacott’s education, particularly her PhD work at McMaster University, and much of her personal and scholarly writings. It also contains materials relating to Vellacott’s Quakerism and involvement with the Thousand Island Monthly Meetings, as well as photographs of Vellacott and paintings and sketches she made.

The fonds consists of materials documenting his life and writing.

The fonds consists of material related to Sutherland's writing, including the marketing, publishing and promotion of his works; material pertaining to speaking engagements and workshops; the works of other authors; and material related to his personal life and that of his son Malcolm Sutherland (1984-2009). The fonds contains correspondence, manuscripts, clippings, and other material.

The fonds consists of thirteen accruals. The first accrual consists of Boxes 1-31 and is arranged into 6 series: personal correspondence, business correspondence, correspondence relating to poetry readings, interview and fan mail, unpublished works and published works. This accrual measures 4.03 m.

The second accrual (04-1988) consists of Boxes 32 - 66 and is arranged into 10 series: manuscripts, poetry worksheets, articles, personal correspondence, business and literary correspondence, readings, workshops and festivals, published work in journals, writer-in-residence and grants, awards and applications. The accrual measures 6.5 m.

The third accrual (35-1991) extends to 3.0 m and consists of boxes 67-74 and is arranged into 6 series: manuscripts; correspondence; teaching and writer-in residence; awards, competitions and readings; financial and legal and personal.

The fourth accrual (44-1997), which extends to 6.93 m, consists of boxes 75 - 95 and is arranged into 6 series: manuscripts; correspondence; electronic correspondence; teaching, student work, readings and juries; business, financial and personal and published materials and videotapes.

The fifth accrual (21-2001), which extends to 9.0 m, consists of boxes 96-143 and is arranged into the following 7 series: manuscripts; correspondence; the Writers' Union of Canada; Writers' In Electronic Residence programme; Mentorship programme and Editorial; Readings, grants, awards, juries, reviews and projects; and personal and miscellaneous.

The sixth accrual (32-2004) which extends to 6.3 m, and has been arranged in seven series: teaching, correspondence, writing, writing related activities, personal documentation and memorabilia, printed material, and moving images and sound recordings.has not been arranged, described or measured.

The seventh accrual (71-2008) measures 8 m and has been arranged into six series: teaching; correspondence; writing and royalties; readings, conferences, appointment books; photographs, artwork, moving images.

The eighth accrual (26-2011) measures 1.9 m and has been arranged into five series: writing; correspondence; teaching, readings, workshops and conferences; personal; printed and other materials.

The ninth accrual (2012-11) measures 1.5 m and has been arranged into 8 series: Manuscripts of novels and poetry; Research; Teaching, Festivals and Events; Business; Correspondence; Manuscripts edited by Musgrave; Personal; and Audio-Visual and graphic materials.

The 10th accrual (2015-16) measures 1.9 m and is arranged into seven series: literary and business; Teaching, workshops, readings and speeches; Correspondence; writing by others; personal; graphic and audio-visual.

The 11th-12th accruals (2012-011, 2018-035) measures 42.4 cm and is arranged into four series: Typescripts and writing, professional and research, correspondence, and memorabilia.

The 13th accrual (2021-002, 2021-022, 2018-35 and partial accessions from 2011 and 2012). The accrual measures 3.0 m and is arranged into 8 series: Writing; Personal; Professional; Travel; Business; Correspondence; Graphic and Published materials.

Collection consists of chapbooks, broadsides, literary periodicals, and ephemera collected by Barwin from predominantly Canadian small presses. 138 small presses are included in the collection, with heavy representation from influential chapbook publishers above/ground press, Proper Tales Press, and No Press. Barwin’s press, Serif of Nottingham, is also heavily featured.

The fonds consists of research materials, manuscripts, and correspondence pertaining to Brandis’ writing activities; these files depict the extensive research, planning, and revision that she has undertaken while writing. The first two accessions are arranged under 5 series: Writing, Public Talks and Events, Promotional Materials, Printed material about Brandis, and Artwork. The third accession is arranged into 4 series: Published Work, Unpublished Works, Talks and Teaching, and Reviews and Awards. A number of her books were removed from the rest of the materials and have been catalogued for Research Collections.

There have been twelve accruals. The first accrual consists of: manuscripts and typescripts of some published works; literary correspondence; and typescripts and related correspondence pertaining to specific poetry. It is divided into two series: manuscripts and typescripts; and literary correspondence, which is divided into two subseries (correspondence relating to individual poetry books; and general literary correspondence). The second accrual consists correspondence and manuscripts arranged into three series: Harbinger Poetry, the Literary Review of Canada and Levenson's collected poems. The third accrual consists of four series: collected poems; manuscripts and typescripts; other literary activities; correspondence. The fourth accrual consists of four series: manuscripts, collected poems, sound recording, personal and literary correspondence. The fifth accrual consists of three series: writings, correspondence, and other work. The sixth accrual contains writing and correspondence. The seventh accrual consists of the collected poems for Levenson's thirteenth volume of poetry, as well as correspondence, recordings, and teaching material. The eighth accrual includes reviews, publications, and posters. The ninth accrual consists of the collected poems for Levenson's fourteenth volume of poetry, correspondence, and recordings. The tenth accrual consists of collected poems for Levenson’s fourteenth volume of poetry and correspondence. The eleventh accrual combines accessions 2020—015 and 2021-008. It consists of correspondence, poetry for Levenson’s fourteenth and fifteenth volumes; recordings and Dutch translation of Levenson’s book of poetry. The twelfth accrual is arranged into the following series: Writing; Literary activities; Society of Friends (Quakers); Teaching, Readings, Workshops and publications; Correspondence.

The fonds consists material related to Porter's business, as well as her writing.

The fonds consists of: Manuscripts and publications; Promotional materials; Correspondence, memoranda, and diaries; Personal and family records; Professional teaching; Photographs, sound recordings and moving images; Material relating to Stephen Leacock; Artwork; and other materials.

The fonds consists of poetry and prose written by Laidlaw.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The fonds consists of three handwritten manuscripts. Pierrot sauvé was published under the title La Rédemption de Pierrot in 1903. Le Songe d'une nuit d'hiver was also published in 1903. Pierrot à Stamboul was published by James B. Sanders in the Revue d'histoire du théâtre 1980 (# 3) : 232-247. The manuscripts are 25, 21 and 13 pages respectively. They are undated, but were probably written sometime in the 1880s. The pantomimes are written in French.