Showing 1040 results

The collection consists of one autograph book as well as several loose sheets containing autographs of various people, the majority of which are from the theatre world.

The fonds consists of letters that he wrote to his mother in London, Ont. One of the letters contains detailed information on military actions.

The fonds consists of one bound ledger book with the handwritten title “Blotter, 3 August 1850 to 31 January 1851 hand [?] letter book, 15 Fbry [February] 1851”. On the verso is the printed title “Legislative Council of Upper Canada … 1833”. The book’s pages contain financial records. Pasted into the book is correspondence to and from Montreal, Toronto, London, Detroit and other cities, circulars, invoices, statements, cheques, receipts , as well as a legal summons. The dates of the contents are more expansive than the handwritten title. The spelling of Deaubin’s last name varies; Deaubin is how he signed his correspondence.

There have been four accruals. The first accrual (57-1995, 30 cm) consists of manuscripts and research notes for three of his published works, Interior Landscapes: A Life of Paul Nash (1987), The Last Modern: A Life of Herbert Read (1990), and Virginia Woolf (1994); draft typescript and galley proof; and editorial and literary correspondence (including Graham Greene, Stephen Spender, Muriel Spark, and Francis Bacon).

The second accrual (26-1997, 60 cm) consists of material relating to The Life of Margaret Laurence (1997), editorial notes, photographs and correspondence (including Margaret Atwood, Timothy Findley, Al Purdy, and letters from Margaret Laurence to her editor, Alan Maclean.

The third accrual (27-1999, 68 cm) consists of three series: manuscripts and related material for Faking (1999) and Jack: A Life with Writers, The Story of Jack McClelland (1999), photographs, and literary correspondence.

The fourth accrual (16-2001, 20 cm) consists of two draft typescripts of *Farley: The Life of Farley Mowat</I> (2002) and editorial correspondence.

The fonds consists of letters starting just prior to Gibson’s enlistment to his return to Canada, as well as pocket diaries for the years he served and some military documents.

The album contains 115 b&w photographs. There are photographs of the following: the H.M.S. Megantic; Reid in a graduation gown; soldiers in uniform, on board ship, in tents, and on horseback; medical and dental staff; views of buildings (King’s College, Cambridge, for example), and hospitals and clinics (London General Hospital and the Etchinghill Hospital, etc). Most of the photographs are unidentified. Approximately 30 photographs were taken between 1920 and 1925; they depict Reid, his family, and friends at Severn River and Wood’s Bay. He worked as a dentist in Toronto as late as 1925.

Manuscript of The Visual Arts of the South West Pacific.

The fonds contains letters and cards written to Westhead while he was overseas. The letters are from Westhead’s wife, Maud Westhead, his brother, George Herbert (“Herb”) Westhead, his father, George Westhead, his mother, and his sister, May Brown, all written from 878 Windermere Ave., Toronto Ontario. Some letters from Maud are written from the Lakeshore Hotel in Picton, Ontario. Other correspondents include Art and Ethel Clarke, of Toronto, and other friends and family members. The fonds also contains photographs – four of Maud and two of Westhead’s nephew, Douglas Brown, one of which includes Herb Westhead.

The collection is divided into two series: Archaeological Sites and Research and Teaching Materials.

The fonds consists of a letter from Brasch to John Masefield and a reply from Masefield, 1953; the draft of a letter from Brasch to John Steinbeck and a reply from Steinbeck, 1954. The fonds is supplemented by a photocopy of an article that Brasch wrote about Steinbeck in San Jose Studiesas well as an offprint of an article in Modern Language Notes by Fraser Bragg Drew which cites the Masefield letter.

The fonds consists of broadcast scripts, typescripts of several short stories and articles, and a small amount of unlisted correspondence.

The collection consists of three letters to Farrer. Two are from his cousin, A.H. Anson, 1910. One is from F.W. Hirst, 7 April 1913. There are also a few news clippings.

The fonds consists primarily of letters that Lord wrote to his wife, Elsie Grace Manewell, during the Second World War. He wrote dedicatedly nearly every day while he was overseas. Very often these letters were a month in transit before arriving in Hamilton. The archive also includes notes on Jim’s military leaves, especially to visit family in Ireland, and his trips to local Lodge meetings, weddings, and movies.

The majority, 743 letters from Jim, are handwritten, as well as some airgraphs, telegrams, and typed letters. Nearly all of these include their envelope, which Elise or her mother have noted the date they arrived compared to when they were sent. An additional 23 letters from others are mostly telegrams or handwritten letters or cards.

The collection consists of correspondence between Copeau and Obey.

This artificial collection consists of five sub-collections, each containing letters and associated materials from the Jacobean to Edwardian eras. They consist of a petition to the king of England, a letter from a minister in the French Imperial government, letters concerning mathematical calculations, and personal letters.

The fonds consists of the elder Jackson’s demobilization certificate, his son’s Soldier’s Service and Pay Book and a Services Diary kept by the younger Jackson in 1942. The diary also contains a sheet of Indian Postage service stamps. There is also a map drawn by hand of the voyage Jackson took beginning on HMT Orion and ending in Bombay on HMT Almanzora.

The fonds consists of extensive photographs and textual, audio and audio visual materials. It also contains realia including trophies and honours, such a Lifetime Achievement Award from the Hamilton Music Awards and even some of Washington’s hats.

There have been seven accruals. Four accruals from the 1970s have been combined and consist of stage plays, radio and television material, his thesis on T.S. Eliot and other related works, articles and book reviews, poetry, and correspondence. The fifth accrual consists of stage, radio and television plays, poems and short stories, a book about creative writing, and correspondence. Sound recordings, moving images and photographic slides also form part of the fonds. They are been removed from their accruals and are stored separately.

There have been twelve accruals. The first accrual (1987 acc.) consists of correspondence, arranged alphabetically, 1983-84; appointment books and day files, 1952-1986; private files, 1951-1964; administration, 1963-1985; editorial (includes author files), 1966-1982; finance, 1965-1984; marketing, 1961-1984; business files, 1963-1978. Boxes A-I, followed by Boxes 1-23, 23a and 23b.

The second accrual (09-1988) consists of materials which had been kept in McClelland's home in Kleinburg, Ont. It has been arranged as follows: personal, 1957-1987 (includes day files for 1967 and 1986-1987, correspondence, photographs, vacations); general business correspondence, 1954-1986 (includes author files); administration, 1904-1985; editorial, 1922-1986 (includes author files); financial, 1910-1986; marketing, 1940-1986; subsidiaries and agencies, 1921-1985; news clippings; awards, plaques and memorabilia, 1939-1985. Boxes 24-41.

The third accrual (03-1991) partly contains materials relating to Jack McClelland and Associates. It was been arranged as follows: literary agency client files, 1987-1990; literary agent day books, 1987-1989; correspondence concerning projected anthology, 1989; speeches and organizations, 1984-1990; Seal/Bantam correspondence, 1983-1989; Roloff Beny estate, 1978-1990; McClelland and Stewart material (includes photographs, correspondence and a manuscript), 1921-1989; personal--school, war service and family, ca. 1920-1989; personal--correspondence; personal--financial, 1952-1989; personal--realia. Boxes 42-57.

The fourth accrual (45-1992) concerns his agency and the Roloff Beny Foundation. It has been arranged as follows: administrative, 1988-1991; business; correspondence, general and author, arranged alphabetically; Roloff Beny, 1987-1992. Boxes 58-65.

The fifth accrual (20-1993 acc.) concerns his agency. It has been arranged as follows: speeches, manuscripts and personal materials, 1989-1993; personal correspondence (includes day books for 1990-1992), 1990-1993; financial and correspondence, 1989-1992; Roloff Beny Foundation, 1984-1993; author and publishing correspondence, 1988-1992. Boxes 66-74.

The sixth accrual (15-1994). Only a small amount of this material concerns the agency. It has been arranged as follows: personal files arranged alphabetically by subject (includes day books for 1992 and 1993 and manuscripts), 1992-1994; correspondence, arranged alphabetically, 1992-1994; Roloff Beny Foundation/Estate, 1984-1994. Boxes 75-78.

The seventh accrual (56-1995) has been arranged as follows: general and family correspondence, 1991-1995; book manuscripts received; writings (includes day book entries and manuscripts), 1989-1995; Roloff Beny Foundation/Estate, 1991-1995; financial, 1977-1995. Boxes 79-84.

The eighth accrual (35-1996) has been arranged as follows: literary and general correspondence, 1994-1996; writings, day book, memoirs; Roloff Beny Foundation/Estate, 1994-1996; financial, 1987-1996. Box 85.

The ninth accrual (38-1997) has been arranged as follows: correspondence, 1995-1997; news clippings, 1996; Roloff Beny Estate/Foundation,; day calendar sheets, 1996-1997; household accounts book, 1981-1985. Box 86.

The tenth accrual (09-2006) consists of correspondence, writings, financial, legal and personal documents, writing by others and printed materials (catalogues). Boxes 87-88.

The eleventh accrual (41-2007) consists of writings (mainly his memoir), correspondence, legal and personal documents, royalties, writings by others and printed materials.

The twelfth accrual (29-2008) is the Coat of Many Authors.