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The fonds contains correspondence, manuscripts, news clippings and other published materials, personal and family materials, including photographs, two audio reels.

This collection of postcards pertaining to Palestine and Israel is comprised of two parts.
Part 1: 114 cards produced by Shlomo Narinsky (1885-1960), a Russian-born Jewish photographer, of Holy Land portraits and scenes, printed in sepia photogravure in 1921 by the Jamal Brothers of Jerusalem (numbered 1-118, lacking numbers 82, 106, 108, and 111, but the missing cards were apparently never printed). There are also six other cards from the Middle East, not part of the Narinsky set of cards.
Part II: Souvenir of the Holy Land, old and new Jerusalem (18 b&w cards); Bethlehem (10 colour cards); Ancient Jerusalem model (10 colour cards); Souvenir of Jerusalem (10 sepia cards); Kibbutz Lohamei Haghettaot (6 colour cards); Eilat (9 colour cards); Caesarea (9 colour cards); 2 sets of Nazareth (9 colour cards apiece); Israel Exploration Society, Beth She’arim (10 b&w cards); Jerusalem (10 colour cards); Safad (6 colour cards); Yad Washem (7 colour cards); Jericho (10 colour cards); Flowers of Israel (10 colour cards); Hebron (7 colour cards); Haifa, Little Folder Series (15 colour cards); Galileee, Little Folder Series (15 colour cards); Negeb, Little Folder Series (15 colour cards); 30 colour cards of various scenes.

The collection consists of 4 letters addressed to William Mullis, editor, The Hamilton Spectator, Hamilton, Ont. and 1 letter to T. W. D. Farmer, editor, The Hamilton Spectator. The letters are from Rt. Hon. Arthur Meighen (1874-1960), Prime Minister of Canada, 1920-1921 and 1926; Vincent Massey (1887-1967), Governor-General of Canada, 1952-1959; John Hylan, Mayor of New York city; and William Maxwell Aitken, Baron Beaverbrook (1879-1964). There is also an autograph by Arthur Meighen.

The collection consists of three small scrapbooks, each titled “Milestones”. The collector wrote a table of contents in the front of each scrapbook, listing the dates of performance, the title of the play and the theatre where the performance took place. There is one letter from Fred Jacob to Mrs. Doolittle dated 14 Feb. 1924.

Jacob was the musical and dramatic critic for the Toronto Mail and Empire. He was also a playwright – his plays were collected and published as One Third of the Bill in1925. He died in 1928 at the age of 46 – his obituary in Saturday Night (43, 9 June, p. 6) was written by Hector Charlesworth. His letter concerns Mrs. Doolittle’s performance in Jacob’s play, “Autumn Blooming” performed by the Arts and Letter Club Players. Mrs. Doolittle may be Anne Carew, an English actress who settled in Toronto.

She appears in every play in this collection. This may be her collection or more likely, someone collected it for her. The scrapbooks contain newspaper clippings and tear-sheets from Saturday Night (mainly reviews), programmes, ticket stubs, autographs and photographs. Most of the items have been pasted into the scrapbooks but some remain loose. There is one photograph postcard of a troupe on stage with “Merry Makers” written on a drum in their midst.

An article on Vaughan Glaser and his career has been printed off the web by archival staff and is located with the collection.

Fonds consists of three minute books: 5 December 1923-2 December 1931 (298 pp); 6 January 1931-13 November 1944 (299 pp. plus insertions); 9 October 1963-11 December 1974 (292 pp. plus insertions). The insertions in the 1931-1944 volume include a history of the chapter, transcripts of a petition and a warrant application.

The fonds contains: manuscripts and typescripts of books/articles; correspondence, both general and relating to specific books; early writings and diaries; and other material. See finding aid for more detailed description.

The bulk of this collection was gathered together by Peter Bander Van Duren who planned to write a biography of Mayer.

The Jo Vellacott fonds contains extensive documentation regarding Vellacott’s work as a historian of women, feminism, pacifism, and Bertrand Russell, both as an academic at several Canadian universities, as well as her work as an independent scholar. The fonds contains a significant amount of correspondence, both personal and professional, which spans almost the entirety of Vellacott’s life. Fonds also contains materials relating to Vellacott’s education, particularly her PhD work at McMaster University, and much of her personal and scholarly writings. It also contains materials relating to Vellacott’s Quakerism and involvement with the Thousand Island Monthly Meetings, as well as photographs of Vellacott and paintings and sketches she made.

The fonds consists of his publications from 1926-1981. It also contains his research notebooks and his theses for M.Sc. and D.Sc.

The collection consists of correspondence between Copeau and Obey.

The collection consists primarily of b&w photographs syndicated in North American newspapers during World War II. The collection was assembled by Cecil Williams, the librarian at the Hamilton Spectator.

The collection consists of five b&w photographs. The descriptions are written on the verso of the photographs by an unknown person. Four of the five photographs are believed to be unpublished.

The collection consists of news clippings and contains reviews of two of his ballad operas, Midsummer Madness (1924) and Mr. Pepys (1926). For correspondence by Bax to Frank and Joan Waters, see the J. L. Garvin, Frank Waters, and Oliver Woods fonds.

The fonds mainly consists of letters written to Webster by Malleson. There are also a few letters from others, including Sybil Thorndike, Countess Annesley and Phyllis Urch as well as photographs, news clippings, theatre programmes and other documents.This material is housed in boxes 7.51, 7.52, and 5.70.

The letter is written to Miss Sutherland by Theodore Goodridge Roberts on 14 January 1925.

The collection consists of four poems (two copies of one) and one photograph. There are also 22 printed copies of Scott's published poems, many signed by the author, and his funeral order of service.

Collection consists of five photographs, all of which appear to have been taken at Bisley, Surrey, England. All photographs depict the team; in three of the photographs the scoring board is also on display. In 1927 the team is identified as winnter of the Mackinnon Challenge Cup. In 1929 the team is identified as the winners of the Rajah of Kolapore's Imperial Challenge Cup. The names of all the team members are printed beneath each photograph; in four the photographs their regiment names are also included.