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The fonds consists of material created during Farr’s career. The McGill University Press material includes the initial proposal document, newspaper clippings, early design prototypes, and graphic materials produced by the press (page proofs, invitations, greeting cards, prints of R.D. Wilson artwork). The Ryerson Press material includes two logo blocks (publisher’s device), newspaper clippings, and various administrative files. Also included in the fonds: correspondence with Marsh Jeanneret, Donald Sutherland, Dick Wilson and W.H. Clarke from Clarke, Irwin & Co. Ltd.; photographs; an unpublished manuscript entitled The Crooked Axe: A Lighthearted Sketch of Canadian History to 1900 written by Farr in 2008 (unpublished at time of this description), and a copy of The Living Past of Montreal, McGill University Press, 1964, drawn by R.D. Wilson, described by Eric McLean.

There have been two accruals. The fonds consists entirely of Canadian authors, including among others, in the first accrual, Bliss Carman, Blodwen Davies, Philip Freund, John Murray Gibbon, Grey Owl, W. G. Hardy, Stephen Leacock and Martha Ostenso. The second accrual mainly consists of Muriel Denison.

The fonds consists of two accruals. The first accrual contains correspondence, manuscripts of typescripts of his books, articles, reviews and other writings, speeches, newspaper clippings, artwork, photographs, sound recordings and manuscripts. There are also some research notes, correspondence, photographs and news clippings, artwork, photographs, sound recordings and moving images. The second accrual (15-2005) consists of six audio cassettes.

The fonds consists of business records of the Editors' Association of Canada.

The fonds contains published titles, unpublished material, correspondence, business correspondence, reviews, advertising flyers and short lists, business records.

The archive consists of the business records of McClelland & Stewart, including manuscripts, author correspondence, editorial decisions, etc.

There have been twelve accruals. The first accrual (1987 acc.) consists of correspondence, arranged alphabetically, 1983-84; appointment books and day files, 1952-1986; private files, 1951-1964; administration, 1963-1985; editorial (includes author files), 1966-1982; finance, 1965-1984; marketing, 1961-1984; business files, 1963-1978. Boxes A-I, followed by Boxes 1-23, 23a and 23b.

The second accrual (09-1988) consists of materials which had been kept in McClelland's home in Kleinburg, Ont. It has been arranged as follows: personal, 1957-1987 (includes day files for 1967 and 1986-1987, correspondence, photographs, vacations); general business correspondence, 1954-1986 (includes author files); administration, 1904-1985; editorial, 1922-1986 (includes author files); financial, 1910-1986; marketing, 1940-1986; subsidiaries and agencies, 1921-1985; news clippings; awards, plaques and memorabilia, 1939-1985. Boxes 24-41.

The third accrual (03-1991) partly contains materials relating to Jack McClelland and Associates. It was been arranged as follows: literary agency client files, 1987-1990; literary agent day books, 1987-1989; correspondence concerning projected anthology, 1989; speeches and organizations, 1984-1990; Seal/Bantam correspondence, 1983-1989; Roloff Beny estate, 1978-1990; McClelland and Stewart material (includes photographs, correspondence and a manuscript), 1921-1989; personal--school, war service and family, ca. 1920-1989; personal--correspondence; personal--financial, 1952-1989; personal--realia. Boxes 42-57.

The fourth accrual (45-1992) concerns his agency and the Roloff Beny Foundation. It has been arranged as follows: administrative, 1988-1991; business; correspondence, general and author, arranged alphabetically; Roloff Beny, 1987-1992. Boxes 58-65.

The fifth accrual (20-1993 acc.) concerns his agency. It has been arranged as follows: speeches, manuscripts and personal materials, 1989-1993; personal correspondence (includes day books for 1990-1992), 1990-1993; financial and correspondence, 1989-1992; Roloff Beny Foundation, 1984-1993; author and publishing correspondence, 1988-1992. Boxes 66-74.

The sixth accrual (15-1994). Only a small amount of this material concerns the agency. It has been arranged as follows: personal files arranged alphabetically by subject (includes day books for 1992 and 1993 and manuscripts), 1992-1994; correspondence, arranged alphabetically, 1992-1994; Roloff Beny Foundation/Estate, 1984-1994. Boxes 75-78.

The seventh accrual (56-1995) has been arranged as follows: general and family correspondence, 1991-1995; book manuscripts received; writings (includes day book entries and manuscripts), 1989-1995; Roloff Beny Foundation/Estate, 1991-1995; financial, 1977-1995. Boxes 79-84.

The eighth accrual (35-1996) has been arranged as follows: literary and general correspondence, 1994-1996; writings, day book, memoirs; Roloff Beny Foundation/Estate, 1994-1996; financial, 1987-1996. Box 85.

The ninth accrual (38-1997) has been arranged as follows: correspondence, 1995-1997; news clippings, 1996; Roloff Beny Estate/Foundation,; day calendar sheets, 1996-1997; household accounts book, 1981-1985. Box 86.

The tenth accrual (09-2006) consists of correspondence, writings, financial, legal and personal documents, writing by others and printed materials (catalogues). Boxes 87-88.

The eleventh accrual (41-2007) consists of writings (mainly his memoir), correspondence, legal and personal documents, royalties, writings by others and printed materials.

The twelfth accrual (29-2008) is the Coat of Many Authors.

The fonds consists material related to Porter's business, as well as her writing.

The fonds is arranged into two series: correspondence and manuscripts received, and layout and paste-up materials for issues 1-5, Summer 1980 to Spring 1982. Researchers are also directed to the separate David McFadden fonds.

The collection consists of correspondence, poetry, and Gauntlet Press broadsheets, sent to Christina Duff Stewart by Richard Outram and Barbara Howard. There are also various printed items collected by Stewart about the couple. The collection also includes books, catalogued for Archives and Research Collections.

In contrast to mainstream publishers that distribute, sell, and advertise quality printed books, journals and newspapers commercially in standard formats, small presses are modelled on alternative forms of publishing in which writers take control of all aspects of publishing their work. Print runs are invariably small and difficult to find. Works that are printed are often experimental in nature and embody a literary aesthetic. In Canada the small press movement flourished especially in the 1960s as an outgrowth of the literary renaissance of that time. Some small presses from that era such as Coach House Press, Oberon Press, and House of Anansi are now considered to be mainstream.

This collection consists of catalogues, announcements, and ephemera from approximately 245 small presses in Canada. Several presses in this collection such as Broadview Press and Red Deer College are academic in nature.

The collection consists of letters written by Nations to Beth Jankola when Nations was living in Vancouver and running Strange Faeces. There are three letters, 1974-75, with enclosures. The enclosures consist of printed notices re poetry and other readings. Also in the collection: a play “Patients, Patients” by Dannnie Loreno and two printed poems by Brad Chisholm, 1975.

Practically all of the partnership certificates in this collection pertain to publishing, printing, book selling, and allied trades. The certificates were all registered at the Registry Office in Toronto.

The first accrual (2014-042) is organized into 2 series: correspondence, which consists of correspondence relating to her publishing and business career at the above publishing houses and organizations; and personal and biographical.

Collection consists of chapbooks, broadsides, literary periodicals, and ephemera collected by Barwin from predominantly Canadian small presses. 138 small presses are included in the collection, with heavy representation from influential chapbook publishers above/ground press, Proper Tales Press, and No Press. Barwin’s press, Serif of Nottingham, is also heavily featured.

There have been five accruals. The first accrual is organized into four series: correspondence, 1968-1981; editorial files, 1981-1983; Art Department photographs, 1927-[1983?]; Scrapbooks, 1960-1976. Authors in the correspondence series include: Lovat Dickson, Hugh Garner, John Glassco, Norman Levine, George Woodcock, Margaret Atwood, Pierre Berton, Matt Cohen, John Robert Colombo, Marian Engel, Mavis Gallant, Margaret Laurence, Brian Moore, Peter C. Newman, Mordecai Richler, Michael Bliss, Kenneth McNaught, George Bowering, Louis Dudek, George Faludy, Ralph Gustafson, Irving Layton, Dennis Lee, Dorothy Livesay, Susan Musgrave, Michael Ondaatje, Miriam Waddington and Tom Wayman. This accrual reflects, to a very marked degree, the tenure of Robert Fulford.

The second accrual (13-2002) is organized into 6 series : Writers Files kept by editor Paul Wilson; Letters to the editor (Christina Brandao, John Fraser, Lisa Rundle, Robert Weaver and Kenneth Whyte); Production; Awards and photographs; News clippings and Card index. This accrual was received with a book collection and issues of Saturday Night from the 1930s and 1940s with a few earlier issues. The book collection and journals are listed separately and will be catalogued for Research Collections independently of this accrual. The third accrual (02-2003) is organized into 3 series: Editorial correspondence; Writers Files and Awards and Letters to the Editor. When the magazine suspended publication in 2005, all files at St. Joseph Media offices were removed; they did not come to McMaster. The fourth accrual (27-2007) consists of printed materials re the history of Saturday Night compiled by George Fetherling. The fifth accrual was compiled by Frank Moher, former editor at Saturday Night. Accrual includes articles Moher edited during his time at the magazine, as well as his own work.