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The fonds consists of business records of the Garamond Press.

The fonds consists mainly of the records of the Hamilton and District Labour Council from its formation in 1956 until 1994. There are also some records from the two bodies which preceded it as well as from the Canadian Congress of Labour Area Council. There have been two accruals.

J.L. Garvin:
The major treasure of this part is the series of letters between Garvin and Viola Woods, Oliver’s mother and Garvin’s future wife. Viola was unhappily married to the writer Maurice Woods when she first met Garvin but the death of Garvin’s first wife in 1918 seems to have spurred her to divorce – still an unfamiliar and scandalous procedure among the upper classes of early twentieth-century England. The couple’s efforts to marry were further complicated by their Roman Catholic religion, by Garvin’s influential position in British society and by the eccentric behavior of Viola’s sister, Una Troubridge, who had left her husband to become the lover of the notorious Radycliffe Hall. All these stresses are reflected in the passionate letters they wrote to one another between 1919 and their marriage in 1921.

Almost as valuable for the light which they throw upon Garvin in his final years, is the series of letters to his stepson Oliver Woods who was serving with distinction in a tank regiment during the Second World War. Perhaps significantly, apart from a single earlier example, Garvin's wartime communications with Oliver commence in March 1942, a month after he had ended his thirty-four year long editorship of The Observer. Although he soon began to write regularly for the Sunday Express it is probable that, with the burdens of editorial responsibility lifted, Garvin was able to devote more time to his correspondence and to following the fortunes of the war, and in particular to the fortunes of his beloved Oliver.

Frank Waters:
Frank Waters was not a journalist of the stature of J. L. Garvin and while the Waters material, included as Part II of this archive, lacks both the chronological and geographical scope of the Woods section, Waters was a man of intelligence, sensitivity and real literary ability. His journals, especially those which he kept during the Second World War are important and immensely readable with the kind of literary polish for which his friend Oliver Woods was only to find time in his published work. Indeed the Second World War is like a leit-motif running through the Waters material for, apart from the letters of condolence which flooded in to Joan Waters during October 1954, following Frank's untimely death, most of the correspondence and much of the literary, business and ephemeral material in this section of the archive dates from the years between 1939 and 1945.

Both Frank and Joan Waters were inveterate collectors of anecdotes and quotations and much of the material collected for a projected anthology is represented here, as is the raw material for another projected volume to comprise observations about The Times over more than 150 years. Oliver Woods was also involved in collecting material for his friends to use in the latter volume but neither was ever published.

Joan Maude, as a film and stage actress of some repute, had already established a wide circle of friends when she married Frank Waters in 1933 and many of her friendships survived into the years of her marriage to Oliver Woods. Rather than arbitrarily divide such letters to Joan between the Waters and Woods correspondence, all series of correspondence with Joan which continued after Frank's death (with the exception of letters of condolence, which are in the Waters section) have been placed in a single series in the Woods correspondence. References to such series are given in the Waters correspondence.

Oliver Woods
The material relating to Oliver Woods, scholar, soldier and man of The Times, comprises more than three quarters of the Garvin/Waters/Woods archive (114 of 132 boxes).

The Woods correspondence is a fascinating melange which accurately mirrors the many facets and encyclopedic interests of Oliver Woods. Among its most valuable contents are the letters exchanged with those who played major roles in African colonial and post-colonial history. Such British governors as Sir Andrew Cohen and Sir Evelyn Baring and newly emergent African leaders including Hastings Banda took Woods into their confidence.

Many of Britain's most influential politicians also found in Oliver Woods an intelligent, sympathetic and discreet correspondent and this section of the archive includes a litany of former prime ministers: Eden, Callaghan, Douglas-Home and Heath, as well as an intimate exchange with Hugh Gaitskell and his wife. There are lengthy series of letters between Woods and many members of the Astor family, and long exchanges with former Times editors such as William Haley.

Also Woods' many former army colleagues figure prominently here, men like Sir John ("Shan") Hackett who became close friends during the war years when Major Woods acquitted himself so bravely in the desert and who, as they rose to high positions of power, provided invaluable insights and information.

This part also includes some personal and family correspondence. While Oliver's mother Viola's letters to her husband J. L. Garvin are in the Garvin part of the archive, her letters to her son and his wife are here, as are substantial exchanges between Oliver and two of his Garvin half sisters, Viola and Katherine (Gordon).

There has been one accrual. The fonds consists of correspondence to and from the Harrison family, financial documents, family mementoes and keepsakes, and correspondence to Bess Ready.

The fonds consists of military and personal documents, photographs, news clippings and other materials from his time in the First and Second World Wars as well as some material from the interwar and post-war years.

The fonds contains letters and cards written to Westhead while he was overseas. The letters are from Westhead’s wife, Maud Westhead, his brother, George Herbert (“Herb”) Westhead, his father, George Westhead, his mother, and his sister, May Brown, all written from 878 Windermere Ave., Toronto Ontario. Some letters from Maud are written from the Lakeshore Hotel in Picton, Ontario. Other correspondents include Art and Ethel Clarke, of Toronto, and other friends and family members. The fonds also contains photographs – four of Maud and two of Westhead’s nephew, Douglas Brown, one of which includes Herb Westhead.

The Hurst family fonds consists of textual records (contained in Box 1) and photographs and graphic materials (contained in Box 2). Newspaper articles regarding the Hudson Bay Railway occupy a significant portion of the collection. Written by George Alexander Hurst in the late 1930s and early 1940s, these articles were largely published in the Saskatoon Star-Phoenix and Saskatchewan Commonwealth. Some articles are contained in “University Loose leaf Notebook.” Reports, proposals, and memorandums authored by Hurst and the On-to-the-Bay association are also included, as well as Submissions to the Royal Commission on Co-operatives by The Davison Co-operative Association of Davidson, Saskatchewan, and Hurst’s correspondence with D.J. Munro regarding the railway route. Additional textual material includes George Alexander Hurst’s unpublished manuscript, “Rambles Round the Ram Pasture” and Jean Hurst’s manuscript, “A Librarian’s Recollections Mostly of McMaster, 1944-1987.” Graphic materials include photographs (some contained within two photo albums) of George Alexander Hurst and friends and family, and extensive images of Churchill, Manitoba and its harbour. Notably, there is a photograph of Charles and Anne Lindbergh taken during their 1931 survey flight to Asia, when the couple made stop in Churchill. The fonds contains the following cartographic material: a 1929 map of Manitoba, a map of Southern Manitoba, five maps of Churchill, including the town, river, and harbour, a map depicting freight rates on grain products on Canadian National Railway stations in Manitoba, a 1929 map of the Yukon, and map of Lake Athabasca.

The fonds is very comprehensive and includes: 32 notebooks in which Cockburn composed most of his song lyrics from 1969 to 2002; song sheets and scores; correspondence, including fan mail; awards, including gold records; promotional material, including posters; tour books; scrapbooks; photographs; a copy of each of Cockburn’s recordings; video and film items; and other material.

The fonds contains administrative and editorial files, including: correspondence, manuscripts, proofs, contracts, marketing plans, cost sheets, business papers, and other material.

The fonds consists of printed and signed ephemera issued in various series. A few leaflets and pamphlets were issued in the preliminary or "Zero Series", most of them in extremely limited runs (as few as five in some cases). The main series also began in 1979, and as of mid-1983 the press had issued over 200 items. The majority of these are small in format and the runs vary from 25 to 200. Most are printed with rubber stamps, but typesetting and photocopying are also used occasionally. There have been many accruals to the fonds, beginning in 1983 and ending in 2000.

The fonds consists of two accruals which have been combined. It contains primarily material dating from or related to Mitchell’s World War I military service. The bulk of the material includes correspondence to family, friends, and associates during the period of the war, and memorabilia collected during Mitchell’s travels as an intelligence officer. The latter includes intelligence related material, such as maps, orders, reports and dispatches.

Mitchell himself organized much of his correspondence and memorabilia into nine letter books and four scrapbooks. Letter books largely contain personal letters to family members and scrapbooks contain military memorabilia such as cards and army ephemera, as well as photographs, some correspondence, and intelligence material, often pertaining to the country in which Mitchell was serving at the time.

The fonds consists of correspondence, manuscripts, a presentation copy of A Canadian Twilight, and printed material, as well as additional material related to Trotter.

The fonds consists of extensive photographs and textual, audio and audio visual materials. It also contains realia including trophies and honours, such a Lifetime Achievement Award from the Hamilton Music Awards and even some of Washington’s hats.

Fonds consists of collective agreements, financial statements, dues books, cancelled cheques, minute books and photocopies of historic material. There have been 8 accruals (03-1995, 09-1995, 36-1995, 65-1995, 12-1996, 4-1997, 02-1998, 26-2002).

The fonds is divided into two series: Personal and correspondence and Saturday Night.

The fonds consists of Wolfe's M.A. thesis, "A Study of Cultural and Political Nationalism and Racism as Reflected in the Pages of Saturday Night" and material from his book, A Saturday Night Scrapbook.

The fonds consists of four accruals. The first accrual (47-1992) measures12.8 m, and is arranged in the following series: administration; campaigns; research files; peace groups; financial records; photographs, posters, and circulars; films, filmstrips, videocassette, and audio cassettes; Toronto Association for Peace. Arrangement is chronological in the administration series with alphabetical ordering within each year, and alphabetical for the following series with some classification ranking. In the administration series some of the material was found in complete disarray. Undated material in a particular year may not belong to that year. The second accrual (07-1995) measures .9 m, and is arranged chronologically in one series, administration. The third accrual (20-2002) measures .2 m, and is arranged in one series, administration and contains constitution and minutes, financial records, correspondence, fund raising and campaigns and publications and affiliations. The fourth accrual (32-2003) measures 15 cm and is arranged in one series, John Hanly Morgan correspondence, and includes minutes, circulars, news clippings, and photographs collected by Morgan. Morgan's original chronological arrangement has been maintained.

The fonds consists of diaries of Sarah Robson Thompson (transcribed by Emily Bradshaw, Berton's secretary, in June 1998) and Delia Florence Thompson and family correspondence.

The fonds consists of expedition and research notes, a small amount of correspondence, biological illustrations, and offprints. The fonds was supplemented by books owned by Wolfenden, some of which have been catalogued.