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The fonds consists of letters that the brothers wrote to Adam White of the British Museum from 1837 to 1848. White was an Assistant in the Zoology Department from 1835 to 1863. Most of the letters are written by Robert. There is also a journal kept by an unidentified man (presumably a Stark) who was living in Cape Town, South Africa from 1830 to 1834. The unbound journal consists of diary entries as the author travels by horse and sometimes by wagon in the area around Cape Town in 1830 and 1831. He often goes to Stellenbosch. The journal has some editing marks in it; at one point the author notes that his father has suggested that he write a book. The diary breaks off in 1831. The final few pages deal with the author’s return from Bombay, India to Cape Town on the “Earl of Eldon” in the summer of 1834.

The fonds consists of a photocopy of the manuscript of Descripcion de la Sinapia Peninsula en la Tierra Austral: A Classical Utopia of Spain (1975) with related reviews and correspondence; also negatives and prints of parts of the manuscript, the original of which is at the Fundacion Universitaria Espanola.

Fonds contains personal material and records related to Stephen’s professional roles, including speaking notes, correspondence, research material, and audio-visual material. Several series are arranged by the offices he held over the course of his career: i.e., Member of Provincial Parliament and Leader of the Ontario New Democratic Party (1963-1977), Canada’s Ambassador to the United Nations (1984-1988), Deputy Executive Director of UNICEF (199), and United Nations Special Envoy to HIV/AIDS in Africa (2001-2006). See Arrangement field for more detail.

There have been ten accruals. The fonds consists of manuscripts, correspondence, photographs, sound recordings, and moving images created by or related to Reid as a writer and teacher. It also contains institutional and legal papers created during and related to Reid’s crimes and periods of incarceration.

The archives consists of correspondence and other material related to Stuart Ivison’s service during the war. He wrote home to his wife regularly, and often letters to his children, which comprise the bulk of the collection. There are also letters from his wife and other correspondents. Additionally, there is material from a scrapbook put together by Ivison of highlight from the war. Many of the occasions are mentioned in the oral history found in Box 2, File 25.

The fonds consists of manuscripts of books, scripts of radio and tour shows, movie scripts, diaries, notebooks of research, photographs, memorabilia and ephemera.

The fonds mainly consists of the literary archive of the magazine. It contains the correspondence of the editor with contributors, would-be contributors, and others including Robert Bly, Marilyn Bowering, Michael Bullock, George Hitchcock, Robin Skelton (Malahat Review) and Dale Zieroth, manuscript submissions and mock-up pages.

The fonds consists of sixteen accruals. The first accrual consists of Boxes 1-31 and is arranged into 6 series: personal correspondence, business correspondence, correspondence relating to poetry readings, interview and fan mail, unpublished works and published works. This accrual measures 4.03 m.

The second accrual (04-1988) consists of Boxes 32 - 66 and is arranged into 10 series: manuscripts, poetry worksheets, articles, personal correspondence, business and literary correspondence, readings, workshops and festivals, published work in journals, writer-in-residence and grants, awards and applications. The accrual measures 6.5 m.

The third accrual (35-1991) extends to 3.0 m and consists of boxes 67-74 and is arranged into 6 series: manuscripts; correspondence; teaching and writer-in residence; awards, competitions and readings; financial and legal and personal.

The fourth accrual (44-1997), which extends to 6.93 m, consists of boxes 75 - 95 and is arranged into 6 series: manuscripts; correspondence; electronic correspondence; teaching, student work, readings and juries; business, financial and personal and published materials and videotapes.

The fifth accrual (21-2001), which extends to 9.0 m, consists of boxes 96-143 and is arranged into the following 7 series: manuscripts; correspondence; the Writers' Union of Canada; Writers' In Electronic Residence programme; Mentorship programme and Editorial; Readings, grants, awards, juries, reviews and projects; and personal and miscellaneous.

The sixth accrual (32-2004) which extends to 6.3 m, and has been arranged in seven series: teaching, correspondence, writing, writing related activities, personal documentation and memorabilia, printed material, and moving images and sound recordings.has not been arranged, described or measured.

The seventh accrual (71-2008) measures 8 m and has been arranged into six series: teaching; correspondence; writing and royalties; readings, conferences, appointment books; photographs, artwork, moving images.

The eighth accrual (26-2011) measures 1.9 m and has been arranged into five series: writing; correspondence; teaching, readings, workshops and conferences; personal; printed and other materials.

The ninth accrual (2012-11) measures 1.5 m and has been arranged into 8 series: Manuscripts of novels and poetry; Research; Teaching, Festivals and Events; Business; Correspondence; Manuscripts edited by Musgrave; Personal; and Audio-Visual and graphic materials.

The 10th accrual (2015-16) measures 1.9 m and is arranged into seven series: literary and business; Teaching, workshops, readings and speeches; Correspondence; writing by others; personal; graphic and audio-visual.

The 11th-12th accruals (2012-011, 2018-035) measures 42.4 cm and is arranged into four series: Typescripts and writing, professional and research, correspondence, and memorabilia.

The 13th accrual (2021-002, 2021-022, 2018-35 and partial accessions from 2011 and 2012). The accrual measures 3.0 m and is arranged into 8 series: Writing; Personal; Professional; Travel; Business; Correspondence; Graphic and Published materials.

The 14th accrual (2024-024 and 2021-006) measures 1.1 m and is arranged into 3 series: Business Materials; Personal Correspondence; and Writing Materials.

The 15th accrual (2016-008 and backlog records from Musgrave) measures 44 cm, and is arranged into 3 series: Book Reviews and Press Coverage; Publishers’ Statements and Financial Materials; Personal Materials and Correspondences.

The 16th accrual (2023-005) consists of 6 pp. of correspondence from Musgrave to Mary Raines.

Fonds comprises records related to Sylvia Fraser’s literary career, including her work as a journalist, author of fiction and non-fiction, and ghostwriter. Fonds also includes records from Fraser’s personal life.

Documentary forms include manuscripts in both print and digital formats, news clippings, photographs, and recordings on audiocassette.

Fonds contains original artwork (illustrated and hand-lettered pages) for Nickerson’s 2018 comic, All We have Left, Is This.

The fonds consists of materials documenting his life and writing.

The fonds consists of business and administrative papers for the company, including manuscripts, correspondence, editorial decisions and promotion. It also includes files related to the Belford Distributing Company Ltd.

The fonds contains material related to the business of The Porcupine’s Quill and Tim and Elke Inkster.

The fonds is comprised of twenty-one notebooks of Hollick's own records of his eighteenth century collection. Some books are entered merely by author, title and date; but in most cases Hollick provides collations, sometimes notes, and occasionally the bookseller's catalogue entry.

There has been one accrual. The fonds consists of correspondence to and from the Harrison family, financial documents, family mementoes and keepsakes, and correspondence to Bess Ready.

The fonds consists of poetry and prose written by Laidlaw.

The fonds consists of his Soldier’s Service and Pay Book issued13 June 1940; his certificate of transfer to the Army Reserve, 20 December 1945, a photograph of him with another soldier in 1944 and an oversize photograph, presumably of Phillips’s company but it has no identification apart from the fact that it was taken in Pirbright, Surrey by Gwyer Gibbs. Sandhurst Royal Military Academy is located in Pirbright.

The fonds consists of correspondence, scrapbooks containing news clippings about Wilkins, research notes, typescripts and photographs of experiments, and published articles.

The fonds consists of diaries of Sarah Robson Thompson (transcribed by Emily Bradshaw, Berton's secretary, in June 1998) and Delia Florence Thompson and family correspondence.