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This fonds consists of manuscripts of plays, poems, and some other writing; it also includes some play production material and research material.

The fonds consists of correspondence, photographs, printed and audio/visual material related to DeBolt’s life and music career. Included are material pertaining to her mother, Marjorie DeBolt, and grandfather, Percy Highfield, such as photographs, original musical compositions and published sheet music.

Fonds consists of correspondence, drafts of articles, research files, journals, and publications.

The fonds consists of printed and signed ephemera issued in various series. A few leaflets and pamphlets were issued in the preliminary or "Zero Series", most of them in extremely limited runs (as few as five in some cases). The main series also began in 1979, and as of mid-1983 the press had issued over 200 items. The majority of these are small in format and the runs vary from 25 to 200. Most are printed with rubber stamps, but typesetting and photocopying are also used occasionally. There have been many accruals to the fonds, beginning in 1983 and ending in 2000.

The fonds consists six letters to C.T. Atkinson, 1926-1930, regarding the publication of his book. There is one page of holograph notes, perhaps by a reviewer, news clippings of book reviews, and a publisher's circular for 1926 which does not list Atkinson's book. There are also two post cards.

The fonds contains: correspondences of the Cradock, Atkins, Wood and Crombie families; poems, diaries, legal and genealogical material, essays, stories, legal documents; and various other material. See 'System of Arrangement' below for more detailed description.

Researchers should note that the fonds is fragmentary and incomplete, focusing primarily on the business side of the company’s activities.

The fonds consists of correspondence, minutes, publications, reports, press releases, news clippings. There are also printed materials belonging to other groups, including the Japanese Canadian Citizens Association.

The fonds consists of the records of the CYC over the course of its existence.

The fonds contains minutes, correspondence, finance, and activities; mimeographed documents, newsletters and pamphlets; statements, minutes, lists and publications; and photographs.

The fonds contains: books; correspondence; miscellaneous including clippings, desk ornaments and signs, art work, photographs, and music sheets; financial records; publishing files, business and financial material; and other material. More detailed description of content in 'System of Arrangement' below.

The fonds consists of correspondence, lab notebooks, research material, and scientific reprints of the majority of publications.

The fonds consists of correspondence, photographs and artwork. There are three letters associated with Clingan: one letter he wrote as a child to his father, one letter from A. Clingan that discusses him during World War I, and a third letter from a pal of his written on 9 January 1916. There are sixteen letters written by his son-in-law Lt. Colin Murray to his wife from Hannover in 1953. Graphic material includes a portrait of Clingan during World War II taken in Kirkgate, Yorks. and a caricature of him (pencil, ink, water-colour) at Aldershot in 1941. There are photographs of the Cameron Highlanders of Ottawa in 1940 and 1942; the Stoney Creek Band; the 260th Barracks, 2nd River; a Canadian troopship bound for Siberia; picture postcards of Vladivostock, and unidentified military photographs. Most of the photographs were removed from frames – numbers are written on the verso but their meaning is not known. Also in the fonds is a photograph of Queen Elizabeth, the Queen Mother, at a military base, a kilt pin, printed “Returned Soldiers’ Insurance” certificates issued to Clingan in 1930, and a printed issue of the Cameron Highlanders’ Journal from 1939. Clingan’s medals were sold at Bonhams in May 2009 and do not form part of this fonds.

Fonds consists of two b&w photographs which depict Timmons standing beside and sitting in his airplane at Camp Borden in Ontario and a Royal Flying Corps identification bracelet. Fonds also contains an explanatory letter from R. Slobodin to William Ready of McMaster University.

The fonds consists of the following documents: a military certificate, noting that Claude Guillot is a volunteer in a military company stationed in Marseille, 6 June 1789; a letter of recommendation from his military company, 11 June 1794; a certificate of his admission to hospital in Mezierot on 14 July 1794; a travel document, 10 April 1798.

The fonds contains: executive, editorial, trade, education, rights and permissions, production, promotion, translations, and miscellanea.

The fonds consists of seven accruals. The first accrual measures 1.35 m, and consists of material relating to The Outport People and 7 journals. The second accrual measures 75 cm, and consists of material related to Pomp and Circumstances and 5 journals. The third accrual (02-1992) measures 66 cm, and is arranged in two series consisting of journals and correspondence. The fourth accrual (03-1993) measures 66 cm, and is arranged in three series consisting of: manuscripts, correspondence and journals. The fifth accrual (09-1997) measures 70 cm, and is arranged in four series consisting of: fan mail, fan mail to Farley Mowat answered by Claire Mowat, manuscripts and research material primarily devoted to Pomp and Circumstances, and journals. The sixth accrual (17-2006) measures 64 cm and consists of manuscripts and research material, predominantly drafts of the author's books Girl from Away, The French Islands, Last Summer in Louisbourg and Travels with Farley.

Fonds consists of correspondence, photographs, manuscripts of a book and articles, personal documents, news clippings and other printed materials.

The fonds consists of correspondence, reports, and accounts. Books by and about Swedenborg which supplement this fonds have been catalogued for Research Collections.

There have been twelve accruals. The first accrual consists of: manuscripts and typescripts of some published works; literary correspondence; and typescripts and related correspondence pertaining to specific poetry. It is divided into two series: manuscripts and typescripts; and literary correspondence, which is divided into two subseries (correspondence relating to individual poetry books; and general literary correspondence). The second accrual consists correspondence and manuscripts arranged into three series: Harbinger Poetry, the Literary Review of Canada and Levenson's collected poems. The third accrual consists of four series: collected poems; manuscripts and typescripts; other literary activities; correspondence. The fourth accrual consists of four series: manuscripts, collected poems, sound recording, personal and literary correspondence. The fifth accrual consists of three series: writings, correspondence, and other work. The sixth accrual contains writing and correspondence. The seventh accrual consists of the collected poems for Levenson's thirteenth volume of poetry, as well as correspondence, recordings, and teaching material. The eighth accrual includes reviews, publications, and posters. The ninth accrual consists of the collected poems for Levenson's fourteenth volume of poetry, correspondence, and recordings. The tenth accrual consists of collected poems for Levenson’s fourteenth volume of poetry and correspondence. The eleventh accrual combines accessions 2020—015 and 2021-008. It consists of correspondence, poetry for Levenson’s fourteenth and fifteenth volumes; recordings and Dutch translation of Levenson’s book of poetry. The twelfth accrual is arranged into the following series: Writing; Literary activities; Society of Friends (Quakers); Teaching, Readings, Workshops and publications; Correspondence. The thirteenth accrual consists primarily of correspondence between Levenson and friends, other authors, publishers, academics, and select correspondence with politicians; this accrual also contains a small number of records pertaining to Levenson’s time as a student, his pre-academic employment, his tenure at Carleton, and his writing.