This is a typescript of Copland's The Teacher: Nadia Boulanger.

Contains a musical score. Title page is printed.

Contains a musical score. Title page is printed.

Contains a musical score. Title page is printed.

Manuscript contains the following musical scores in several different hands:
Gluck, Christoph Willibald Ritter von,1714-1787; Rossini, Gioacchino, 1792-1868; Carafa de Colobrano, Michele Enrico, 1787-1872; Cherubini, Luigi, 1760-1842; Fioravanti, Valentino, 1764-1837.
Nella capricciosa pentita; La prima notte del matrimonio; aria del sig. Vincenzo Martini, 47 p.
Orfeo; chi mai dell'erebo e cori del Sig. Cristofaro Gluck, 45 p.
Achille; dunque andiam, più non si tardi; terzetto; con accompagnamento di pianoforte del sig. Ferdinando Paër, 49 p.
La Biondina; canzoncina veneziana; concertata con forte piano, 5 p.
Buona notte amato bene; canzoncina veneziana; concertata con forte piano, 5 p.
Nel tancredi finale; ciel che feci & musica; del Sig. Gioacchino Rossini, 27 p.
Berenice in Siria; perché'mio cor' perché? duetto con accompagnamento di piano forte; musica del cavaliere Michele Carafa, 27 p.
Che ascoltai! terzetto; del sig. L. Cherubini, 35 p.
Nell'adelaide, e comingie pittore; versa il mio sangue; scena, e duetto; con accompagnamento di piano forte; del sig. Valentino Fioravanti, 45 p.
Scena ed' aria; nella'semiramide del celebre Rossini; eseguita dal S. Galli; con forte piano, 27 p.
Bella immago degli dei; duetto; nella semiramide del sig. maestro Gioacchino Rossini, 47 p.
Terzetto nella semiramide del celebre Rossini con forte piano, 7 p.

The vocal works include excerpts from "The Prize", "The Mountaineers", and "The Cherokee". Singers include Mrs. Storace, Mrs. Bland and Mrs. Banister. Keyboard pieces include works by Haydn, Giordani, Pleyel and Mazzinghi.

Written on the front inside cover: From Earlsoham.

The first 72 p. of the manuscript contain keyboard music with no composers identified. The vocal selections include works from the English stage such as "The Farmer", "The Village Maid", and "The Deserter." Singers include Signora Fraci, Mr. Darley, Mr. Johnson, Mrs. Mountain, Mrs. Martyr, Mrs. Mattocks.

Manuscript contains excepts from ballad operas, scored for voice and keyboard. Included are The Village Maid, The Poor Soldier, The Duenna and The Spoilt Child.

Bacio l'arco e lo strade, e bacio il rodo. -- Poem. -- 1 p.
Andante/Mozart. -- 3 p.
Hillsberg's dance. -- 2 p.
Of a noble race was Shenkin. -- 2 p.
Meyer. -- 2 p.
Zemira & Azore. -- 2 p.
Minuetto. Krumpoltz. -- 1 p.
Vive les fillets. -- 1 p.
Rondeau allegretto. Cardon Filtz. -- 2 p.
Mineur. -- 2 p.
La cosaque d'iphigenie. -- 2 p.
Rondo de M. Hinner. -- 2 p.
Rondo. -- 2 p.
Whither My Love / de Sig. Paesiello. -- 2 p.
Entracte de la bataille d'ivry. -- 3 p.
Paesiello's grand march. La lorcantha. -- 1 p.
Romance andante. -- 1 p.
Codiad yr Hedydd. Welsh air. -- 4 p.
Elegiac. Monfa rhuddlan. Welsh air. -- 4 p.
Mynadid câdpeu morgan. -- 1 p.

A collection of hymns and psalms carefully selected from the best composers arranged for public worship compiled by Steuarta King. Contains musical scores.

Bound manuscript of musical scores. Also contains the will of George Thomson, 5 May 1824.

Fonds (59-1995) consists of correspondence, tss. and mss. of speeches, bound diary-notebooks, musical socres, photographs, and printed materials including published music, programmes, and news clippings.

The text of the hymn begins "Did Jesus weep for human woes". The date "c1780's" has been written in pencil by an unknown hand. Research Collections has two broadsides containing hymns. One is titled "The First Hymn Sung by the Charity Children" and is dated 7 July 1713. The other one is "The Second Hymn Sung by the Charity Children" and is dated 20 Sept. 1914. The text of the broadsides does not match this manuscript.

This archive consists of one letter written by Mamiya to Anne Brydon in 1980. The letter is a response to a series of Brydon's questions and outlines the personal and intellectual influences in Mamiya's music.

The manuscript contains over one hundred Irish and Scottish songs, collected by Harry S. Higginson. The index at the front goes as high as ninety-one songs at page 98, but there are songs until page 162, suggesting approximately 150 titles. Song lyrics are by Thomas Moore, Robert Burns, Sir Walter Scott, and others. In the front of the book Higginson has also kept track of his movements.

Loose with the manuscript is a clipping for the "Connaught Foxes" (between pp. 99-100) song and two other hand written notes, one of which has the Legend of the seven churches of Glendalough written by Henry S. Wedderburn and The Bengalee Baboo.

The collection contains material pertinent to the performance of Concerto in C Minor for Piano and Orchestra, For Miss Agnes Butcher.

The collection (18-2001) consists of correspondence mainly from Aldwinckle to Somers, poetry, pen and ink sketches and drawings, and one water-colour.

Denis ApIvor, an English composer and musicologist, gathered together a variety of materials relating to Van Dieren and Darton. The collection includes correspondence about the men and their music, original letters by Darnton, biographical materials, information about their compositions and performances of their works and edited (limited) editions of their compositions, prepared by ApIvor himself.

The fonds consists predominantly of letter from Brian to Sir Granville Bantock. There are also a few letters to Helen Bantock, Raymond Bantock, and H.O. Anderton, as well as a few letters addressed to Brian.

There have been six accruals. The first accrual consists of 8 letters to Princess Carolyne von Sayn-Wittgenstein, the daughter of a wealthy Polish landowner. The second accrual consists of 3 letters to unknown recipients. The third accrual consists of one letter to an unknown recipient as well as a photograph of von Bülow, inscribed to Annette Essipov. The fourth accrual consists of one letter to Albert Werkenthin. The fifth accrual consists of one letter to Mr. Kapellmeister. The sixth accrual consists of one letter to an "Esteemed Sir".