There have been two accruals. The first accrual consists of 923 songs from 1714-1830. The second accrual consists of approximately 1,000 songs from 1700-1830. Both accruals of songs are mainly from the Georgian Era, that is during the reigns of the four Georges. The majority of the songs were published in London, England.

The focal point of this collection of sheet music is the First World War. These songs do not reflect the idea of war as it is commonly thought of in popular imagination: battlefields, trenches and heroic charges. These songs were not, for the most part, written for the soldiers. Instead, they reflect the daily experience of the Canadians who remained at home during the war and the way people thought about the effect the war was having on their lives and on their country. They do not address changes in society explicitly; instead they go deeper, preserving the visceral responses of Canadians to the war as it was happening. This sheet music offers an intimate picture of the conditions out of which post-war Canada grew.

There have been three accruals. The first and principal accrual of the collection was compiled by his close friend and admirer, Frank Holliday. During the 1960s the composer agreed to allow Holliday to tape record him playing his own compositions. Their correspondence over a forty year period as well as the audio reels and cassettes are the core of this collection. The reels have been reproduced on audio cassettes for use by researchers. The number of audio cassettes listed above refers only to original cassettes.

The majority of the material for this collection, especially the early material, comes from two scrapbooks maintained by Valerie Tryon’s father, Kenneth. These consisted of newspaper clippings, photographs, concert programs, and other ephemera. In rehousing this material it was not always possible to safely detach them from their original housing. As a result, the items do not always appear strictly in chronological order.

Twenty-four of the letters are written by Liszt to a variety of correspondents; one letter is addressed to Liszt from the Executive Committee for the Mozart Jubilee. There is one letter from Dr. S. Jadassohn to an unknown correspondent. The letters are in French and German. The collection also includes translations of documents, a conference report for a concert held in Budapest, a piano completion certificate for one of Liszt's students, a photograph and a contract.

Fonds consists primarily of materials documenting Scarlett’s music career, which spanned five decades. This includes contracts, travel plans for tours, performance programmes, promotional materials, photographs, recordings, sheet music, and other materials. There is also a small amount of personal materials, including correspondence, chiefly with singer-songwriter and painter Mendelson Joe, letters to the Canadian government, drafts of op-eds, and other materials.

There have been six accruals. The first accrual consists mainly of sheet music. There are also programmes, books and pamphlets in the first accrual as well as puzzles and games, time blocks, wooden notes -- all of these used to teach children music by the Fletcher music method. The second accrual consists mainly of books although there is some sheet music. The third and fourth accruals (26-2007; 50-2008) are sheet music, as are the fifth and sixth accruals. Many of the books in the second accrual are published in the United States and Britain. Eventually the books from both accruals will be catalogued either for Research Collections or the general library stacks. There are still several boxes of sheet music that have not yet been unpacked. There are also three copies of a poster, "'Cello, Otto Joachim, Kinderspiel", n.d.

The text of the hymn begins "Did Jesus weep for human woes". The date "c1780's" has been written in pencil by an unknown hand. Research Collections has two broadsides containing hymns. One is titled "The First Hymn Sung by the Charity Children" and is dated 7 July 1713. The other one is "The Second Hymn Sung by the Charity Children" and is dated 20 Sept. 1914. The text of the broadsides does not match this manuscript.

The collection contains material pertinent to the performance of Concerto in C Minor for Piano and Orchestra, For Miss Agnes Butcher.

The manuscript contains over one hundred Irish and Scottish songs, collected by Harry S. Higginson. The index at the front goes as high as ninety-one songs at page 98, but there are songs until page 162, suggesting approximately 150 titles. Song lyrics are by Thomas Moore, Robert Burns, Sir Walter Scott, and others. In the front of the book Higginson has also kept track of his movements.

Loose with the manuscript is a clipping for the "Connaught Foxes" (between pp. 99-100) song and two other hand written notes, one of which has the Legend of the seven churches of Glendalough written by Henry S. Wedderburn and The Bengalee Baboo.

Bacio l'arco e lo strade, e bacio il rodo. -- Poem. -- 1 p.
Andante/Mozart. -- 3 p.
Hillsberg's dance. -- 2 p.
Of a noble race was Shenkin. -- 2 p.
Meyer. -- 2 p.
Zemira & Azore. -- 2 p.
Minuetto. Krumpoltz. -- 1 p.
Vive les fillets. -- 1 p.
Rondeau allegretto. Cardon Filtz. -- 2 p.
Mineur. -- 2 p.
La cosaque d'iphigenie. -- 2 p.
Rondo de M. Hinner. -- 2 p.
Rondo. -- 2 p.
Whither My Love / de Sig. Paesiello. -- 2 p.
Entracte de la bataille d'ivry. -- 3 p.
Paesiello's grand march. La lorcantha. -- 1 p.
Romance andante. -- 1 p.
Codiad yr Hedydd. Welsh air. -- 4 p.
Elegiac. Monfa rhuddlan. Welsh air. -- 4 p.
Mynadid câdpeu morgan. -- 1 p.

Bound manuscript of musical scores. Also contains the will of George Thomson, 5 May 1824.

The vocal works include excerpts from "The Prize", "The Mountaineers", and "The Cherokee". Singers include Mrs. Storace, Mrs. Bland and Mrs. Banister. Keyboard pieces include works by Haydn, Giordani, Pleyel and Mazzinghi.

Written on the front inside cover: From Earlsoham.

Contains a musical score. Title page is printed.

The fonds is arranged into three series: correspondence, compositions, ephemera and memorabilia. The fonds includes some of the financial records and minutes of the Brighton Philharmonic Society.

The fonds reflects her life as both a writer, performer, and a promoter of the Jamaican language. It is arranged into the following series: correspondence; legal and financial documents; writing; published and printed materials; personal and professional documents, awards and realia; photographs and audio-visual materials; death, funeral and memorials; Eric Coverley. A separate listing describing the books which accompanied this fonds has been prepared.

The fonds contains correspondence, manuscripts, sound recordings and other materials in English, Japanese and German. There are also some materials relating to his father, Klaus Pringsheim, as well as research materials for a biography of Eisaku Sato. Pringsheim’s uncle was Thomas Mann and some documents relating to the Mann family also form part of this fonds.

The fonds is very comprehensive and includes: 32 notebooks in which Cockburn composed most of his song lyrics from 1969 to 2002; song sheets and scores; correspondence, including fan mail; awards, including gold records; promotional material, including posters; tour books; scrapbooks; photographs; a copy of each of Cockburn’s recordings; video and film items; and other material.