The vocal works include excerpts from "The Prize", "The Mountaineers", and "The Cherokee". Singers include Mrs. Storace, Mrs. Bland and Mrs. Banister. Keyboard pieces include works by Haydn, Giordani, Pleyel and Mazzinghi.

Written on the front inside cover: From Earlsoham.

Manuscript contains excepts from ballad operas, scored for voice and keyboard. Included are The Village Maid, The Poor Soldier, The Duenna and The Spoilt Child.

The first 72 p. of the manuscript contain keyboard music with no composers identified. The vocal selections include works from the English stage such as "The Farmer", "The Village Maid", and "The Deserter." Singers include Signora Fraci, Mr. Darley, Mr. Johnson, Mrs. Mountain, Mrs. Martyr, Mrs. Mattocks.

Bacio l'arco e lo strade, e bacio il rodo. -- Poem. -- 1 p.
Andante/Mozart. -- 3 p.
Hillsberg's dance. -- 2 p.
Of a noble race was Shenkin. -- 2 p.
Meyer. -- 2 p.
Zemira & Azore. -- 2 p.
Minuetto. Krumpoltz. -- 1 p.
Vive les fillets. -- 1 p.
Rondeau allegretto. Cardon Filtz. -- 2 p.
Mineur. -- 2 p.
La cosaque d'iphigenie. -- 2 p.
Rondo de M. Hinner. -- 2 p.
Rondo. -- 2 p.
Whither My Love / de Sig. Paesiello. -- 2 p.
Entracte de la bataille d'ivry. -- 3 p.
Paesiello's grand march. La lorcantha. -- 1 p.
Romance andante. -- 1 p.
Codiad yr Hedydd. Welsh air. -- 4 p.
Elegiac. Monfa rhuddlan. Welsh air. -- 4 p.
Mynadid câdpeu morgan. -- 1 p.

Fonds consists of cassette tapes containing recordings of interviews conducted by Neil Armstrong of prominent Black and Caribbean artists, authors, poets, publishers, academics, and politicians for the York University student radio, CHRY 105.5FM. Interviews cover topics such as Black and Caribbean history, literature, community events, international work, and more. Interviewees include The Honourable Lincoln Alexander, Dionne Brand, Afua Cooper, The Honourable Rosemary Brown, Austin Clarke, George Elliott Clark, Louise Bennett (Miss Lou), and others. Some tapes have interviews or speeches made by these individuals outside of a CHRY interview.

Tapes were numbered in accordance with the original order upon arrival. Note: The “A” or “B” following the tape number reflects which side of the tape the recording may be found. Tapes without an affixed letter contain only one recording.

The fonds consists of manuscripts, reviews, and correspondence.

The fonds consists of approximately 360 letters to Tas from composers and musicians, 4 letters from Tas, printed materials such as programmes and news clippings, and photographs.

A collection of hymns and psalms carefully selected from the best composers arranged for public worship compiled by Steuarta King. Contains musical scores.

The fonds consists of notebooks (35 items) in which Wilson recorded his thoughts, ideas for songs, draft lyrics, occasional drawings, photographs, and more, ca.2003-2010 (also includes 11 photographs); the Florida Razors’ vinyl recording Beat Music, 1986; 14 sound recordings on tape of the Florida Razors, Junkhouse, Blackie and the Rodeo Kings, and Wilson solo material; notes and annotated galley proofs of Beautiful Scars; and two paintings by Wilson.

Bound manuscript of musical scores. Also contains the will of George Thomson, 5 May 1824.

The majority of the material for this collection, especially the early material, comes from two scrapbooks maintained by Valerie Tryon’s father, Kenneth. These consisted of newspaper clippings, photographs, concert programs, and other ephemera. In rehousing this material it was not always possible to safely detach them from their original housing. As a result, the items do not always appear strictly in chronological order.

The fonds (35-1997) consists of scrapbooks, a small amount of correspondence, posters and music scores, some in manuscript and others in published form.

The fonds consists of correspondence, eight drawers of index cards containing information about Smythe’s recordings, contracts and agreements, invoices, articles by Smythe, programmes, catalogues and other printed materials, photographs, and audio discs.

The focal point of this collection of sheet music is the First World War. These songs do not reflect the idea of war as it is commonly thought of in popular imagination: battlefields, trenches and heroic charges. These songs were not, for the most part, written for the soldiers. Instead, they reflect the daily experience of the Canadians who remained at home during the war and the way people thought about the effect the war was having on their lives and on their country. They do not address changes in society explicitly; instead they go deeper, preserving the visceral responses of Canadians to the war as it was happening. This sheet music offers an intimate picture of the conditions out of which post-war Canada grew.

The fonds consists of materials mainly relating to his acting and musical career. There are also materials relating to other family members: his parents, his daughter Valerie, the Philps, and the Hessenauers. Bill father’, Raymond, served in World War II, and the fonds contains his bombardier notes as well as some photographs taken in Europe. Bill’s, mother, Elaine hosted an interview programme on television in Kitchener and the fonds contains materials related to her career. His great great grandfather was a bandmaster. His son Trevor has his own fonds, although there are a few materials related to Trevor in this fonds. His great uncles, Herbert and Norman Philp who served in World War I, also have their own fonds.

The fonds (15-1993) consists of correspondence mainly to his sister, Emma, with one letter to his fiancée, Margarethe Vocke, as well as other correspondence; his marriage certificate; his appointment letter to Manchester; a lecture on Liszt; a photograph, printed sheet music and other documents.