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Gordon Bottomley was an English poet and playwright, born in Keighley, Yorkshire on 20 February 1874 who began his working life as a bank clerk. He died on 25 August 1948 in Oare, England.

Item consists of a list of plants collected by Judge Logie.

The ledger lists customers and their orders for tea, coffee, chocolate, tobacco (usu. snuff), and other goods. An index at the beginning references pages. Inscribed on the spine is T.T. Leidger B 1715. This is repeated on the front cover, but appears to say TI instead of TT.

Tod des Çiçcupala ein sanskritisches Kunstepos / übers. und erläutert von C. Schütz.

By Magha, Schütz, Christian Gottfried, 1747-1832.
Publisher: Bielefeld : Velhagen & Klasing, 1843
Contents: Abt. 1. Übersetzung, Gesang, 1-11.
Note: Manuscript copy of the book which was published in 1843.

One leaf, fragment of Celtic (?) ms., in Latin, with illuminated capitals on each side of the leaf. The leaf has been used as printer's waste inside the binding of another book - the marks of the paste down are clearly evident.

A 94 page manuscript of "Josie" by Maureen Duffy. The play was broadcast on television in 1961.

The manuscript contains excerpts from all four books of Horace's Odes in Latin, with English notes. As well as words noted in the margin that may be keys to the text. After this follows similar notes on the first book of his Epodes, a page on his Carmen Saeculare, and two pages on his Satires. In the same hand are the summaries to the first two books of Livy's Ab Urbe Condita. The excerpt was dated 28 September 1713.

There is a second hand that added notes after the first, for various recipes including medicine, wine, and ink.

A mnemonic guide to Gratian's Decretum, in 101 numbered lines, followed by 35 numbered "causa"; reference on the verso of the final leaf to the first letter of Blessed Jerome, on 4 large sheets of vellum. Marks of being used as paste down clearly visible. Custodial marks of a previous repository present on each leaf. Rubrication of some capitals and marginal drolleries.

The collection consists of an album of b&w photographs taken inside and outside the Oratory The album, bound in leather, was inscribed and presented to Adhémar Raynault, the mayor of Montreal by the committee. The photographs were taken by F.E. Marsan.

Manuscript contains the following musical scores in several different hands:
Gluck, Christoph Willibald Ritter von,1714-1787; Rossini, Gioacchino, 1792-1868; Carafa de Colobrano, Michele Enrico, 1787-1872; Cherubini, Luigi, 1760-1842; Fioravanti, Valentino, 1764-1837.
Nella capricciosa pentita; La prima notte del matrimonio; aria del sig. Vincenzo Martini, 47 p.
Orfeo; chi mai dell'erebo e cori del Sig. Cristofaro Gluck, 45 p.
Achille; dunque andiam, più non si tardi; terzetto; con accompagnamento di pianoforte del sig. Ferdinando Paër, 49 p.
La Biondina; canzoncina veneziana; concertata con forte piano, 5 p.
Buona notte amato bene; canzoncina veneziana; concertata con forte piano, 5 p.
Nel tancredi finale; ciel che feci & musica; del Sig. Gioacchino Rossini, 27 p.
Berenice in Siria; perché'mio cor' perché? duetto con accompagnamento di piano forte; musica del cavaliere Michele Carafa, 27 p.
Che ascoltai! terzetto; del sig. L. Cherubini, 35 p.
Nell'adelaide, e comingie pittore; versa il mio sangue; scena, e duetto; con accompagnamento di piano forte; del sig. Valentino Fioravanti, 45 p.
Scena ed' aria; nella'semiramide del celebre Rossini; eseguita dal S. Galli; con forte piano, 27 p.
Bella immago degli dei; duetto; nella semiramide del sig. maestro Gioacchino Rossini, 47 p.
Terzetto nella semiramide del celebre Rossini con forte piano, 7 p.

The vocal works include excerpts from "The Prize", "The Mountaineers", and "The Cherokee". Singers include Mrs. Storace, Mrs. Bland and Mrs. Banister. Keyboard pieces include works by Haydn, Giordani, Pleyel and Mazzinghi.

Written on the front inside cover: From Earlsoham.

The first 72 p. of the manuscript contain keyboard music with no composers identified. The vocal selections include works from the English stage such as "The Farmer", "The Village Maid", and "The Deserter." Singers include Signora Fraci, Mr. Darley, Mr. Johnson, Mrs. Mountain, Mrs. Martyr, Mrs. Mattocks.

Manuscript contains excepts from ballad operas, scored for voice and keyboard. Included are The Village Maid, The Poor Soldier, The Duenna and The Spoilt Child.

Bacio l'arco e lo strade, e bacio il rodo. -- Poem. -- 1 p.
Andante/Mozart. -- 3 p.
Hillsberg's dance. -- 2 p.
Of a noble race was Shenkin. -- 2 p.
Meyer. -- 2 p.
Zemira & Azore. -- 2 p.
Minuetto. Krumpoltz. -- 1 p.
Vive les fillets. -- 1 p.
Rondeau allegretto. Cardon Filtz. -- 2 p.
Mineur. -- 2 p.
La cosaque d'iphigenie. -- 2 p.
Rondo de M. Hinner. -- 2 p.
Rondo. -- 2 p.
Whither My Love / de Sig. Paesiello. -- 2 p.
Entracte de la bataille d'ivry. -- 3 p.
Paesiello's grand march. La lorcantha. -- 1 p.
Romance andante. -- 1 p.
Codiad yr Hedydd. Welsh air. -- 4 p.
Elegiac. Monfa rhuddlan. Welsh air. -- 4 p.
Mynadid câdpeu morgan. -- 1 p.

An illustrated guide to naval flags, indicating their meaning and where they should be placed on the ship. The inclusion of Vice-Admiral Anson's night signals, but lack of Captain Sir Home Popham's words and phrases, suggests that the manuscript was written between 1747-1799, though it is possible that it dates from prior to 1747 and Anson's signals were added at a later date.

The manuscript is the first page of the Lauda Sion Salvatorem, one of the sequences from the Roman Catholic Mass of Corpus Christi. This sequence was written by Thomas Aquinas in 1264, providing the dating parameters for the manuscript. With illuminated letter "L" and ornamented letters "Q" and "L" on the recto, and two ornamented "Q"s on the verso.

The fonds contains a typescript of The Outrageous Apostle: A Play Based on a Novel, Hadrian The Seventh, by Fr. Rolfe (Baron Corvo).

Bound manuscript, predominantly in one hand. Several leaves have been left blank.

Quittance by the Constable of France [ie Henri de Montmorency, not named in text] of seigneurial rights relating to the seigneurie of Mauregard. This followed on a contract between two parties, the first comprising of the Doya [Dean?] de Billy, escuier, Lord of Mauregard in France and of Manguinard in Beausse, his eldest daughter Catherine de Billy, and his daughters Jehanne and Margeurite de Billy, together with their respective husbands Pierre du Rousseau, escuier, Lord of Monvilliers, and Jacques Daunery, escuier, Lord of La Mothe du Riene. The other party to the contract was Jacques Amelot, Lord of Carnetin, king's councillor in the court of Parliament. By reason of an exchange between these parties of the land of Mauregard, the Constable has discharged 133 ecus of appointed revenue, and, the Lords Amelot and Duy [Dean?] paying him 100 ecus in cash, he discharges his seigneurial rights relating to the acquisition.