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The collection consists of the typescript of Bailey’s first book of poetry, Songs of the Saguenay and Other Poems, and three other poems (“Autumn Night”, “Belle Isle”, and “Tadoussac without You”). With the exception of one leaf, all leaves are signed by Bailey. The typescripts are on the rectos of each leaf.

The collection consists of nine black and white photographs from Underwood & Underwood and the programme from the dedication ceremony.

There have been two accruals. The first accrual measures 6 cm and covers the period 1943-1992; predominant 1975-1992. It consists of various publications produced by de Havilland, Boeing and Bombardier. They include company, periodicals, calendars, postcards, leaflets and programmes, as well as illustrated product information sheets on the Dash-7 and Dash-8. There are pamphlets on the merger with Boeing and with Bombardier. There is one newspaper clipping about Olivia de Havilland’s visit to Toronto in 1988. There is also an oversize drawing of the de Havilland Mosquito IV printed from The Aeroplane, England, 7 May 1943. The second accrual measures 5 cm, 1927-1958. It consists of photographs, pamphlets and newsletters. There are photographs of the Beaver, Caribou, Chipmunk, Fox Moth, Mosquito bombers, and the Moth. The Caribou was sold to the U.S. Army; many of the photographs are of the Army training.

Periodicals (first accrual) issued by the company, DownsViews and Just Plane Facts have been catalogued for Research Collections.

The fonds contains 11 letters written by and to Paul Nash. Ten of the letters in the collection are written to R. H. Wilenski (1887-), an art critic. The other letter is to Desmond Flower (1907-) of Cassell's. Flower writes about Nash's work on Urne Buriall in his autobiography, Fellows in Foolscap (1991).

Collection consists of five photographs, all of which appear to have been taken at Bisley, Surrey, England. All photographs depict the team; in three of the photographs the scoring board is also on display. In 1927 the team is identified as winnter of the Mackinnon Challenge Cup. In 1929 the team is identified as the winners of the Rajah of Kolapore's Imperial Challenge Cup. The names of all the team members are printed beneath each photograph; in four the photographs their regiment names are also included.

The collection consists of the following: 12 price lists (1926-1937), 5 dinner programmes primarily for company executives (1928-1952), 1 b&w photograph of company executives (1938), 2 product packages pamphlets, a salesmen’s convention pamphlet (1924), a b&w photograph of a display of company products, 1 letter (1940), and a poster for Lowney’s Husky Brazil chocolate bar.

The black and white photographs were either taken and/or collected by H.C. Hodgens of Peterborough, Ont. He was presumably an employee of Morrow and Beatty Ltd. Most of the photographs are undated, but those that are dated were taken in 1927 and 1928. Some of the photographs have either written or typed captions. They depict the Mattagami River, Smoky Falls dam and power plant, the paper mill, the rail line as well as unidentified men. Most of the photographs have numbers stamped on their versos from 00 to 96. They have been removed from an album.

The second part of the collection consists of news releases, letters to employees, and other communications created during the 1968 labour dispute between Papermakers and Paperworks Union, Local 256, and the Spruce Falls Power and Paper Co. Ltd. and Kimberly-Clark of Canada Ltd. The material belonged to John Grimshaw, who was the mediator for the dispute.

The collection consists of four poems (two copies of one) and one photograph. There are also 22 printed copies of Scott's published poems, many signed by the author, and his funeral order of service.

The collection consists of correspondence between Copeau and Obey.

The collection consists primarily of b&w photographs syndicated in North American newspapers during World War II. The collection was assembled by Cecil Williams, the librarian at the Hamilton Spectator.

The collection consists of five b&w photographs. The descriptions are written on the verso of the photographs by an unknown person. Four of the five photographs are believed to be unpublished.

The collection consists of news clippings and contains reviews of two of his ballad operas, Midsummer Madness (1924) and Mr. Pepys (1926). For correspondence by Bax to Frank and Joan Waters, see the J. L. Garvin, Frank Waters, and Oliver Woods fonds.

The collection consists of three small scrapbooks, each titled “Milestones”. The collector wrote a table of contents in the front of each scrapbook, listing the dates of performance, the title of the play and the theatre where the performance took place. There is one letter from Fred Jacob to Mrs. Doolittle dated 14 Feb. 1924.

Jacob was the musical and dramatic critic for the Toronto Mail and Empire. He was also a playwright – his plays were collected and published as One Third of the Bill in1925. He died in 1928 at the age of 46 – his obituary in Saturday Night (43, 9 June, p. 6) was written by Hector Charlesworth. His letter concerns Mrs. Doolittle’s performance in Jacob’s play, “Autumn Blooming” performed by the Arts and Letter Club Players. Mrs. Doolittle may be Anne Carew, an English actress who settled in Toronto.

She appears in every play in this collection. This may be her collection or more likely, someone collected it for her. The scrapbooks contain newspaper clippings and tear-sheets from Saturday Night (mainly reviews), programmes, ticket stubs, autographs and photographs. Most of the items have been pasted into the scrapbooks but some remain loose. There is one photograph postcard of a troupe on stage with “Merry Makers” written on a drum in their midst.

An article on Vaughan Glaser and his career has been printed off the web by archival staff and is located with the collection.

The bulk of this collection was gathered together by Peter Bander Van Duren who planned to write a biography of Mayer.

The collection consists of 4 letters addressed to William Mullis, editor, The Hamilton Spectator, Hamilton, Ont. and 1 letter to T. W. D. Farmer, editor, The Hamilton Spectator. The letters are from Rt. Hon. Arthur Meighen (1874-1960), Prime Minister of Canada, 1920-1921 and 1926; Vincent Massey (1887-1967), Governor-General of Canada, 1952-1959; John Hylan, Mayor of New York city; and William Maxwell Aitken, Baron Beaverbrook (1879-1964). There is also an autograph by Arthur Meighen.

This collection of postcards pertaining to Palestine and Israel is comprised of two parts.
Part 1: 114 cards produced by Shlomo Narinsky (1885-1960), a Russian-born Jewish photographer, of Holy Land portraits and scenes, printed in sepia photogravure in 1921 by the Jamal Brothers of Jerusalem (numbered 1-118, lacking numbers 82, 106, 108, and 111, but the missing cards were apparently never printed). There are also six other cards from the Middle East, not part of the Narinsky set of cards.
Part II: Souvenir of the Holy Land, old and new Jerusalem (18 b&w cards); Bethlehem (10 colour cards); Ancient Jerusalem model (10 colour cards); Souvenir of Jerusalem (10 sepia cards); Kibbutz Lohamei Haghettaot (6 colour cards); Eilat (9 colour cards); Caesarea (9 colour cards); 2 sets of Nazareth (9 colour cards apiece); Israel Exploration Society, Beth She’arim (10 b&w cards); Jerusalem (10 colour cards); Safad (6 colour cards); Yad Washem (7 colour cards); Jericho (10 colour cards); Flowers of Israel (10 colour cards); Hebron (7 colour cards); Haifa, Little Folder Series (15 colour cards); Galileee, Little Folder Series (15 colour cards); Negeb, Little Folder Series (15 colour cards); 30 colour cards of various scenes.

Bettina Randall's Charges is the second part of an illustrated story for girls which also contains seven water-coloured illustrations and another seven India ink pen-and-ink drawings.

At end of ms.: "First Part commenced 1915. Second Part finished 1920 (aged 16)". A charming period piece of the Home Front, featuring Bettina, Pixie and Trixie, Lieutenant and Mrs. Lancing, Colette, Neanette and Ronnie. Chapter 1 entitled "Belgian Flag Day" and Chapter 3 "An Air Raid". Also contains a black-and-white studio portrait of Warden herself.

Collection consists primarily of German and Swiss anti-Semitic material, including books, pamphlets, magazines, posters and “notgeld” (currency).