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Fonds consists of cassette tapes containing recordings of interviews conducted by Neil Armstrong of prominent Black and Caribbean artists, authors, poets, publishers, academics, and politicians for the York University student radio, CHRY 105.5FM. Interviews cover topics such as Black and Caribbean history, literature, community events, international work, and more. Interviewees include The Honourable Lincoln Alexander, Dionne Brand, Afua Cooper, The Honourable Rosemary Brown, Austin Clarke, George Elliott Clark, Louise Bennett (Miss Lou), and others. Some tapes have interviews or speeches made by these individuals outside of a CHRY interview.

Tapes were numbered in accordance with the original order upon arrival. Note: The “A” or “B” following the tape number reflects which side of the tape the recording may be found. Tapes without an affixed letter contain only one recording.

There have been two accruals. The first accrual contains material from before the merger of the two locals and after the merger. The second accrual consists of correspondence, reports, and printed materials.

The majority of the material relates to her work, with the addition of some personal material.

A manuscript page from The Higgler by A.E. Coppard. On the other side appears is an unidentified typescript.

Letter from the Duke of Marlborough to the Hon. T.G. Earle.

Letter to Rachel Mahaffy written by Bernard Shaw, 6 June 1939.

The fonds contains 'Appendix V' and a manuscript, both from Lighthall's book, The Person of Evolution.

The fonds consists of research materials, manuscripts, and accolades pertaining to Giroux’ writing activities on the topics of pedagogy, the corporatization of higher education, the attacks on youth, and other social critiques; these files depict the extensive research undertaken on both subjects and individuals, and contain manuscripts of his books. The fonds also contains awards won by Giroux throughout his career.

The fonds consists mainly of material related to his writing and teaching activities.

Manuscript document issued by the Governor of the state of Maranhão in Brasil, José Thomas de Menezes. The document concerns the Portuguese in England. It is written on one leaf of paper, folded in half; the text covers 3 pages.

The item is a letter from M. Montagu to an unknown woman. Montagu is sending regrets about not being able to visit before they leave.

The collection consists of b&w photographs of fire trucks. There are trucks from the Burlington, Grimbsy, Kamsack, Kelowna, Kentville, Niagara, Niagara Falls, Pickering, Point Claire, Revelstoke, and the Canadian National Parks Fire Departments. Many of the trucks are identified as Bickle trucks. Founded in Winnipeg in 1906, the company had been moved to Woodstock, Ont. becoming Bickle Fire Engines Ltd. in 1922. Four of the photographs are taken by Charles W. Hayrall of Woodstock, Ont. One of the photographs was taken by W.J. Oliver. Most of the photographs are stationary portraits of trucks. Only three of the photographs show any action: two men are atop the Canadian National Parks truck operating the fire hose at a lake; one photograph is of a truck moving down a street; one photograph is of men climbing a fire truck ladder.

The album contains photographs belonging to Flight Officer H.C. Hass, RCAF, at Air Observer School #8, Ancienne Lorette, Quebec in 1942-1943. Typically at an AOS, trainees took a 12-week course on aerial photography, reconnaissance, and air navigation, which included 60 to 70 hours of practical experience in the air. The album illustrates Norwegian trainees, New Zealand and Czech liaison officers, wings ceremonies, mess scenes, the hockey team, buildings, planes, as well as scenes in Quebec City. In addition there are photographs of the Quebec Conference in August 1943, including Winston Churchill, Mackenzie King and others; also two photographs of Princess Juliana of the Netherlands making presentations. The album measures 28 x 40 cm and contains 18 leaves with approximately 126 photographs. Most photographs are 8 x 11 cm but some are as large as 25 x 21 cm.

The fonds consists of archives related to D’Alfonso’s literary, publishing, teaching and film production career.

Collection contains original artwork and copies of posters for the McMaster Campus Cinema screening program; posters or comic art created or collected by Art Cooper; and fanzines and mini comics created in the Southern Ontario region, particularly in the early 1970s.

The collection comprises records related to Seth’s illustrations and design work for ten of Stuart McLean’s Vinyl Cafe books and audio recordings. Documentary forms include production notes, original illustrations, overlays for printing, and colour chips.

Collection consists of scripts and artwork from two of Ho Che Anderson’s comics: I Want to Be Your Dog (an erotic comic originally published in five issues from 1990-1991 and later released as a collected edition in 1996) and Miles from Home (published as a digital edition in 2013).

Content warning: Collection features sexually explicit materials, including records which depict sexual assault.

Fonds consists of Judith Robinson’s correspondence; clippings of her newspaper writings; drafts, notes, and research files; working records of NEWS; personal material; petitions and other material related to the Christie Street Hospital campaign; manuscripts and writing related to her books, published and unpublished; and manuscripts and writing by her friends sent to her for editing.

Fonds consists primarily of materials documenting Scarlett’s music career, which spanned five decades. This includes contracts, travel plans for tours, performance programmes, promotional materials, photographs, recordings, sheet music, and other materials. There is also a small amount of personal materials, including correspondence, chiefly with singer-songwriter and painter Mendelson Joe, letters to the Canadian government, drafts of op-eds, and other materials.

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