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The fonds consists of 53 black and white photographs and photographic postcards, most showing World War I aircraft. Many have messages or annotations on the reverse side. They have been organized into five groupings: those showing Bruce Doherty, those identified as Toronto, those identified as Texas, those showing airmen and aircraft, and others (includes one Christmas card).

The fonds consists of ten letters written by Millen to his wife, Helen Ethel Millen. The letters outline the day-to-day activities Millen participated in. A letter written in July 1918 comments on the arrival of the "Yankee" troops. A letter written 6 September 1918 provides details of Millen's involvement with the battles along the Hindenburg Line on 2 and 3 September 1918.

The fonds consists of a bound album compiled by E.J. Edward containing a list of all productions, cast lists, written descriptions of the costumes supplemented by watercolour illustrations of the productions, and b&w photographs of the cast in performance. There is also a b&w photograph of the committee in military uniform and a b&w photograph of the orchestra, many who were also members of the committee.

The fonds contains: correspondence, diaries, plays, short plays and skits, libretti, novel, poetry, short stories, autobiographies, broadcasts, articles, unpublished editorial work, uncompleted work, contributions to publications, publications about John Coulter, subject files, magazines and posters.

The fonds consists of two bound black albums stamped in gold “Pat’s Book I” and “Pat’s Book II”. The albums were filled by his father with every document and photograph that could be found of his son’s life. Album II concludes with the story of Pat’s life as written by his father; it is typed and is 99 pages in length.

The fonds consists of the elder Jackson’s demobilization certificate, his son’s Soldier’s Service and Pay Book and a Services Diary kept by the younger Jackson in 1942. The diary also contains a sheet of Indian Postage service stamps. There is also a map drawn by hand of the voyage Jackson took beginning on HMT Orion and ending in Bombay on HMT Almanzora.

The problem with this collection of photographs is that two entirely different looking men are indentified as being Charles Bridges. One Bridges (A) is photographed with a bomb and given the rank of Major although the caption indicates doubt about this. The other man (B) is in the uniform of the RCE and is identified as a Captain whose first name is given only as “C”, presumably for Charles. However, the photograph is stamped on the back “Mond Nickel Co. Ltd”, a company that merged with INCO in 1929, a decade before the war began. There are several matches to Bridges (B) in the photograph collection made by the archivist There are only two matches to (A). It is not possible to match the three non-military photographs to either man. The album of negatives contains the information (presumably in the seller’s handwriting) that Bridges was at a bomb defusing school in Horsham, England from Nov. 1940 to May 1942.

The photographs were by compiled by an unknown individual who captioned the album “Major Charles Bridges, RCE, 148 WWII Photos. English bomb school & with the Canadian Expeditionary Forces in Holland.” The complier placed a photograph of Bridges (A) on the cover. Most of the photographs are not captioned. A few of the photographs are identified as being taken in Holland; one was noted as Box Hill (England); another was captioned as Taplow Hospital, i.e. the Canadian Red Cross Hospital in Taplow, Berks. The captions are done in different hands. Only two of the war photographs are dated, one 1944, the other 1945. Some are stamped as being printed in Appledoorn, Holland. The pictures depict bombs, military camps and vehicles, nurses and hospitals, ships including the Empress of Britain, a garden party, and a parade. The album of negatives contains an index by Bridges of what was photographed in Surrey, Hampshire and Somerset from 1940 to 1942. The index begins with huts at 4 C.C.S. in Dorking in Oct. 1940. Also included are B Company at Box Hill, Whiteley Camp, Bramshott, Porlock Moors, D Company Officers’ Quarters, Captain Curry (adjutant), Major MacClintock, Colonel and Mrs. Henshaw, Easter Sunday Services at Wentworth, Canadian Corps Field Punishment Camp, Park Lane in London, Nurse Terry Healy at Box Hill, some German bombs, Horsham Bomb Disposal (B.D.) school, demolitions at Epsom, Charles Bridges, Jo Bridges (wife of Charles Bridges) and Captain Bates, among many others. The handwriting of the index matches the caption on the Box Hill photograph in the album which contains an image of Bridges (B).

J.L. Garvin:
The major treasure of this part is the series of letters between Garvin and Viola Woods, Oliver’s mother and Garvin’s future wife. Viola was unhappily married to the writer Maurice Woods when she first met Garvin but the death of Garvin’s first wife in 1918 seems to have spurred her to divorce – still an unfamiliar and scandalous procedure among the upper classes of early twentieth-century England. The couple’s efforts to marry were further complicated by their Roman Catholic religion, by Garvin’s influential position in British society and by the eccentric behavior of Viola’s sister, Una Troubridge, who had left her husband to become the lover of the notorious Radycliffe Hall. All these stresses are reflected in the passionate letters they wrote to one another between 1919 and their marriage in 1921.

Almost as valuable for the light which they throw upon Garvin in his final years, is the series of letters to his stepson Oliver Woods who was serving with distinction in a tank regiment during the Second World War. Perhaps significantly, apart from a single earlier example, Garvin's wartime communications with Oliver commence in March 1942, a month after he had ended his thirty-four year long editorship of The Observer. Although he soon began to write regularly for the Sunday Express it is probable that, with the burdens of editorial responsibility lifted, Garvin was able to devote more time to his correspondence and to following the fortunes of the war, and in particular to the fortunes of his beloved Oliver.

Frank Waters:
Frank Waters was not a journalist of the stature of J. L. Garvin and while the Waters material, included as Part II of this archive, lacks both the chronological and geographical scope of the Woods section, Waters was a man of intelligence, sensitivity and real literary ability. His journals, especially those which he kept during the Second World War are important and immensely readable with the kind of literary polish for which his friend Oliver Woods was only to find time in his published work. Indeed the Second World War is like a leit-motif running through the Waters material for, apart from the letters of condolence which flooded in to Joan Waters during October 1954, following Frank's untimely death, most of the correspondence and much of the literary, business and ephemeral material in this section of the archive dates from the years between 1939 and 1945.

Both Frank and Joan Waters were inveterate collectors of anecdotes and quotations and much of the material collected for a projected anthology is represented here, as is the raw material for another projected volume to comprise observations about The Times over more than 150 years. Oliver Woods was also involved in collecting material for his friends to use in the latter volume but neither was ever published.

Joan Maude, as a film and stage actress of some repute, had already established a wide circle of friends when she married Frank Waters in 1933 and many of her friendships survived into the years of her marriage to Oliver Woods. Rather than arbitrarily divide such letters to Joan between the Waters and Woods correspondence, all series of correspondence with Joan which continued after Frank's death (with the exception of letters of condolence, which are in the Waters section) have been placed in a single series in the Woods correspondence. References to such series are given in the Waters correspondence.

Oliver Woods
The material relating to Oliver Woods, scholar, soldier and man of The Times, comprises more than three quarters of the Garvin/Waters/Woods archive (114 of 132 boxes).

The Woods correspondence is a fascinating melange which accurately mirrors the many facets and encyclopedic interests of Oliver Woods. Among its most valuable contents are the letters exchanged with those who played major roles in African colonial and post-colonial history. Such British governors as Sir Andrew Cohen and Sir Evelyn Baring and newly emergent African leaders including Hastings Banda took Woods into their confidence.

Many of Britain's most influential politicians also found in Oliver Woods an intelligent, sympathetic and discreet correspondent and this section of the archive includes a litany of former prime ministers: Eden, Callaghan, Douglas-Home and Heath, as well as an intimate exchange with Hugh Gaitskell and his wife. There are lengthy series of letters between Woods and many members of the Astor family, and long exchanges with former Times editors such as William Haley.

Also Woods' many former army colleagues figure prominently here, men like Sir John ("Shan") Hackett who became close friends during the war years when Major Woods acquitted himself so bravely in the desert and who, as they rose to high positions of power, provided invaluable insights and information.

This part also includes some personal and family correspondence. While Oliver's mother Viola's letters to her husband J. L. Garvin are in the Garvin part of the archive, her letters to her son and his wife are here, as are substantial exchanges between Oliver and two of his Garvin half sisters, Viola and Katherine (Gordon).

Fonds consists of correspondence, personal material from university, legal documents, personal and professional photographs, letters of support, ephemera and clippings from David’s political campaign, and condolence letters sent to David’s family following his death.

Fonds includes typescripts (including one Lennox Ballister story), writing fragments, and a teaching assignment from the Arts and Letters School. Also includes a typescript of a short story by Phyllis Jean McKishnie.

The archive consists of 21 diaries spanning 1920-1940 which cover both Nunn’s personal and business affairs. There is some correspondence including letters from Grey Owl and Jack Miner. There is only a little material related to his work outside of the diaries, but there are two Halliday company catalogues.

The fonds contains correspondence, manuscripts, news clippings and other published materials, personal and family materials, including photographs, two audio reels.

Fonds consists of three minute books: 5 December 1923-2 December 1931 (298 pp); 6 January 1931-13 November 1944 (299 pp. plus insertions); 9 October 1963-11 December 1974 (292 pp. plus insertions). The insertions in the 1931-1944 volume include a history of the chapter, transcripts of a petition and a warrant application.

The fonds contains: manuscripts and typescripts of books/articles; correspondence, both general and relating to specific books; early writings and diaries; and other material. See finding aid for more detailed description.

The Jo Vellacott fonds contains extensive documentation regarding Vellacott’s work as a historian of women, feminism, pacifism, and Bertrand Russell, both as an academic at several Canadian universities, as well as her work as an independent scholar. The fonds contains a significant amount of correspondence, both personal and professional, which spans almost the entirety of Vellacott’s life. Fonds also contains materials relating to Vellacott’s education, particularly her PhD work at McMaster University, and much of her personal and scholarly writings. It also contains materials relating to Vellacott’s Quakerism and involvement with the Thousand Island Monthly Meetings, as well as photographs of Vellacott and paintings and sketches she made.

The fonds consists of his publications from 1926-1981. It also contains his research notebooks and his theses for M.Sc. and D.Sc.

The fonds mainly consists of letters written to Webster by Malleson. There are also a few letters from others, including Sybil Thorndike, Countess Annesley and Phyllis Urch as well as photographs, news clippings, theatre programmes and other documents.This material is housed in boxes 7.51, 7.52, and 5.70.