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The fonds consists of fourteen letters and envelopes written by Brett to his sister Esther. Esther resided in Toronto. Brett's letters told his sister about the correspondence he was receiving, the individuals from home he was encountering and some of the details of his day-to-day activities both in England where he was drilling and shoveling coal, to his time on the battlefields in France. One letter was written while he was in hospital in Shorncliffe.

The focal point of this collection of sheet music is the First World War. These songs do not reflect the idea of war as it is commonly thought of in popular imagination: battlefields, trenches and heroic charges. These songs were not, for the most part, written for the soldiers. Instead, they reflect the daily experience of the Canadians who remained at home during the war and the way people thought about the effect the war was having on their lives and on their country. They do not address changes in society explicitly; instead they go deeper, preserving the visceral responses of Canadians to the war as it was happening. This sheet music offers an intimate picture of the conditions out of which post-war Canada grew.

This fonds consists of 111 letters, the majority of which were written by Fingland to his sweetheart, Etta. There are a few responses from Etta to William. The letters combine Fingland's feelings for Etta with his descriptions of life on the battlefront and his struggle to do the work of the YMCA. He speaks about his travels through the countryside while on leave. There is a wedding invitation announcing the couple's nuptials in August 1920. A photograph-postcard of a group of soldiers is included in this fonds. Fingland is not identified in the photograph.

The fonds consists of letters to his wife and family, official notification of his death, letters from his fellow soldiers to his wife, a notebook with brief entries of the regiment’s movements and lists of soldiers, and photographs. Most of the photographs were taken in Egypt. They include a railway station, encampments, a football pitch and camel transport, as well a photograph of Sgt. Haydon. Also included in the fonds are photographs of Haydon’s brother Ted and his wife’s brother Peter Ryan, both of whom served in the War.

The collection consists of Windridge’s war medals and various military and civilian pins and badges, various service records and discharge papers and a couple of photographs. Included is a matchbox, with a holder made by Windridge with a small Scottie dog figurine, which must have been a good luck charm for him. There is also correspondence mostly from Windridge and his wife to his daughter during the period of the Second World War.

The fonds contains correspondences and other material belonging to various members of the Williams Family. Further detail in description of the 'System of arrangement'.

The collection consists of correspondence, photographs, post cards, maps, manuscripts, typescripts, orders and other official documents, diagrams, programmes, souvenirs, song-sheets, artwork, leaflets, sound recordings and moving images, and printed materials.

The collection consists of posters issued by the following British organizations: Parliamentary Recruiting Committee, London; Parliamentary War Savings Committee; National War Savings Committee; Joint Labour Recruiting Committee; Ministry of National Service; Navy; Imperial Maritime League; City of London; and Blue Cross fund. The collection also contains posters issued by the governments of Canada (includes Canadian Victory Bonds), France, United States and Germany. There are a large number of posters from Louvain, Belgium. There are also several posters issued by the German occupying forces in France and Belgium and the British occupying forces in Germany.

The collection consists of trench maps and aerial photographs created during the First World War. The majority of the maps were created by the British Ordnance Survey for the Allied forces, although a few German, French and other maps purchased privately by officers exist within the collection. As the collection is almost exclusively made up of British mapping, coverage is limited to the British sector of the Western Front extending from the English Channel in the north to the vicinity of Reims in the south.

The aerial photographs were produced by the [British] Royal Flying Corps (renamed Royal Air Force when it merged with the Royal Naval Air Service in 1918). However, a few French and German examples exist within the collection. Approximately 350 photographs in the collection have hand annotations ranging from simple circles indicating the location of important features on the recto to full, textual descriptions on the verso. Approximately 90 additional photographs are mounted in an Album acquired from the University of Alberta.

The collection consists of two collections of communications used during World War I. One collection is labelled “postal history”; the other is called “soldiers correspondence”. Both collections contain post cards of various types including official ones. The postal history collection is mounted on nine numbered sheets, and contains explanatory text typed on the bottom. It also has one letter. It may have been compiled by Keith Powell of the Guilford Philosophy Society, as his name is written on the back of each sheet. The soldiers correspondence collection is mounted on eleven sheets which are not numbered; it also has a title page. Explanatory text appears on each page; the text has been printed from a computer.

The photographs have been pasted into a scrapbook. Some of the subject matter of the photographs is as follows: dugouts at Vimy Ridge, Passchendaele, and other locations, wounded soldiers being assisted, Trump-Line, Maple Leaf Concert Party, athletic events including a horse show, baseball, track and field, boxing, tug-of-war, General Currie, Little Theatre in London, and Khaki University of Canada (London Branch).