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The fonds contains: correspondence with authors and other agencies; typescripts and proofs; photographs and artwork; printed catalogues; and other material.

The fonds consists of a photocopy of the manuscript of Descripcion de la Sinapia Peninsula en la Tierra Austral: A Classical Utopia of Spain (1975) with related reviews and correspondence; also negatives and prints of parts of the manuscript, the original of which is at the Fundacion Universitaria Espanola.

The fonds consists of textual records and printed material related to Colombo's research and writing.

The fonds consists of one bound minute book, 9 March 1975 to 24 April 1984 and one bound attendance book, 21 October 1979 to 25 April 1984.

The collection consists of interviews conducted by Adams with trade union Field Officers representing a number of different unions and lead to the writing of “The Work of the Trade Union Field Officer” which appeared in Relations industrielles / Industrial Relations, vol. 32, no. 4, 1977. A copy of the article is included with the collection.

The following unions are represented in these interviews:
American Federation of Musicians of the United States, and Canada
American Newspaper Guild
Association of Canadian Television and Radio Artists
Bricklayers' Masons and Plasterers' International Union of America
Canadian Union of Public Employees
Canadian Brotherhood of Railway, Transport and General Workers
International Brotherhood of Teamsters, Chauffeurs, Warehousemen and Helpers of America
International Longshoremen's Association
International Union of Electrical, Radio and Machine Workers
International Union, United Automobile, Aerospace and Agricultural Implement Workers of America
Labourers' International Union of North America
Ontario English Catholic Teachers Association; Ontario Public Service Employees Union
Seafarers' International Union
Service Employees International Union
United Steelworkers of America
United Rubber, Cork, Linoleum and Plastic Workers of America
United Association of Journeymen and Apprentices of the Plumbing and Pipe Fitting Industry of the United States and Canada

The fonds consists of audio cassettes, which are correspondence tapes and narrative, research, and memoir tapes that Madzy created later in her life. The correspondence tapes were sent to friends and close family members. The fonds also included two of Madzy’s published books, Land for Our Sons (1958) and Madzy’s Dutch translation Land Voor Onze Zonen (1960), which have been catalogued separately for Research Collections.

This fonds consists of manuscripts of plays, poems, and some other writing; it also includes some play production material and research material.

The content of the posters concerns: Pierre Elliot Trudeau depicted as a lackey; Hardial Bains in Conversation with the President of the East indian Defence Committee in 1978; a ten year anniversary march of the CPC (M-L) in 1980; the first Congress/Communist Youth Union of Canada meeting in 1983.

The fonds consists of records related to Rachel Manley’s writing career, particularly the period from the late 1990s on when she began writing non-fiction memoirs about her family members.

Series groupings have been supplied by the processing archivist following functional analysis. Principal documentary forms include manuscripts and promotional records related to Manley’s books.

The fonds consists of taped interviews conducted by Professors Troper and Abella in the conduct of their research for None is Too Many. Eight audio cassettes record Troper’s comments on archival documents located in New York and London. Also included is a microfilm reel from the Hebrew Immigration Aid Society archives.

The fonds consists of records related to Charlotte Gray’s writing career, particularly the period from the late 1990s on when she began producing non-fiction monographs on Canadian subjects and persons. A smaller subset of records attests to Gray’s activities as a cultural commentator and lecturer from the 2010s on.

Series groupings have been supplied by the processing archivist following functional analysis. Principal documentary forms include research files, manuscripts, production and promotion records for Gray’s books, and correspondence.

There have been two accruals. The first (00-1994) measures 40 cm, and is arranged into the following series: minutes; labour negotiations; grievances; financial; correspondence, bylaws, senority and officer lists; employer relations. The second (13-1999) has not yet been arranged or described.

The fonds consists of printed and signed ephemera issued in various series. A few leaflets and pamphlets were issued in the preliminary or "Zero Series", most of them in extremely limited runs (as few as five in some cases). The main series also began in 1979, and as of mid-1983 the press had issued over 200 items. The majority of these are small in format and the runs vary from 25 to 200. Most are printed with rubber stamps, but typesetting and photocopying are also used occasionally. There have been many accruals to the fonds, beginning in 1983 and ending in 2000.

There have been four accruals. The first accrual (57-1995, 30 cm) consists of manuscripts and research notes for three of his published works, Interior Landscapes: A Life of Paul Nash (1987), The Last Modern: A Life of Herbert Read (1990), and Virginia Woolf (1994); draft typescript and galley proof; and editorial and literary correspondence (including Graham Greene, Stephen Spender, Muriel Spark, and Francis Bacon).

The second accrual (26-1997, 60 cm) consists of material relating to The Life of Margaret Laurence (1997), editorial notes, photographs and correspondence (including Margaret Atwood, Timothy Findley, Al Purdy, and letters from Margaret Laurence to her editor, Alan Maclean.

The third accrual (27-1999, 68 cm) consists of three series: manuscripts and related material for Faking (1999) and Jack: A Life with Writers, The Story of Jack McClelland (1999), photographs, and literary correspondence.

The fourth accrual (16-2001, 20 cm) consists of two draft typescripts of *Farley: The Life of Farley Mowat</I> (2002) and editorial correspondence.

The fonds consists of personal and commercial artwork by Stoyan. It includes political materials: a comic mock cover of Jimmy Carter on Time magazine, a drawing of President Ronald Regan with “Greacan Formula Hair Dye”, and a group of political figures and party girls surrounding “Dada Uganda”, i.e. Idi Amin. There are also comic drawings, some titled “Scruff”. Finally, there are a two pieces of commercial art for Cedarbrae Volkswagen in Scarborough and Stan Lanes Sports on the Danforth in Toronto. The work is done in a variety of different mediums: tempra, pen and ink, paint and brush, pentel and felt pens. There are two acetate overlays.

This archive consists of one letter written by Mamiya to Anne Brydon in 1980. The letter is a response to a series of Brydon's questions and outlines the personal and intellectual influences in Mamiya's music.

The fonds is arranged into two series: correspondence and manuscripts received, and layout and paste-up materials for issues 1-5, Summer 1980 to Spring 1982. Researchers are also directed to the separate David McFadden fonds.

The first accrual consists of six series:
Series 1 – Case Files
Series 2 – Additional Case Files
Series 3 – Production Log Books
Series 4 – Additional Audio-Visual Material
Series 5 – Terry O’Reilly’s Files
Series 6 – Press, Promotional Material, and Awards

Series 1 is particularly significant, containing 12,000 case files documenting the creation of approximately 50,000 thirty-second radio and television commercials produced by Pirate Group Inc. (Toronto office) and its predecessor companies: O’Reilly Radio Inc., Robert Armes Inc., Shurman Armes Crawford, and The Air Company, from 1981 to 2005. These files document the entire production process from the initial phase through to the finished product, though some files are more complete than others. The material found in the file may include: concept presentations; casting sessions and auditions; ACTRA contracts and other actor contracts; script progression and revision; briefing documents; final recording-day scripts with directors notes; recording session schedules; music demos, final tracks, sheet music and lyrics; production edits; final audio mixes, element breakdown of the recording (voices, sound effects, music); final radio and TV commercials; budget estimates, quotations and final billing; etc.

This collection consists of taped interviews, some with transcripts, of interviews done by Alan O'Connor notes, correspondence, and draft copy of his report "Real Live Type", 1985.