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The fonds (25-1993) consists of McNee's notes, entitled "Gas Cases" contained in a notebook with the printed title "Army Book 136." The notes are in pencil, 21 pages in length, and cover the period May to July 1917. Also in the fonds are reports of the Chemical Warfare Medical Committee, reports of the Special Investigation Committee on Surgical Shock and Allied Conditions, offprints and pamphlets.

The fonds contains correspondences and other material belonging to various members of the Williams Family. Further detail in description of the 'System of arrangement'.

The fonds consists of 24 letters from Gould to his parents, 1915-1917, fifteen pencil sketches of scenes behind the British lines and a self-portrait, drawings and watercolours of landscapes (including juvenilia), Parisian architecture (1910), and nature studies, b&w photographs, news clippings, maps, letters of condolence, letters about the book Memorial and a letter concerning the Arras memorial in 1932, mostly bound in an album. There are annotations throughout by Frederick J. Gould. There are also a memorial card and letter of condolence with regard to Gould's sister who died at age six in 1893 and a photograph of St. George's Chapel Choir, Windsor, in 1865 (Frederick J. Gould was a member). A photocopy of a Memorial Notice of Julian Gould was acquired in November 2007.

The fonds consists of a scrapbook with items pasted in as well as items found loose inside it. Some of items have been placed in file folders along with other items that were found outside the scrapbook.

The fonds consists of letters written by Drury to his mother, grandmother, grandfather and aunt Fran. The letters discuss Drury's day to day activities, the people he has met and the places he has visited. In the last letter Drury describes his experience with the Fleet Illuminations and includes a newspaper clipping (17 July 1935) covering the event.

The letters are hand written in ink and pencil on varying qualities of paper. A preservation copy was made of a letter written in pencil on poor quality paper. Repair work was done to the newspaper clipping and a preservation copy included in the file.

The fonds consists of two pocket diaries kept by Taylor in 1917 and 1919. There are also three bound typescripts of his autobiography, “Nothing but the Truth”, one of which has some photographs. The photographs include: two taken in Saskatchewan (p. 51); three from his university days (pp. 57, 61, 63) and one of his wife and infant son in England (p.96). He wrote his autobiography several years after his second marriage in 1965. It is dedicated to his grandchildren. Two of the volumes are similar in content and cover his life from boyhood to his return from World War I. The third volume, a typescript carbon, also describes his life after his return to Canada.

The fonds (seven numbered files, files 10-16) consists of the following: (10) correspondence, 1914-36, including a postcard from Captain W.J. Peppiart about Stephenson’s enlistment, a letter from Edwin, 2 greeting cards from Norma (his sister), and a photocopy of a letter from Roy to Harry (Henry Arthur Stephenson, 22 October 1918); (11) 8 b&w photographs (several being reproductions), including group photograph of the Burlington Volunteers, 1st Canadian Contingent, and the grave site of A.T. Thomson at Mount St. Eloi Cemetery; (12) black notebook of WWI news clippings and other clippings of the period; (13) ephemeral publications, including Thanksgiving Service Canadian Corps Vimy Ridge (April 9th 1917), Regimental Songs Canadian Expeditionary Force 1914-1915, The 1st Canadian Division in the Battle of 1918, The Listening Post (no. 22, 15 February 1917), The Rose of No Man’s Land (music score), Bruce Bairnsfather’s Fragments from France, part VI, and the War Pictorial (embarkation number, part four); (14) WWI medal and brass buttons from Stephenson’s coat; (15) discharge certificate, 2 June 1919; (16) information about Stephenson’s war record from Gwendoline Stephenson, his daughter, and a copy of Stephenson’s attestation papers.

There have been two accruals. The first accrual consists of a telegram, programmes, menus, newspapers, post cards, and a commemorative medal. The second accrual consists of a passport, guidebooks, and a postcard of the Vimy Memorial.

The fonds contains correspondence, photographs, printed materials, technical notebook and plan, and other materials.

The focal point of this collection of sheet music is the First World War. These songs do not reflect the idea of war as it is commonly thought of in popular imagination: battlefields, trenches and heroic charges. These songs were not, for the most part, written for the soldiers. Instead, they reflect the daily experience of the Canadians who remained at home during the war and the way people thought about the effect the war was having on their lives and on their country. They do not address changes in society explicitly; instead they go deeper, preserving the visceral responses of Canadians to the war as it was happening. This sheet music offers an intimate picture of the conditions out of which post-war Canada grew.

The fonds consists of the elder Jackson’s demobilization certificate, his son’s Soldier’s Service and Pay Book and a Services Diary kept by the younger Jackson in 1942. The diary also contains a sheet of Indian Postage service stamps. There is also a map drawn by hand of the voyage Jackson took beginning on HMT Orion and ending in Bombay on HMT Almanzora.

The fonds consists of correspondence, manuscripts, a presentation copy of A Canadian Twilight, and printed material, as well as additional material related to Trotter.

The collection consists mainly of correspondence between family members and close friends during the First World War, as well as some military documents and photographs.

There are two series. The first series consists of letters P.T. Caiger wrote to Annie Wells (later his wife), 1907-1918; 1916-1918 predominant. The second series consists of letters Eric Caiger wrote to his parents, 1939-1947. There are also a few letters to him from his parents and others.

The fonds consists of correspondence, photographs and artwork. There are three letters associated with Clingan: one letter he wrote as a child to his father, one letter from A. Clingan that discusses him during World War I, and a third letter from a pal of his written on 9 January 1916. There are sixteen letters written by his son-in-law Lt. Colin Murray to his wife from Hannover in 1953. Graphic material includes a portrait of Clingan during World War II taken in Kirkgate, Yorks. and a caricature of him (pencil, ink, water-colour) at Aldershot in 1941. There are photographs of the Cameron Highlanders of Ottawa in 1940 and 1942; the Stoney Creek Band; the 260th Barracks, 2nd River; a Canadian troopship bound for Siberia; picture postcards of Vladivostock, and unidentified military photographs. Most of the photographs were removed from frames – numbers are written on the verso but their meaning is not known. Also in the fonds is a photograph of Queen Elizabeth, the Queen Mother, at a military base, a kilt pin, printed “Returned Soldiers’ Insurance” certificates issued to Clingan in 1930, and a printed issue of the Cameron Highlanders’ Journal from 1939. Clingan’s medals were sold at Bonhams in May 2009 and do not form part of this fonds.

The collection consists of Cpt. Read’s First World War military maps and Active Service Testament. An 1808 map of Russia. A copy of Col. R. Meinertzhagen’s Birds of Arabia, which belonged to Cpt. Read’s son.

The scrapbook contains approximately 55 black and white photos (approximately half are originals, the others are good quality reproductions), 3 colour photographs, news clippings, maps, and other material related to the Battalion.

He kept a small diary which documents the four years he served. The collection also contains sixty photographs, including formal portraits, unit photographs, aerial photographs, and 38 official Government of Canada photographs with captions added, presumably by Joyce.

There have been a number of accruals which have been combined for the purposes of description. The collection has been arranged into three series: manuscripts, correspondence, and other. It is supplemented by his books, mainly first editions, which have been catalogued for Research Collections.

The collection consists of correspondence, photographs, post cards, maps, manuscripts, typescripts, orders and other official documents, diagrams, programmes, souvenirs, song-sheets, artwork, leaflets, sound recordings and moving images, and printed materials.