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The fonds consists of records related to Charlotte Gray’s writing career, particularly the period from the late 1990s on when she began producing non-fiction monographs on Canadian subjects and persons. A smaller subset of records attests to Gray’s activities as a cultural commentator and lecturer from the 2010s on.

Series groupings have been supplied by the processing archivist following functional analysis. Principal documentary forms include research files, manuscripts, production and promotion records for Gray’s books, and correspondence.

The fonds consists of manuscripts, reviews, and correspondence.

The fonds consists of 5 letters written to Faith Fenton by Cyrus C. Adams, an editor with the New York Sun, about her articles for that newspaper.

The fonds contains manuscript material from the three volumes of Newman’s Hudson’s Bay Company histories, which have been heavily annotated by Martin Lynch. In addition, there is correspondence between Newman and the Lynches on specific chapters as well as more general matters.

The fonds consists primarily of material related to McFarlane's work.

There have been four accruals. The first accrual is organized into four series: correspondence, 1968-1981; editorial files, 1981-1983; Art Department photographs, 1927-[1983?]; Scrapbooks, 1960-1976. Authors in the correspondence series include: Lovat Dickson, Hugh Garner, John Glassco, Norman Levine, George Woodcock, Margaret Atwood, Pierre Berton, Matt Cohen, John Robert Colombo, Marian Engel, Mavis Gallant, Margaret Laurence, Brian Moore, Peter C. Newman, Mordecai Richler, Michael Bliss, Kenneth McNaught, George Bowering, Louis Dudek, George Faludy, Ralph Gustafson, Irving Layton, Dennis Lee, Dorothy Livesay, Susan Musgrave, Michael Ondaatje, Miriam Waddington and Tom Wayman. This accrual reflects, to a very marked degree, the tenure of Robert Fulford.

The second accrual (13-2002) is organized into 6 series : Writers Files kept by editor Paul Wilson; Letters to the editor (Christina Brandao, John Fraser, Lisa Rundle, Robert Weaver and Kenneth Whyte); Production; Awards and photographs; News clippings and Card index. This accrual was received with a book collection and issues of Saturday Night from the 1930s and 1940s with a few earlier issues. The book collection and journals are listed separately and will be catalogued for Research Collections independently of this accrual. The third accrual (02-2003) is organized into 3 series: Editorial correspondence; Writers Files and Awards and Letters to the Editor. When the magazine suspended publication in 2005, all files at St. Joseph Media offices were removed; they did not come to McMaster. The fourth accrual (27-2007) consists of printed materials re the history of Saturday Night compiled by George Fetherling.

The first accrual (2014-042) is organized into 2 series: correspondence, which consists of correspondence relating to her publishing and business career at the above publishing houses and organizations; and personal and biographical.

Fonds contains personal material and records related to Stephen’s professional roles, including speaking notes, correspondence, research material, and audio-visual material. Several series are arranged by the offices he held over the course of his career: i.e., Member of Provincial Parliament and Leader of the Ontario New Democratic Party (1963-1977), Canada’s Ambassador to the United Nations (1984-1988), Deputy Executive Director of UNICEF (199), and United Nations Special Envoy to HIV/AIDS in Africa (2001-2006). See Arrangement field for more detail.

The fonds consists of material related to Alan Walker's research, recordings, and other professional activities. As well as personal material, including correspondence. The third accrual contains 30 items related to Liszt and his Circle, including 14 letters from Liszt.

The fonds consists of material related to Sutherland's writing, including the marketing, publishing and promotion of his works; material pertaining to speaking engagements and workshops; the works of other authors; and material related to his personal life and that of his son Malcolm Sutherland (1984-2009). The fonds contains correspondence, manuscripts, clippings, and other material.