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This collection of Eaton materials was created by the Canadian Broadcasting Corporation during the production of the programme, "The Prophet from Pugwash". The producer was Carol Moore Ede Myers.

Collection contains original artwork and copies of posters for the McMaster Campus Cinema screening program; posters or comic art created or collected by Art Cooper; and fanzines and mini comics created in the Southern Ontario region, particularly in the early 1970s.

Collection comprises records related to Portuguese political figures and members of the royal family who lived in the 19th-20th centuries.

Collection comprises letters and manuscripts from authors writing in the English language, predominantly in the 20th century.

This collection of postcards pertaining to Palestine and Israel comprises two parts.
Part 1: 114 cards produced by Shlomo Narinsky (1885-1960), a Russian-born Jewish photographer, of Holy Land portraits and scenes, printed in sepia photogravure in 1921 by the Jamal Brothers of Jerusalem (numbered 1-118, lacking numbers 82, 106, 108, and 111, but the missing cards were apparently never printed). There are also six other cards from the Middle East, not part of the Narinsky set of cards.
Part II: Souvenir of the Holy Land, old and new Jerusalem (18 b&w cards); Bethlehem (10 colour cards); Ancient Jerusalem model (10 colour cards); Souvenir of Jerusalem (10 sepia cards); Kibbutz Lohamei Haghettaot (6 colour cards); Eilat (9 colour cards); Caesarea (9 colour cards); 2 sets of Nazareth (9 colour cards apiece); Israel Exploration Society, Beth She’arim (10 b&w cards); Jerusalem (10 colour cards); Safad (6 colour cards); Yad Washem (7 colour cards); Jericho (10 colour cards); Flowers of Israel (10 colour cards); Hebron (7 colour cards); Haifa, Little Folder Series (15 colour cards); Galileee, Little Folder Series (15 colour cards); Negeb, Little Folder Series (15 colour cards); 30 colour cards of various scenes.

The collection consists of 22 drawings.

Collection consists of scripts and artwork from two of Ho Che Anderson’s comics: I Want to Be Your Dog (an erotic comic originally published in five issues from 1990-1991 and later released as a collected edition in 1996) and Miles from Home (published as a digital edition in 2013).

Content warning: Collection features sexually explicit materials, including records which depict sexual assault.

The overwhelming majority of the collection deals with Canada. The subject matter is varied, and deals with many aspects of Canadian history, literature, social and political conditions. Included are pamphlets on religion and churches, all levels of government, elections, peace movements and war service, Communism, local communities and labour organizations to name but a few of the topics covered. Approximately 250 pamphlets date from before 1867. Several of the pamphlets are in the French language. Some pamphlets in this numbered collection have no relation to Canada; they are mainly British and American although a number of pamphlets concern Cuba and Third World countries. At least one pamphlet about Ireland is in Gaelic; a few pamphlets are in other languages.

Collection consists of recordings made by Ruth Ann Borchiver in which she interviewed former members of the Canadian Communist movement, living in Toronto, for her doctoral thesis in applied psychology at the University of Toronto. The first interviews were conducted in 1984 and 1985 and the second interviews were mostly conducted in 1986 and 1987.
Borchiver asked participants about the events that led to their adoption of Communism; their reaction to perceived inconsistencies in Communist politics; their response to Khrushchev’s 1956 “Secret Speech” and other revelations about Stalinist rule; and their responses to significant events in Soviet history, including the Moscow trials of the 1930s, the Soviet non-aggression pact with Germany (commonly known as the Hitler-Stalin Pact), and Soviet interference in Yugoslavia.

Borchiver’s analysis centred on three themes: the conditions which led to the participants’ “conversion” to Communism, the conditions which led to the disconfirmation of their beliefs, and the conditions of proselytizing behaviour following their disconfirmation. The result is a description of ideological change from a millenarian outlook for achieving change through revolution to a tempered belief in incremental social change. Her methodology is socio-historical biography, using semi-structured interviews.

The first interview questions followed, but were not limited to, the following topics: early experiences of socialist ideation, feelings of achievement in the movement, reactions to revelations of the mid-1950s including Nikita Khrushchev’s Secret Speech (1956), and their current beliefs regarding socialist ideas. The second interview focused on the following topics: Trotskyism, the Moscow Trials, Social Democracy, the German-Soviet Pact, and Soviet interference in Yugoslavia and Czechoslovakia.

The study was conducted on twelve people who were active in the Canadian communist movement prior to 1960, commonly referred to as the “Old Left.” Respondents included three women and nine men, who ranged in age from 65 to 83 years old and joined the Communist Party of Canada between 1923 and 1935. One participant was expelled from the Party in 1949, nine defected in 1957, and two left in 1960. Six participants were in the full-time employ of the Party for most of their careers, and six were leading Party activists. Six were European immigrants and six were born in Canada of immigrant parents. The thirteenth interviewee, who is not included in the final dissertation, was interviewed in hospital but not recorded.

The collection reflects Harvey Feit’s work with Eeyou (Cree) governments and communities in Eeyou Istchee (primarily Northern Québec), particularly around the creation and implementation of the James Bay and Northern Québec Agreement. The collection consists of the following: academic papers; reports, correspondence, and meeting minutes from Eeyou negotiators and governments; legal records, including factums and transcripts of witness testimonies for various court cases; and news clippings.

The collection consists mostly of the research materials compiled by Monika Jensen-Stevenson and William Stevenson for their book, Kiss the Boys Goodbye, published by McClelland & Stewart in 1990. Included are: research notes, transcripts and notes from interviews, photographs, and many photocopied documents. The collection has been arranged into five series: Research materials: families and friends of POWs/MIAs, military personnel, CIA; Research materials: journalists, politicians, lawyers, and others; Other research materials; Photographs; Book drafts and other materials.

This collection consists of company catalogues produced by Canadian firms. The catalogues are mainly from manufacturing companies, although there is one for cattle and there are some retailers. Products manufactured vary greatly from clothing to bicycles, doors, and steam power equipment. Retailers include Birks and Eaton's.

The collection consists of trench maps and aerial photographs created during the First World War. The majority of the maps were created by the British Ordnance Survey for the Allied forces, although a few German, French and other maps purchased privately by officers exist within the collection. As the collection is almost exclusively made up of British mapping, coverage is limited to the British sector of the Western Front extending from the English Channel in the north to the vicinity of Reims in the south.

The aerial photographs were produced by the [British] Royal Flying Corps (renamed Royal Air Force when it merged with the Royal Naval Air Service in 1918). However, a few French and German examples exist within the collection. Approximately 350 photographs in the collection have hand annotations ranging from simple circles indicating the location of important features on the recto to full, textual descriptions on the verso. Approximately 90 additional photographs are mounted in an Album acquired from the University of Alberta.

The Anderson affair concerns charges of racism against black students by a white faculty member, Professor Anderson. The collection consists of printed materials, including statements, chronicle of events, newspaper articles, posters, and transcripts of the interviews contained on the audio cassettes.

The collection comprises records related to Seth’s illustrations and design work for ten of Stuart McLean’s Vinyl Cafe books and audio recordings. Documentary forms include production notes, original illustrations, overlays for printing, and colour chips.

Collection consists of newspapers and periodicals (114 titles, ca. 400 issues); broadsides (33 items); leaflets (341 items); and books and pamphlets (84 items) and other documents (27 items) produced by or relating to the underground resistance in France during the Second World War. Also included are related materials: ephemera from the pre-War and “Phony War” periods (15 items); Free French and other foreign publications (43 items); items related to the liberation of Paris (8 items) and to the period immediately after the liberation (45 items); autograph letters and manuscripts (20 items); and books inscribed by their authors (60 items). Most of the documents are in French, while some are in German or Yiddish.

The collection consists of an incomplete set of the transcripts of the trial held in the District Court of Ontario, Toronto, Ontario, beginning on 7 January 1985. The collection is supplemented by Did Six Million Really Die?, report of the Evidence in the Canadian "False News" Trial of Ernst Zundel, ed. Barbar Kulszka (Toronto, 1992).

This collection consists of various pieces of ephemera and other items related to the Second World War.

Realia and ephemera related to the First World War.

This is a small collection of posed group photographs of military and civilian units, the majority of which are mounted on board and list the individuals in each photograph.