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The fonds contains photographs, a post card, and other material.

There have been several accruals. The collection consists of correspondence, mainly to Sir Newman Flower, manuscripts and typescripts. The manuscripts include Mr. Britling Sees It Through, which was published in 1916. There is also correspondence to Seigfried Sassoon. There is a one page memoir of Wells by one of his secretaries, Winnifred Classey. The collection also consists of an extensive holding of periodicals containing articles by and about Wells.

The fonds contains poem manuscripts and a single letter. The identity of Mrs. Russell, to whom the single letter in this collection was written and for whom the poems, addressed to "Lydia", were presumably composed, is unknown.

The focal point of this collection of sheet music is the First World War. These songs do not reflect the idea of war as it is commonly thought of in popular imagination: battlefields, trenches and heroic charges. These songs were not, for the most part, written for the soldiers. Instead, they reflect the daily experience of the Canadians who remained at home during the war and the way people thought about the effect the war was having on their lives and on their country. They do not address changes in society explicitly; instead they go deeper, preserving the visceral responses of Canadians to the war as it was happening. This sheet music offers an intimate picture of the conditions out of which post-war Canada grew.

There have been two accruals. The first accrual consists of a telegram, programmes, menus, newspapers, post cards, and a commemorative medal. The second accrual consists of a passport, guidebooks, and a postcard of the Vimy Memorial.

There have been three accruals. The collection consists of materials mainly related to travel in Canada. It includes pamphlets and leaflets, maps, posters and information about various methods of travel.

This collection consists of taped interviews, some with transcripts, of interviews done by Alan O'Connor notes, correspondence, and draft copy of his report "Real Live Type", 1985.

Tokens such as these were issued in many places in England between 1787 and 1800 when the government failed to mint enough copper coinage for the conduct of business. One of the coins is a Samuel Johnson copper coin, the other is a Jack Lackington copper coin.

The collection consists of 31 letters to Edward Sackville-West (1901-1965), mainly concerning Tippett's opera The Midsummer Marriage. There is a great deal on the production itself, music problems, and his ideas for casting the roles. Tippett's other compositions are not neglected, and there are references to his Piano Concerto, Child Of Our Time, Variations on a theme of Corellie, and The Heart's Assurance. There is much comment on the general problems of composition.

The collection details Rev. Garnet Lynd's personal involvement in the temperance movement in Peel and York counties and his function as a member of the Ontario Temperance Association.

The temperance collection consists of manuscripts, correspondence, pamphlets, leaflets, posters, news clippings, government documents from various countries, lantern slides and realia. There have been four accruals; the first two accruals have been combined. Serials and monographs belonging to these accruals have been separately catalogued.

The collection consists of memorabilia relating to Swift: copies of one of his letters, copies of notes on the Swift family made by Swift, brochures relating to the celebration of his Tercentenary in Dublin in 1967 and a scrapbook containing photographs of Swift and of people and places associated with him.

This collection (19-1997) consists primarily of 32 letters, 3 post cards, 2 cards, and other enclosures written by Arthur Stringer and addressed to Mary Belle Edmonds, a school teacher from St. Thomas, Ontario. They first met in 1933 on the Newfoundland-Labrador boat cruise.

The collection consists of 6 letters, only one of which is from Stead. There is a letter from Arthur Sherbo who enclosed three of his articles on Christopher Smart. There is one manuscript page by H.W. Powell, a writer of nature notes for the Oxford Times and a typescript biographical sketch of Stead by his son, Julian. There is a pen and ink caricature of Stead done by R. D. Usherwood at Worcester College in 1931; a few news clippings, and an issue of Alumnae Journal of Trinity College which published an article by Stead about T.S. Eliot whom he had baptized into the Church of England. The collection was supplemented by books by Stead and two books belonging to him which have been catalogued.

The black and white photographs were either taken and/or collected by H.C. Hodgens of Peterborough, Ont. He was presumably an employee of Morrow and Beatty Ltd. Most of the photographs are undated, but those that are dated were taken in 1927 and 1928. Some of the photographs have either written or typed captions. They depict the Mattagami River, Smoky Falls dam and power plant, the paper mill, the rail line as well as unidentified men. Most of the photographs have numbers stamped on their versos from 00 to 96. They have been removed from an album.

The second part of the collection consists of news releases, letters to employees, and other communications created during the 1968 labour dispute between Papermakers and Paperworks Union, Local 256, and the Spruce Falls Power and Paper Co. Ltd. and Kimberly-Clark of Canada Ltd. The material belonged to John Grimshaw, who was the mediator for the dispute.

The collection consists of pamphlets, periodicals, newspapers, posters, and other ephemeral material, and correspondence. Selected samples of organizations include: Friends of the Abraham Lincoln League; Medical Bureau to Aid Spanish Democracy; Spanish Information Bureau; American Society for Technical Aid to Spanish Democracy; Spanish Refugee Relief Campaign. There is correspondence from the following: Phil Bard, Edward K. Barsky, Ralph Bates, Fred Biedenkapp, Anita Brenner, Howard Fast, Mrs. Henry Goddard Leach, Dorothy Parker, John Dos Passos, Paul Robeson, Vincent Sheean, John Sherman, Milton Wolff.

There have been three accruals. The first and principal accrual of the collection was compiled by his close friend and admirer, Frank Holliday. During the 1960s the composer agreed to allow Holliday to tape record him playing his own compositions. Their correspondence over a forty year period as well as the audio reels and cassettes are the core of this collection. The reels have been reproduced on audio cassettes for use by researchers. The number of audio cassettes listed above refers only to original cassettes.

The fonds consists of correspondence and writing by and about Sonka. It also includes some audio visual material related to his life.

The collection contains letters from Pablo Casals, Albert Einstein, Gustav Holst, William James, Clara Schuman, Peter Tchaikovsky, Cosima Wagner, and others. Smyth drew on these letters in her autobiographical writings.

There is one letter from Smyth to Kenneth Wright, 19 November 1929. For additional letters written by Smyth, researchers are directed to the Eric Walter White fonds.

The fonds consists of letters and a print portrait. Only one letter in the collection has an identified recipient, Samuel Rose.